Gripping story with well-crafted characters

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

The movie is wonderful and true, an act of love in all its contradictions and complexity

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Probably due to the fact that it got backing from a major Hollywood studio, the Italian sword and sandal movie "The Slave" is one of the best looking examples of the genre that reigned in theaters in the 1960s. The shot in Egypt backdrop looks haunting and spectacular, the sets look gigantic and authentic, and the costumes are also first rate. It's a pity then, however, that the feel of the movie is less of a grabber (and much less fun) than many other sword and sandal movies that were churned out on much lower budgets. The story is kind of slow and talky, and the action not only often takes a long time to come, its choreography and direction is strictly routine at best. Another big problem with the movie is the depiction of the main character. There is somewhat less focus on the protagonist than you might think, and as a result he doesn't feel up front and center. It's also hard to figure out what exactly pushes him to embrace his heritage. As the protagonist, Steve Reeves somehow has less charisma and screen presence than he had in other movies of this kind. I wouldn't say this movie is terrible, but it wastes a lot of potential, and I would only recommend it to people who are really into the sword and sandal genre.

After the international success of HERCULES, the Steve Reeves Swords-and-Sandals vehicle THE SLAVE clearly had some money spent on its production values -- good costumes and some nice sets to accent good camera lighting abound. The plot, typical of peplum movies, is a mishmosh of themes intended to take advantage of recent hits.Reeves is a Roman centurion working for the noble Julius Caesar in Rome. He is captured by leopard-skin wearing desert barbarians working for the evil Crassus, escapes, gets captured again, is enslaved, identified as Spartacus' son (hence the movie's Italian title) and leads a slave rebellion.Director Sergio Corbucci does his usual highly competent job, abetted by the handsome production values that Cinecitta was capable of; kudos especially to director of Photography Enzo Baroni, whose lighting suggests illustrations on parchment. Although the writing never rises above the level of silliness that such cheap epics aspired to, fans of the genre will find plenty to enjoy.

Steve Reeves plays a high-ranking Roman centurion who finds out he's the son of the infamous rebel slave leader and spearheads a revolt, of course, in one of the better "sword & sandal" entries. Mixing the backstory of Moses (instead of a swaddling cloth, an amulet gives him away) with the exploits of a comic book superhero (Reeves sneaks off every now and then to shuck his tunic for dad's face-covering armor), director Corbucci took the tale and ran with it, producing some impressive mise-en-scène amidst his unexpectedly inventive camera-work. Gianna Maria Canale as Crassus' cougar wife does little more than lounge around on divans and ogle our hero but no matter, it's always a pleasure to see her in peplum like this.

"The Slave" (aka Son of Spartacus) is a an excellent action Reeves film with a good story line to borrow from (the original Spartacus). Reeves learns of his heritage after being captured by a band of slave drivers in the Egyptian desert - also tagging along is a beautiful slave girl who along with Reeves survives being dumped overboard by a ship which hits a barge in the River. Great scene,when Reeves doubtful that he is Spartacus's son walks slowly into a small catacomb and finds the helmet and sword of Spartacus and muses for several minutes about his heritage - linking a medallion he has worn since birth with the same emblem on the sword handle of Spartacus. Also great action scene when Reeves rescues a band of prisoners of Ceasar Crassus who are tied into a large moat with water rushing in to cause a drowning execution. Excellent sword and action with several bad guys being wiped out by Steve, looking like an adonis with a metal helmet on in a great swashbuckling scene.....Reeves as a tribune of Ceasar finally realizes as did his dad, Spartacus, that the Roman empire cannot survive as a slave empire.....reluctantly Ceasar realizes it also and gives Reeves and his slave followers their freedom. Good cloak and dagger role for Steve as he poses as a tribune working for Caesar and also as the Son of Spartacus - wearing an impressive full head helmet to complete his disguise. good