This Movie Can Only Be Described With One Word.

That was an excellent one.

Clever and entertaining enough to recommend even to members of the 1%

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

I gave it a 7 rating. It certainly deserved more than the 4.8 user rating given it at this point.I was impressed with the high production values, which could be so high for a B Western because there was mainly just one locale -- a stagecoach way station beside a ferry crossing. I liked the substantial cast of well-known actors, the photography, costumes (especially gorgeous Julia Adams in tight-fitting gowns, yum), music, dialog, etc. The overall story was certainly weak. The fast moving story and all the characters and interrelationships made for an enjoyable movie.There is a lot to say on the negative side. You need a lot of "suspension of disbelief" to tolerate the movie. The whites are surrounded and outnumbered by Indians in the stage depot. Everything is against them. In this dire situation, they are lucky that the Indians just want the Colonel to promise not to pursue the Indians for what some renegade Indians did. But the crazy hateful Colonel thinks Indians are always guilty, and says some people have the burden to prove that they are innocent! He won't make that promise. Eventually the Indian chief says it is enough for the Colonel to accompany the Indians back to the reservation, and then he can leave with no promise about returning or not. But the Colonel refuses, so the one-sided battle begins, but incredibly the good guy and his girl fight/kill the Indians to practically the last man standing.The movie also contained silly soap opera relationships between the characters. The soap opera could have been worse and did add to the interest.

The Stand at Apache River is directed by Lee Sholem and adapted to screenplay by Arthur Ross from the novel Apache Landing written by Robert J. Hogan. It stars Stephen McNally, Julia Adams, Hugh Marlowe, Hugh O'Brian and Jaclynne Greene. Filmed in Technicolor on location at Red Rock Canyon State Park and Victorville in California, film has music by Frank Skinner and cinematography by Charles P. Boyle. Story is about a group of people holed up at a stage coach station trying to not only survive the restless Apache Indians wanting to get in, but to also survive each other.OK, picture treads familiar ground as regards the theme of the U.S. Cavalry's attempt to return Indians to the reservations or else! And anyone who has watched a number of B westerns should be wise enough to know how this one is going to pan out. True enough as well to say that the acting on show is passable at best, even if Adams looks gorgeous and is costumed accordingly, and McNally cuts a decent hero in waiting figure. Yet this is comfortably worthy of time invested on account of the group dynamic that forms the thrust of the narrative. As the group: bigot soldier, outlaw, sheriff, 2 women, stage coach driver, come under pressure, it becomes a battle of wills as the opposites start to clash. The human drama within the depot is tightly scripted, but never overly talky, and the makers are keen to instill some action into the story as well. Which duly comes in the form of long range weapon warfare, escape attempts and the actual Apache attacks. There's also a neat twist development that significantly alters the make up of the mood within the depot. Add in some lovely Red Rock Canyon location photography by Charles Boyle and it's a case of a B western delivering a bit more on its promise. It will not hang around in the memory bank for too long after Frank Skinner's typical Cowboy "N" Indians score has closed the picture out, but it's certainly interesting while it's on. 6.5/10

The storyline here is a classic one, I suggest. A group of persons end up trapped by at remote outpost, Apache River, when Apaches break out of the reservation. Already there when a tough sheriff brings in a prisoner are a city girl on her way to meet her fiancé, a bigoted army colonel, the owner's wife who is frantic to escape the arid and lonely locale, and the hired man who fancies her. At first the Indians act peaceably; but the colonel, whom they loathe because of his past crimes against the Indians causes them to lay siege to the station. The city girl blames the sheriff for being too-brutal; the events of the film prove he knows the West better than she does. An interesting episode occurs when they capture the Indians' leader during an Indian strike, and they have a chance to interact with him, before he is killed by his own men. The film was vividly directed by Lee Sholem, with a script filled with good dialogue and action scenes supplied by Arthur Ross from Robert J. Hogan's novel "Apache Landing". The production looks expensive, thanks to contributions from some of Hollywood's best: music by Frank Skinner and others, art direction by Hilyard Brown and Bernard Herzbrun, cinematography by Charles P. Boyle, set decoration by Oliver Emert and Russell A. Gausman, costume design by Bill Thomas, makeup by Joan St. Oegger, makeup by Bud Westmore, and action scene and second unit work by Jesse Hibbs. The rather good cast includes capable Stephen McNally as the sheriff, pretty Julia Adams as the Eastern girl, Hugh Marlowe as the evil Colonel Moresby, Hugh O'Brian as the station owner, Jaclynne Greene as his unhappy wife, Jack Kelly as the smitten helper, veteran Russell Johnson as the captured killer, and powerful Edgar Barrier as the captured chief. The production is attractive and looks good on color, and the narrative flows very well, building real suspense as the embattled group fight against Indian attacks, dwindling ammunition and loss of food, water and hope. This is a very well-written and memorable western in many ways, not the least of which is its superior characters. it ends with the sheriff and the girl reaching an understanding, and the siege being lifted.

This minor western spins the familiar theme of the U.S cavalry's attempt to return Indians to their reservation or face punitive measures. There's nothing new here at all and the thin story line has more to do with marital strife than cavalry-Indian hostilities. Most of the picture takes place at a stage depot where the troopers manage to capture a chief and hold him as a bargaining chip for their safe passage through the Indian lines. The action consists of long range rifle shots and Indian fire arrows, but the movie has more dialogue than action. The besieged whites display more resolve than the Indians in settling the dispute, which results in a rather predictable ending. Stephen McNally stars as a sheriff and has a good supporting cast including Julie Adams, Hugh O'Brian and Jack Kelly, but the weak plot spoils what could have been a decent western adventure.