That was an excellent one.

If you don't like this, we can't be friends.

Admirable film.

One of the worst ways to make a cult movie is to set out to make a cult movie.

A well made and adequate French thriller- many of the stylistic choices have me thinking of this one as a 'proto-giallo' of sorts, especially the camera work and amazing score. It can drag a bit but the chase scene in the latter half is well worth the wait. I haven't seen one quite this visually engaging since Lizard in a Woman's Skin. Gorgeous sets, sharp camera work, an engaging, psychedelic score, and of course, the beauty of the lead, all work in this one's favour. What works against it is the thin story-line and the clumsy dialogue- both things to be expected from early foreign thrillers such as this and therefore easy to overlook. The ending is rather good but almost feels tacked on. I wish they had done more to lead up to it during the film. Overall, this tended to get better throughout, starting off weak and slowly getting stronger. Great find for fans of foreign thrillers and giallo enthusiasts in particular.

An abusive boyfriend is killed when his car crashes off a cliff into the sea. His girlfriend escapes death and comes under suspicion. She and the man's brother then begin a romance of sorts.As others have pointed out this feels like a Claude Chabrol movie without the depth. It's a mystery-thriller but in truth its story is none-too-interesting. What keeps it from being truly mediocre are the occasional moments of the bizarre, some nice photography and a groovy Euro score by Claude Bolling. It's definitely a case of style over substance though, as there really isn't anything too much going on under these surface details. The story itself is as unrealistic as a giallo with some clear absurdities such as the dead body found in the sea that fools everyone into thinking its someone else's body. But it doesn't really have a giallo's sense of purpose or excitement. It's much more self-consciously arty and once the thriller part of the narrative finally kicks into gear the film ends very suddenly.It's a strange movie though and one that would no doubt benefit from a repeat viewing. Very much a minor film but stylish and odd enough to be given some credit.

"Qui?" is a less-than-mediocre wannabe Hitchcockian thriller from France about murder and love and confusion. A messy screenplay, and Keigel's inept direction didn't help here either. If it wasn't for Romy Schneider, this piece of crap would long have been forgotten.As Marina, she stumbles through a thoroughly uninteresting plot in which she first "kills" her cruel lover (Gabriele Tinti) before he re-appears and gets killed for the second time. In the meantime, his suspicious brother (Maurice Ronet) had fallen in love with her.Sounds familiar? Well, I bet I've seen it better in, like, two dozen other movies. Albeit its duration of only 74 minutes, "Qui?" seems overlong and pathetic. Where Hitchcock had his humor, Keigel confronts us with bitterness and endless flashbacks. No story, no entertainment, no message, just a big, plain nothing, mixed up with bad performances, terrible music, inept camera-work and editing. Thank God Keigel didn't make much more movies!

One of Ms. Schneider's early works where she was trying to shake off the 'Sissi'-Image. Here we can see her (great as usual) as the somewhat troubled girlfriend of a man probably killed in a car crash as she tries to support his brother finding out what really happened. But strange things begin to happen and she feels like being hunted by a ghost.The really good cast down to the supporting roles combined with the great and very suspenseful direction, a really good 60s score and the original and atmospheric script make a French thriller (actually, it's a French-Italian co-production) more interesting than lot of its counterparts from Hollywood. OK, the script tries sometimes a little bit too heavy to create a sense of overwhelming doom or anxiety surrounding Ms. Schneider's character (in her presence and in the things happening to her), on the other hand that low-key suspense is what makes the movie so effective. The main part seems to be just written for Ms. Schneider as she as usual does such a splendid job.Any admirer of Ms. Schneider's talent shouldn't miss this movie. And any admirer of good (60s/70s) thrillers shouldn't miss this rare movie, either! I think it should really get a release on DVD. The score by none other than Claude Bolling would along with the songs be also great to have on CD.