The Stone Council
The Stone Council
| 15 November 2006 (USA)
The Stone Council Trailers

In France, the single translator Diane Siprien adopts an Asian baby named Liu-San in a foundation directed by Sybille Weber. Years later, a weird mark appears on the boy's chest and Diane and Liu share their dreadful nightmares. Diane is assigned for a three-day job in Germany and she leaves Liu with her friend Sybille. However, while going to the airport, Diane finds Liu hidden in the backseat and startles with an eagle flying toward the windshield, crashing her car. Liu falls into a coma and his digital recorder records the boy speaking in an unknown dialect. When Diane searches the translation and the origins of Liu, she is surrounded by mysterious murders. She discovers that the dialect is from the mystic Mongolian Tseven tribe and that Liu is a powerful Observer; further, he is in danger, threatened by sorcerers that need the boy for their Council of the Stone..

Reviews
KnotMissPriceless

Why so much hype?

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ReaderKenka

Let's be realistic.

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Lela

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

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Catherina

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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MissMarauder

I began watching this film with great interest due to the genre and the 2 lead actresses. I was told it was the French 6th Sense. I only wish my 6th sense had been working and told me not to waste my time watching it. only got to the end by playing games on my computer at the same time. as it had subtitles I had to keep looking for a while but soon there wasn't much dialogue and all I could hear was Monica Belluci gasping and panting as she struggled to survive a series of shocks and physical feats that would have put Bruce WIllis under a lot of pressure. Catherine Deneuve must have had a laugh making some of the scenes and had a frozen blank for most of it ( trying not to giggle perhaps)? The camera concentrates on close ups of Monicas face a lot too and as she appears to be in shock and gasping for air for a large part of the film it becomes very annoying. Yes there are a few spots that keep you watching for the special effects and but mostly these sort of scenes have been in many other films. If you get to the end well done!

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dbborroughs

Monica Bellucci adopts a young Asian child. Years later Bellucci begins having nightmares and someone or something seems to be interested in her son, who it appears has a great hidden power.I love the idea of Bellucci and Catherine Deneuve in a movie together. I only wish the pairing wasn't in a movie as dull as this. Its a been there and done that film (I mean how many films are there where the adoptive parents didn't know their kid was special?) that has nothing new to offer. Its such an "exciting" film and I was so "intrigued" by what was happening that I didn't bother to finish the film when the DVD I wigged out and wouldn't play, I simply put it into the returns slot and let someone else deal with it. I'm guessing that thats whats been happening all along with that particular copy of the DVD. Don't run the risk of getting the bad DVD thats floating around, don't see this film.A snoozer.

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gridoon

Monica Belucci's fully committed performance, as well as her commendable willingness to appear as unglamorous as possible (with very short hair, limited or no make-up, often bloodied-up and dirty), are wasted in this semi-supernatural thriller that suffers from a muddled script (just like a previous adaptation of a Jean-Christophe Grangé novel, "Crimson Rivers" - maybe his books are just too hard to condense in under two hours of screen time), an incomplete finish that feels like a set-up for an (unlikely) sequel, cold direction, plodding pacing, and a completely humorless tone. I honestly found it a bit of a struggle to get through. It will probably be watched / remembered only for the first "cross-generational" on-screen meeting of Belucci with Catherine Deneuve. (**)

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misskudzu

first, i'm not sure those who commented previously (and badly) on this film have seen other Jean-Christophe Grangé's adaptations - if you had, you'd admit LE CONCILE DE PIERRE is by far the best. Grangé's books - besides sucking - are hard to adapt, caus way too dense and not cinematographic; that's why directors/writers usually take lots of liberties w/th the storyline, turning it into a big farce w/th a grandguignolesque denouement (remember LES RIVIERES POURPRES and L'EMPIRE DES LOUPS?). knowing that, i expected the worse, but was pleasantly surprised. Guillaume Nicloux managed to keep his own distinctive style, creating a sticky, haunting atmosphere. now about Monica Bellucci... she's good, period. yes, she moans, cries, looks sad/lost, but damn, she's credible. it's totally refreshing to see her in a different role. as for Catherine Deneuve's being over the top, i never thought she was that much of a good actress, so no comment. rest of the cast was OK, and it's nice to see Moritz Bleibtreu in a french film.so basically don't expect too much from this movie and (maybe) you'll be pleasantly surprised.

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