The Trojan Women
The Trojan Women
PG | 26 September 1971 (USA)
The Trojan Women Trailers

In the aftermath of the Trojan Wars, Queen Hecuba takes stock of the defeated kingdom. Her son has been killed, and his widow, Andromache, is left to raise their son, Astyanax, alone. Hecuba's daughter, Cassandra, fears being enslaved by her Greek masters, while Helen of Troy risks being executed. Astyanax also becomes the focus of the Greeks' attention as the last male heir of the Trojan royal family.

Reviews
Freaktana

A Major Disappointment

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TaryBiggBall

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

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Hadrina

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Marva-nova

Amazing worth wacthing. So good. Biased but well made with many good points.

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gelman@attglobal.net

If you have any interest whatsoever in Greek tragedy, this is a film not to miss. It's done in English (an Edith Hamilton translation), beautifully filmed and it has four major actresses in the principal roles: Katherine Hepburn as Hecuba, the widow of Priam, Troy's king, Vanessa Redgrave as Andromache, Hector's widow, Genevieve Bujold as Cassandra and Irene Papas as Helen, whose decision to leave King Menelaus for the visiting Paris precipitates the war. Hepburn has the dominant role and is always in the foreground or the background, but each of the other stars has a moment when she is at the center, and each of them acquits herself in great style. There's also a Greek chorus of women, each striking in appearance. Given the color of their eyes and the differences in their complexions, the members of the chorus are by no means all Greek unless pale skin and blue, green or hazel eyes has become an ethnic characteristic of Greeks when I wasn't looking. Papas, of course, is a classic Greek beauty, and she isn't pale skinned or blue eyed. Hepburn, Redgrave and Bujold don't look very Greek either. But when it comes to the classics, who cares? The dialog is mainly declamatory, as is the case with most Greek tragedies that I've seen, and the action is sparse. But Euripides was a great dramatist and the emotions run both high and deep. Hecuba has lost her husband and all her children except Cassandra who is mad and about to be taken as a slave. Andromache has lost her husband and is about to have her son taken from her and killed before she is forced into slavery. And, the beautiful, seductive Helen, hated by all the Trojan women, is trying to persuade Menelaus that "Aphrodite made me do it"while Hecuba urges him to kill her. Michael Cacoyannis (the way it's spelled on the DVD, though not on IMDb) directs the movie efficiently. Greek drama isn't very fashionable these days but The Trojan Women is a good introduction to a great body of work.

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olarko

You must understand the form of classical tragedy to appreciate truly this film. Then you will see that Cacoyannis does, his four major actresses do, and the rest of his cast do, right down to the boy who plays Redgrave's son.The four actresses have tragic arias -- there is no better word for it -- that they play magnificently. One always knows what is going on in this film because the text is translated so perfectly; the direction is so clear; and the actors play directly to that text. All are brilliant.Don't look for special effects; there are none. Greek tragedy needed none. There are no chariot chases, no blowing up of the Parthenon as two smart-assed "detectives" grin and compliment each other, no two heroines outwitting all the police in the district and end up driving their chariot into a handy canyon. Sorry, gang, the play's the thing here -- and what a play and how well it is produced and performed.If you love classics -- text, acting, and production, don't miss this one for any reason!

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CineMan-8

A greek tragedy is very hard to be made into a movie. In my opinion it is really almost impossible as there are often long monologues that can't be cut or improved in any way. Nevertheless Michael Cacoyannis tried, and succeded in filming the best anti-war work ever written. The film is a bit stagy but that is how it should be. Being the editor of his film too, he manages to create a unique atmosphere that in the beginning seems a bit akward but as the plot develops you understand that it is the ideal. The scenery is excellent. We see only the total destruction of the city and that's all we need to see as the narrations must "draw" the total picture of the inner part of the city in our minds. All the performances are first-rate. Katharine Hepburn is heart-breaking as Hecuba. She cries for her lost sons, husband and city. She loves the city and hates the Greeks who give her, the queen of Troy, as slave.G.Bujold is also excellent as Cassandra. She seems crazy, but she is fully aware of the fate. She delivers a balanced performance avoiding exagerations. Irene Pappas is stunning. Looking more beautiful than ever, she manages to stand opposite Katharine Hepburn's Hecuba and deliver an excellent and utterly convincing performance. But the great performance of the picture is surely Vanessa Redgrave's. Her Adromache seems strange at the beginning but when her character is fully developed, you understand the genius of her performance. This picture is a must-see not only for the excellent performances delivered but four of the greatest actresses of their generation but also for the importance of Euripides play.

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Coxer99

All four female leads stand out in this superb adaptation of the classic Greek tragedy. The production design is a bit stagy, but it doesn't hurt the production. Hepburn and Pappas are especially standout.

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