The Sound Barrier
The Sound Barrier
| 21 December 1952 (USA)
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Fictionalized story of British aerospace engineers solving the problem of supersonic flight.

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Reviews
Alicia

I love this movie so much

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BlazeLime

Strong and Moving!

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Beanbioca

As Good As It Gets

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Baseshment

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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larrysez

Totally made up fantasy about how the sound barrier was initially broken by some English guy. It mashes up the true death of test pilot Geoffrey de Havilland in 1946 with a made-up subsequent crash and a made-up subsequent pioneering blast through the sound barrier, and it was written and filmed more than enough years after Chuck Yeager had really broken the sound barrier (after de Havilland's crash) to be a pretty outrageously and fictitiously an expression of British nationalism.All of the characters are very posh and very English (and of course lily white), with the exception of an irascible Scottish technical genius who may well have been the prototype for "Scotty" in the Star Trek franchise. Just the sort of movie you'd expect from postwar Britain when they thought they'd still be ruling the world for ever and ever, even as the empire was already disintegrating. Pretty good acting, but the characters are all a little too refined, too restrained, and too polite, even as the rather unscrupulous head of the aircraft company in the movie gets a pass on getting test pilots killed in the interest of being the first guy to build a supersonic plane.

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Neil Doyle

BREAKING THE SOUND BARRIER is the U.S. title for this film which I missed seeing when originally released. It was a pleasure seeing it for the first time tonight on TCM. RALPH RICHARDSON once again plays a father who was emotionally distant from his son (DENHOLM ELLIOT) and daughter (ANN TODD) and shows more concern for the progress of scientific investigation in solving the problem of supersonic flight than the welfare of individuals who sacrifice their lives to please him. He shows more constraint here as the father than he did in THE HEIRESS a few years previous.Under David Lean's direction, the film moves briskly through a series of events involved in breaking the sound barrier through jet propulsion at a time when the aircraft industry was making great strides after WWII.While the characters are fictional, so are the events depicted, since a British airman was not the first to break the sound barrier--something that American pilot Chuck Yaeger was quick to point out when he was invited to attend the world premiere of the film in London. It was broken by an American pilot as early as 1947.Tension between Richardson and his children helps make the fictional story more compelling and the acting by RALPH RICHARDSON, NIGEL PATRICK (as Ann Todd's pilot husband) and ANN TODD is excellent.Summing up: Interesting from many viewpoints despite being a bit too talky with a good background score from Malcolm Arnold.

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george7096

I saw "The Sound Barrier" in 1952 and it had a great impact on this young moviegoer. The opening sequence on an abandoned air base and the theme music have stayed with me for 50 years. Apparently this film is not available in the USA at present, but I hope it will return to our shores. The technical side of the movie may be less relevant now, when men and women fly far beyond the speed of sound and far beyond the earth's atmosphere. But the story of the characters is what I remember best: the closeness of the small band of test pilots and their loved ones, how they are inspired by the promise of supersonic flight, and how they react when things go wrong.

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skallisjr

The opening of the film, when a World War II fighter pilot hit what used to be called "compressibility," was a suspenseful interlude for the audience, particularly since it wasn't explained at the time.The film was shot in monochrome, and was produced during a time that technology was accelerating, and this was one of the early films outside some of the science-fiction films of the era that was pro-technology. It is interesting that most of the major characters were obsessed with pushing the envelope.As has been mentioned elsewhere, the "solution" presented to maintaining control of a supersonic aircraft actually is inaccurate. When a reporter asked the person who first actually broke the sound barrier, Gen. Chuck Yaeger, about that "solution," he indicated that doing what was proposed would have ensured the death of the pilot.The film is well worth watching, if for no other reason than to get a taste of people taking baby steps in the new world of postwar technology.

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