Plot so thin, it passes unnoticed.

I gave it a 7.5 out of 10

I have absolutely never seen anything like this movie before. You have to see this movie.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

For the first half of this movie, mostly consisting of introductions and rising suspense, the story was fantastic. Many of the scenes were unsettling and they successfully introduced each important character while keeping the plot going. Special effects-wise, the movie is absolutely laughable, yet the creepy portions of the movie kept the suspense building. In fact, that's one of the major successes of the movie; it builds tension by having creepy moments interspersed with unsettling scenery and props. Unfortunately, due to the writer seemingly giving up after building aforementioned suspense, we get a movie that builds lots of suspense, but never really tells us what the monster was, or how it was defeated. We are left bereft of resolution and closure. It is left to the imagination how real the monster was, and there is no satisfaction of knowing that the cast has overcome great obstacles.The movie is tense, and builds suspense, but on a plot line, it doesn't comprehend that a climax and resolution are necessary to end a good story. Without a climax, there is no way to truly evaluate a story for meaning, and thus the strong first half is useless.*spoiler warning*As far as I could tell, there is an attempt to use uncertainty between reality and hallucination as a plot device. When a doctor in the research reel suggests that the patients hallucinate an astral projection, they are /actually/ projecting, and a vampire-like doppelganger takes control. Supposedly, by believing in an afterlife, one can protect themselves from these beings. (There's also some strange portion about a virgin becoming pregnant). The film has pretty lofty goals, but could have been trimmed and given a climax and resolution. If that had been done, it would have been a good addition to the genre.Unfortunately, the film does a poor job of providing this information, leaving the viewer without any solid facts to orient themselves. This disorientation is excellent while building suspense, but should have been fixed after the climax, or during.

THE SYLVIAN EXPERIMENTS in its depiction(s) of medically-induced paranormal power(s) brings to mind some of the early work of Canadian filmmaker David Cronenberg; i.e.; the black and white short STEREO and the feature film that may or may not have sprung from that, SCANNERS, as well as the mind-bending VIDEODROME (not to mention dozens of other such movies in between- and since). When her daughter Miyuki joins a group of would-be suicides in an airtight van with the treacherous Hattori, her mother takes the opportunity to subject her to a series of experiments, promising her: "You're going to see what humans can't. The reality of the world beyond our world." Following the experiment, Miyuki disappears from her mother's clinic with another subject. Miyuki's sister, Kaori, arrives to try to help find her, but when she and her mother return to the clinic, everyone there is dead. In a VERY Cronenbergeque scene, her mother shows Kaori that the walls have become "just like skin" because Miyuki's thoughts have started to affect the Reality all around her. There are some great twists near the end of the movie, but the ending itself is surprisingly disappointing because it's been done a million times before. Still, I would recommend THE SYLVIAN EXPERIMENTS to anyone who's a fan of David Cronenberg or of exceptionally well-crafted Japanese fright films.

'Kyofu' starts out as intriguing only to plummet into muddled vagaries and plot-less shenanigans with an overly ambitious undertone and is never fully realized. The initial thrust of the movie includes a failed suicide who ends up a guinea pig captive of her own mother, the experiments including brain surgery in a quest to alter human perception and bring the species to a whole new level. A chilling scenario given that the point of the reference were human experiments that the Imperial army actually performed on prisoners of war during WWII.In fact, the horrors of such things like Unit 731 are beyond anything 'Kyofu' could ever hope to achieve, testifying that real life can so often trump fiction. But perhaps it is unfair to expect this movie to deliver on that account, however, this is a movie spawned from a rich tradition of scary cinema and it fails to live up to the expectations within the genre.Instead of exploring a genuinely scary story the movie loses itself in meanderings about life after death, virgin pregnancy, a looming bright light that becomes very fake looking CG created fog to represent the never quite explained threat, and there is even one of those infuriating twists that by now are all too tiresome.'Kyofu' does try to be scary and its vocabulary is for the most part that of Asian horror with a slow pace, plenty of moody scenery be it a creepy clinic or the many forest scenes that seem to invoke such classics as the Tale of Two Sisters. Unfortunately it does not adhere to the aesthetics by adding conspicuous special effects that become more laughable as the movie reaches its convoluted climax.Through most of it there is a feeling of disconnected bits all pieced together with no actual sense, almost as if scenes could have been edited in any random order to the same general effect. While not long it feels like it exhausted itself long before it comes to an actual conclusion. The characters seem only half present and their very stilted lines about the afterlife ring hollow.All and all, it's a shame how such promise was wasted. Here was an opportunity for dealing with one of the darkest sides of Japan, its frighteningly high suicide rate and to possibly go into beyond disturbing human experiments to justify the title of 'Kyofu' (Fear). Hailing from the writer of the ever so famous Ringu this effort comes across as a disappointment on all fronts.

Dr. Hattori and her husband watch footage of brain surgery experiments with Manchurian, Russian and Japanese guinea pigs that had been found in the basement of a wrecked hospital. Out of the blue, there is a white light and when they look back, they see they children Ota Miyuki and Kaori staring at the light.Years later, Miyuki (Yuri Nakamura) vanishes from the Tama Medical University Hospital and her sister Kaori (Mina Fujii), Miyuki's boyfriend Motojima and detective Hirasawa are seeking her. However, Miyuki and the teenagers Kazochi, Takumi, Hattori and Rieko have been submitted to a nightmarish experiment by Dr. Hattori and her team with tragic results."Kyôfu" is an intriguing film, with a mad scientist that submits her daughters and other teenagers to creepy experiments that recalled me the Dharma Projet from "Lost". Unfortunately the screenplay is a complete mess and despite the good acting, cinematography, make-up and effects, the film is unintelligible. My vote is three.Title (Brazil): "Herança Amaldiçoada" ("Cursed Heritage")