Simply Perfect

Good concept, poorly executed.

best movie i've ever seen.

It’s sentimental, ridiculously long and only occasionally funny

not the film. only presence of few actors with clear potential for decent work and the choice for Edgar Allan Poe. because it is one from many confuse films about nothing, who use a great piece of literature for a real ambiguous purpose. the good intentions are not enough in this case because it has not a start point and a finish line. it seems creepy and inspired by Gothic but without relevant result. the Ukrainean flag on a Russian palace is the best proof for an improvisation who remains only game with old clichés. bad detail is the fact than the film has not desire to convince the viewer. all is only a boring travel among stereotypes of genre, ignoring substance or a little dose of credibility. only a fake horror who use Wes Bentley, Eric Roberts and Michael Madsen only as hangers for poor characters.

I would normally give "The Tomb" about five stars, if only because it was made in a competent manner (i.e., you can hear everything, the editing is reasonable, shots are framed, etc.). But I have to deduct one star for being so blatantly derivative and one star for being an insult to Mr. Poe. No, wait...I'm taking another star away because everybody is just so BAD in this film.The story is only minimally based on Poe's short story. I can hear the producer's now..."What? No children in danger? Add one! No sex? Add some! How does she come back from the dead? Through strength of will alone? No good! Add some satanic rituals and symbols. While you're at it, go find out how much Michael Madsen and Eric Roberts want for small, crappy parts. Nobody else is hiring them, so we ought to be able to get them for a song." (Madsen and Roberts have two totally irrelevant and shoddy roles in this production, but I guess that Madsen has to buy black hair dye somehow.) What is more fatal to this film than anything else is that we just don't care about any of the characters. We don't hate any of them, we don't like or sympathize with any of them. They just sort of exist to deliver their lines.As far as excitement, forget it. There isn't any. No nudity (worth mentioning,) no gore, no mystery, no chases, no fights (of any length or quality,) no shocking or surprising moments. It's just drab.Overall, a very stinky film. Don't bother.

"We will never have to pay that price. We can live forever."I don't know why I watch movies like these. They're clearly going to be awful. All the reviews I read further reinforced the fact that it was going to be awful. But, I still felt compelled to see it, anyway. And yep, it was awful.The problems were myriad. The scares and horror aspect of The Tomb were surpassed by most of The Goosebumps books I read as a kid. The story was silly and bland. The attempt to appeal to the audience with sex fell flat with scenes that would hardly earn a PG-13 rating and had no chemistry between the participants.The absolute worst things about The Tomb, though were the acting and the script. The entire cast was uniformly wretched, especially Wes Bentley and Sofya Skya. Sofya is certainly a very beautiful woman, but she would be wise to reconsider this whole "actress" thing. And Bentley came close to achieving the feat of making me never want to see another movie that he's in, ever. As for the script, describing it as "amateur" would be an insult to everyone who has ever been an amateur at anything in the history of the world. The dialogue is abysmal, and I can't imagine that anyone spent more than a few hours writing this.I don't know what kind of dire financial situations are responsible for Eric Roberts and Michael Madsen being in this dreck, but I'm willing to offer money out of my own pockets to help them never have to be in anything this terrible, again. The only possible entertainment to be gained from The Tomb is from making fun of it. It's hilariously bad, but still too boring for me to recommend even for a laugh with your friends.

A professor, named Jonathan, in social arts notices a seductress that seems to appear at all of his lectures. He makes the mistake of approaching for she is much more menacing then Alicia Silverstone in "The Babysitter." She successfully conjures up a love spell on the Jonathan and convinces him not only leave his girlfriend, but to relocate to a Manor in the countryside. Meanwhile, the audience discovers she is secretly working on an Experiment to harvest human souls in order to achieve eternal life (a Tale From the Crypt episode comes to mind.). Overall the movie deserves a C for it is fairer then poor, but doesn't scream in exclamation. The character Jon seemed awkward at times and a tidbit flatlined of emotions, Ligeia was represented well as the antagonist and gives a convincing performance. The manor doesn't disappoint and leaves a lot to the imagination; It has a Gothic touch that Poe fans will enjoy. I'll leave up to whether it's worthy of screening up to you, Dear reader.