Too much of everything

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

This is a must-see and one of the best documentaries - and films - of this year.

By the time the dramatic fireworks start popping off, each one feels earned.

I normally wouldn't bother saying bad things about a 1933 movie, heck talkies were just getting started. But despite what other reviewers are saying, this movie is really bad. Even Herbert Marshall, an impeccable actor, can't save this thing. Elizabeth Allen is also terrible, but she went on to do better stuff.First, it's based on a stage play... and it shows. Lots of standing around talking. Lots and lots. Then it has some of those 30's themes where the woman loves one man, who won't tell her he loves her too, while stringing along some other poor fellow. All three in evening dress and talking, talking, talking.When Lionel Atwill shows up and they all board the plane it gets even worse. The plot is crazy with people posing as Scotland yard inspectors one minute, and as a crook the next.The only interesting thing about this movie are the airport scenes and the giant biplane these folks board to cross the channel. Super wide-bodied if you believe the set, with parachutes for every passenger and windows and doors you can open in flight. In fact about three times the passengers open the door and peer out for long seconds after someone has jumped out (or they think he has). This is at night, in the clouds, over the channel, so I don't think there would be much to see.Other than the plane itself, there's just nothing interesting here.

THE SOLITAIRE MAN from 1933 is a B picture, but because it was made at MGM, it's really a B+. The studio used these Bs as a training ground for their up and coming young stars and even more established character actors. Herbert Marshall is Oliver, who heads up a family of con artists, except they're not related. His "son" steals a necklace that Oliver attempts to return because he knows the young man would be the first person they would suspect.While he is in the home, a burglar enters, and a policeman sees him. The second burglar kills the policeman, and Oliver is a witness. However, he can't see the murderer. Realizing things will get mighty hot, he and his crew try to leave the country by plane. During the flight, much is revealed. Mary Boland and May Robson also appear in this film, and they're great. Boland plays a mouthy, wealthy American, and May Robson, as a cultured society woman. matches her excellence. Herbert Marshall's elegant type of leading man has gone out of style, but he handled his role very well.See it for Boland and Robson.

What was it about jewel thieves in the 1930's? All the major studios seemed to thrive on them, especially in their "B" movies, one of the most delightful forays a film aptly titled "Jewel Robbery," from Warners, and starring dapper William Powell and clothes-horse Kay Francis. The sophisticate in The Solitaire Man is erudite Herbert Marshall, he of the rich, clipped English tones, a suave thief ready to give up his craft for love and move take his sweetheart, supportive Elizabeth Allen, to a manor home in respectable Devonshire. Most films from MGM tended to be less snappy than the Warner's product, but this zippy little "B" begins on The Continent where rich folks hang out in fancy hotels, robbers sneak into lavish apartments, and there's evena killer at work when the lights go out. This initial set up soon transfers to the interior of a small airplane (looking not unlike a large cardboard box with windows), where snappy give-and-take dialogue moves the pace along as fog closes in around the plane, the cool tones of Marshall contrasted with character actress Mary Boland, a rich, loudmouthed American from Peoria, who tosses out quips like candy while the rest of the cast quibbles about comeuppance. This is not a film of great import, but if you are a fan of the period, it is great fun--with Boland and Marshall joined by such experts as Lionel Atwill and May Robson. On it's own merits, and not because it's a timeless classic, I'd give it an eight--It's a perfect Saturday matinée popcorn film--and there will be time for another feature, too!

THE SOLITAIRE MAN is a superb example of how MGM was head and shoulders above the other studios during this era - quite obviously a "B" movie, barely running an hour, it nevertheless boasts superior actors (several of them major film names) and an elegant polish that most other studios wouldn't have bothered with for a programmer.Herbert Marshall stars as the leader of a small "family" of con artists, when a faux son steals a priceless necklace Marshall attempts to return it, knowing the protégé would be the obvious suspect when it is noticed missing. While he is in the home attempting to put the jewels back in the safe, another burglar breaks into the home and was spotted by a patrolling policeman. The second burglar kills the inspector which Marshall witnesses but can't see the murderer. Later as he attempts to flee the country with his accomplishes on a small plane, secrets and double-crosses are revealed during the long flight.This comic crime-mystery is mainly worthwhile for the sole chance to see two of the 1930's greatest character actresses, Mary Boland and May Robson, together in the same film. These ladies, with Edna May Oliver, were the queen bees of character players of the era along with superstar Marie Dressler. Miss Boland is second-billed but doesn't show up until the film is almost half over, she quickly earns her star billing with a delicious turn as a brassy rich American who finds herself in unusual circumstances. Miss Boland is hilarious as always but here voicing her role in a boorish unsophisticated loud drawl rather than her normal dizzy musical tones. It's a superb characterization and she is matched by that wonderful septuagenarian May Robson as a presumably cultured society woman who is pretty blunt and earthy herself.Jack Conway, one of MGM's major directors, does a fine job here with this limited material and when the second half-hour is almost completely set inside a small airplane passengers area it's scarcely noticed given the fine direction and acting. The entire cast is quite good and it's intriguing to see Marshall, Miss Robson, and Elizabeth Allen - all British or Australian - not cast as Americans as they usually were in Hollywood films. This little film is fairly predictable in it's denouement but with a fine cast, sharp direction, and some good wisecracks, it's well worth your time.