Very Cool!!!

Best movie ever!

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

A minor but irresistible Gothic melodrama with a rampant star performance by Charles Laughton (though he gets little to do in the second half - in fact, the film sags a bit during its latter stages). Boris Karloff's role is a good one, though clearly supporting Laughton rather than co-starring; actually, too much time is devoted to the rather insipid romantic leads (Richard Stapley and Sally Forrest) - though the supporting cast (including character actors such as Paul Cavanaugh, Michael Pate and Alan Napier) is adequate enough.The plot itself is quite intriguing - leading up to a satisfying climax that's strikingly similar to the one in another Karloff film, THE RAVEN (1935). Of course, THE STRANGE DOOR reunites Karloff with Laughton almost 20 years after THE OLD DARK HOUSE (1932) - as in that film, they engage in a fisticuff at the end - and also returns the actor to Robert Louis Stevenson territory (albeit in a non-villainous role) after his unforgettable turn in THE BODY SNATCHER (1945). Despite the obvious low-budget (a fact that is betrayed, more than anything else, by having its entire score comprised of themes from previous studio efforts - including the nth revamp of the instantly recognizable cue from THE WOLF MAN [1941]!), the film is crisply shot in black-and-white and, in spite of the rather pedestrian direction, it makes the most of its limited sets.

While the movie publicity foregrounds Boris Karloff as the "sell" for this picture, it's actually Charles Laughton's vehicle more than Boris's (Boris is relegated to a supporting role as a wily henchman ready to slit throats for his master who is imprisoned by Laughton's diabolical Sire de Maletroit). But there's plenty to chew on even for Boris purists, as he has some choice moments here and there and eventually saves the day (oops! should I not have told you?). The film is full of splendid atmosphere, but may seem like fluff to contemporary audiences who can't fathom the "issue" importance of pretty Sally Forest being married off to a rogue against her wishes (you see, in those days people were wed for life). And still, the film is really about mood over material and -- in my humble opinion -- it succeeds beautifully as a lesser-known thriller of court intrigue and swashbuckling derring-do. Laughton is superlative as a sleazy nobleman whose personal hatred of his imprisoned brother drives him to make every attempt to dash the happiness of the niece in his charge. Supporting players are fine also, with the always lurid Michael Pate on hand as well as William Cottrell as Laugton's sadistic servants. Nothing supernatural here, necessarily, as one might hope from a movie combining the talents of Laughton and Karloff, but the Robert Louis Stevenson based-story doesn't disappoint from a romantic or melodramatic standpoint. Even Richard Stapley's somewhat fey hero (who doesn't seem remotely like the rogue Laughton believes him to be) can't sink this one. Whoever said it was dull obviously doesn't have much to work with in terms of an imagination. Pop some popcorn, curl up on the sofa late at night, and enjoy this period-piece. How often do we get to see Laughton cackling away in a dungeon (where he goes "to relax" as he puts it)...or Karloff as the hero...?

"The Strange Door" was based on the Robert Louis Stevenson story "The Sire de Maldroit's Door". The film appears to have been an effort by Universal to revive its profitable Gothic horror genre of the 30s and 40s. Unfortunately, the film has the look of a "B" movie and Director Josph Pevney was unable to rein in star Charles Laughton's hammy performance.Alan de Maledroit (Laughton) lures unsuspecting tavern rogue Denis de Beaulieu (Richard Stapely) to his castle after framing for a murder. de Beaulieu enters the castle through the strange door of the title, a door that seems to open and close on its own without benefit of a handle or lock.de Maledroit plans to force the young man to marry his young niece Blanche (Sally Forrest) and by selecting the most reprehensible character he could find, hopes to avenge her mother's rejection of him years earlier. Blanche's mother had died in child birth after marrying her father Edward, Alan's brother. Edward (Paul Cavanaugh) unbeknown st to Blanche, has been imprisoned in Alan's dungeon these many years. Only Edward's loyal servant Voltan (Boris Karloff) remains loyal to him.As luck would have it, the young couple do actually fall in love. The marriage takes place but Denis feigns drunkenly in order to escape the castle with the aid of an old acquaintance Count Grasson (Alan Napier). However, Grasson is murdered and the newly weds are imprisoned in the same dungeon as Edward. Only Voltan stands between the mad de Maletroit and freedom. Can they escape?Had Laughton's performance been controlled by a stronger director, this could have been a much better film. Karloff as usual, is better than his material in a largely supporting role. I can picture him in the de Maledroit role and bringing much more depth and horror to the role. The set pieces evoke memories of Universal's earlier horror successes. The strange door of the title has little to do with the plot other than to trap de Beaulieu in the castle.Others in the cast include William Cottrell as Corbeau, de Maledroit's assistant and Michael Pate as Talon another of de Maledroit's thugs. Laughton and Karloff had first appeared together in "The Old Dark House (1932). Followed by "The Black Castle" (1952) before the studio abandoned Gothic horror for the giant insect cycle.

Good Old Boris! He always said "I'll never retire...I want to go out with greasepaint on my face and my boots on" In 1952 he was 65 years old. Charles Laughton was 53 at the time, but looked considerably older. Together their performances in this film make it worth the watch. Laughton chews the scenery a bit in places but his over the top acting make it that much more fun.Based on a Robert Louis Stevenson short story this 80+ minute film has much going for it: fist fights, carriage chases, deception and trickery, murders, and a love story thrown in for good measure.And Good Old Boris, although shot and stabbed, manages to help save the day just in the nick of time.Boris was a trouper. Watching him crawl across the damp cobblestones I was reminded that in his remaining 17 years he continued to work in films, never complaining, and often performing in grueling weather conditions where he always seemed to end up caught in the rain, lying in a puddle, or dunked in a vat of water.Watch this film for the fun of it. The plot holds together just fine and it is an enjoyable glimpse of two veteran actors who make the most of their roles.