The Slaughter Rule
The Slaughter Rule
| 11 January 2002 (USA)
The Slaughter Rule Trailers

A young man finds solace with a young woman, his mother, and a high-school football coach who recruits him to quarterback a six-man team.

Reviews
ReaderKenka

Let's be realistic.

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Breakinger

A Brilliant Conflict

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Brendon Jones

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Sarita Rafferty

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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Rich Wright

This is possibly the only time I can remember where the name of a film was changed for the UK market, and I approve. After all... DRIVE TO DREAM is much better than THE SLAUGHTER RULE, dontcha think? It stars a rather young Ryan Gosling and Amy Adams in an American football themed story, which is usually the sort of thing I turn my nose at... but as long as the film concentrates on the people rather than the intricacies of the sport, I don't really care.The most notable achievement here is in writing the coach as a believable ambiguously gay man which is no mean feat... check out the film My Brother The Devil for an example of this trope done wrong. His friendship with Goslings young hotshot (who is a bit unsure about his sexuality himself) is well done, and there are other minor triumphs of personality based conflicts throughout. A very modest work, but one which is worth your time... 6/10

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rgtharp95

This movie has recently been playing on Showtime in my area and I was interested in watching it because I am a fan of both Ryan Gosling and David Morse. I first became a Ryan Gosling fan after seeing him in The Notebook. I have to say his performance in this film did not disappoint. David Morse's performance was one of his best. After reading all the comments and replies here I just wanted to add some of my thoughts about the film and what I felt the filmmakers were going for.First of all, I am not a fan of movies that are neatly bundled into a happy ending by the end of the film. I like those films that portray life as it really is and that make you THINK. The most memorable aspect of this film, indeed the most heartbreaking, is Gid's torment and loneliness in life. I don't think he was gay, just a lost soul looking for acceptance, friendship, indeed reciprocal love if you will, and a sense of purpose in life. Roy's character seemed to be looking for most of the same things. He had a father who wasn't there for him in life and a mother so bitter over the divorce that she was too busy trying to find love of her own to take the time to nurture her own son.I found the comments regarding the relationship between Gid and Studebaker very interesting re: were they homosexuals? Just because two men form a friendship in life doesn't mean they are gay. To me, Studebaker's jealousy over Gid's interest in Roy is just a natural human emotion. Haven't you at times been jealous when a friend of the same sex showed interest in someone new? Does that make you gay? Also, it doesn't seem there was anyone else in the town who gave a damn about him (Studebaker) so any threat to that bond frightened him. Their friendship was most likely just that of two lost souls trying to get by in life. It made me think so much more of Gid that he did not pass judgement on Studebaker -- he cared enough about his well being to try to stop his drinking, to give him his insulin injections, to try to get a room for him at the shelter on that last bitterly cold night.The scene in which Gid is hugging Roy and won't let go was very powerful. Roy, who had been told by others that Gid was gay, must have had that thought foremost in his mind and misinterpreted Gid's demonstration of affection. Perhaps Gid, remembering that Roy had just lost his father, wanted to show him that he is not alone, that there are people in the world who really care. Perhaps Roy reminded Gid of the boy who drowned and he was transferring his feelings of guilt over that tragedy into that embrace. For whatever the reason, Roy's embarrassment which quickly progressed to rage that Gid might be demonstrating some sort of homosexual intent, are a damning indictment of our society. Homophobia at it's worse.The scene in the hospital at the end of the movie when Gid takes Roy's hand and places it on his forehead was very moving. Roy did not pull his hand away; instead, in this simple, gentle gesture, the filmmakers were showing us that Roy had overcome his fear of demonstrating affection toward another as well as overcoming any homophobic thoughts he might have had about Gid.The acting was first rate all around. Compelling story line. Beautiful Montana scenery. Sound quality not the best but I would definitely recommend this film to others.

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nplatzer

Growing up in Texas and traveling to Texas towns to show horses as a youth, something about the feel of this movie felt very familiar. I thought the interaction of the people was very real. Movies in rural settings that focus on people's relationships have such a pure,albeit lonely feel. The lesson that apart from violence, people's differences won't hurt us or rub off on us and we can be friends and supportive of all different kinds of people. AND the soundtrack is my favorite album in all the world. What a bonus. I had never even heard of many of these musicians before and they are so good. Another movie I saw recently with a similar feel was Hi-lo Country. And this movie even had an appearance by Don Walser, another fabulous, although little known musician.

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Silence91

"The Slaughter Rule" is an interesting, moving study of male relationships, with the movie portraying how the limits of male bonding are tested through past and natural emotion. Ryan Gosling is deep and effective as a teenage jock who's life has seen it's rocky roads, and then he meets a quiet, mystifying older man who wants to recruit him for a six man football team. What Gosling doesn't know is about the Man's past, which turns out to test their growing relationship. It's an often slow but alluring tale, absorbing you in to the story of characters that are both familiar and alien, and ending up with an odd but truthful ending that pulls out all the raw, closeted emotions that the two men have for each other, and it's home-movie-style video shoot and beautiful country scenery brings it to life.

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