The greatest movie ever made..!

Good story, Not enough for a whole film

Easily the biggest piece of Right wing non sense propaganda I ever saw.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Like 'A Little Princess', also written by Frances Hodgson Burnett, 'The Secret Garden' is a lovely, engrossing read with memorable characters, some of whom that you don't exactly like at first but as they grow and change one likes them much more, and a vivid setting.There will always be debate as to which version is the best version of 'The Secret Garden'. The most faithful is perhaps the 1975 adaptation, and the 1949 film with Margaret O'Brien is also very much worthwhile. My personal favourite is the 1993 film, one of my favourites as a child and is still an enchanting film now (and no this is not nostalgia talking, there has been a fair share of childhood favourites that hold up poorly now), to me it had more polish and heart.In no way is that to knock this 1987 adaptation. It stands pretty well on its own enough, and there are some faithful moments and most of the characters are true to personality and how they evolve, but there are also some very odd deviations that do distract pretty badly (anybody looking for a completely faithful adaptation without strange deviations and additions should look elsewhere).Two in particular stand out as either unnecessary or weird. The book-end scenes with the children as adults is the strongest example of the former, those scenes added absolutely nothing and felt very clunky and mawkish in writing. The same with the very ham-fisted message introduced here. The way Dickon's character is written is especially strange, in a way that really doesn't fit the character and jars with the setting.Most of the acting is good, apart from the un-authentic accents. Faring weakest is perhaps Jadrien Steele, whose Colin is stiff in places and while the character is meant to be insufferable at first other adaptations did a better job in showing his change. Barret Oliver does quite well as Dickon but is disadvantaged by the way the character is written.Visually, however, this 'Secret Garden' looks good, beautifully and atmospherically photographed that even an at times less than perfect transfer can't ruin, costumed with a lot of love and care and with scenery that's both charming and atmospheric. The music, with some haunting use of Chopin, fits remarkably well and doesn't feel tonally at odds at all.Dialogue has a mostly natural flow and has the right amount of enchantment and mystery. The story has a lot of charm, and there is enough to leave one in awe and make one cry. The direction is above competent and the sound is crisp and clear, complementing the music and dialogue well.Apart from reservations about Steele and to a lesser extent Oliver, the acting is fine. Gennie James gives a Mary that grows in character from spoilt and sullen to a happier and more caring character, displaying all those traits without being too sentimental or too irritating. Michael Hordern's Ben Weatherstaff is spot on, how lovely to see a character treated like a minor character in a couple of the other adaptations be a scene-stealer.Billie Whitelaw is suitably beastly as Mrs Medlock, while giving her some humanity later on. Viewers seem more mixed on Derek Jacobi, to me his Lord Craven was suitably melancholic and mysterious. Martha was quite appealing too.In summary, stands pretty well on its own but purists better look elsewhere. 7/10 Bethany Cox

Whilst I have to agree with many of the criticisms of other reviewers I did find this movie quite enjoyable. But why on earth did they use American kids to play Mary, Dickon and Colin, Gennie James was one of my favourite child actresses of the eighties but she couldn't hide her American accent, and as for Barret Oliver, he had the weirdest accent I have ever heard, I will however give 6 out of 10 for a brave attempt by Jadrien Stelle. The accent problem was not confined to the American cast members, Martha is supposed to be a local Yorkshire girl but spoke with a Cockney accent. I also think the start and end sequences were totally unnecessary, also making Colin and Mary unrelated quite spoilt things. My vote for the best version would have be for the 1975 BBC adaptation although this may not have been seen in the USA.Another reviewer asks how Colin joined the army when he needed to use a walking stick, he obviously missed the point that Colin had been injured in the war and had just left hospital

Many may disagree with me, but this is a wonderful movie. The young actors playing Colin, Mary and Dickon are likable and convincing. The scenery is beautiful; one can tell most of this movie was shot outside and not on a sound stage. This particular interpretation is haunting; and initially it is dreary. Mary is a sad little girl at the beginning of the movie (obviously, since she lost both of her parents and is transported from sunny India to dreary Northern England). The outside scenes of Mistlethwaite Manor (possibly even the inside, I don't remember) were filmed at an old mansion that was reputedly haunted. Pastoral scenes of real gardens and forests permeate most of this film, and it is really a visual delight. Haunting classical music (mostly played on solo piano) binds the aesthetic aspects of this film together. I agree with this interpretation because there is so much sadness in this story; Mary lost both of her parents, Colin's mother died, his father is depressed. Most people are familiar with the plot, so I won't give it here; but the ending may not please literary purists. Mary, as an adult comes back to Mistlethwait Manor to visit the garden. She is a medic in the war (I believe World War I). She runs into the old gardener (his name escapes me at the moment). They talk about Dickon, who died in the war in a forest and how he would have wanted it that way. Colin appears, (who was also a soldier), who is on leave because he was shot in the leg. We learn at this point that he and Mary kept in touch by writing letters. Colin proposes to Mary, she says yes; and the final scene is the three of them walking into the garden. I personally like this ending, because although it isn't what the author intended, it satisfies questions about the fate of these beloved characters.

This has got to be one of the worst book-to-movie adaptations that I have ever seen. The acting by the children was stiff and obviously acting, making it very difficult for me to get into the story. Derek Jacobi was out of place in this film and this is not one of his best roles. Too many of the scenes are so melodramatic that they detract from the story. The only thing I can say about the movie is that it does not stray too far from the book. But look elsewhere for a reasonable movie version. The 1993 version directed by Agnieszka Holland, although it does have its own faults, is much better than this one.