Fresh and Exciting

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

For his second film post Dean Martin, Jerry Lewis did a live adaption of George Baker's World War II comic strip The Sad Sack. It was a role perfectly suited to his talents though I have to say that it looked like David Wayne was standing in for Dino.It was a fateful day that Wayne and buddy Joe Mantell reporting back to Louisiana's Camp Calhoun ran into Lewis on the train who in his usual innocence befriends these two. Because of him they're late for reporting back and that's only the beginning. In fact Lewis who is blessed with a photographic memory, but has the coordination of a goony bird has set an army record of most time in basic training. He's become an army project in that army psychologist Phyllis Kirk is sent down from the Pentagon and she puts Wayne and Mantell into personally supervising him through basic training. Seeing Lewis qualify on the rifle range is the funniest sequence in the film.Once finished the whole platoon is assigned to an Air Force base in Morocco for security as some classified items involving a new army weapon have vanished. In fact the whole weapon has been taken, but its apart and bad guys George Dolenz and Peter Lorre don't know how to put it together. But the guy with photographic memory does.The Sad Sack is a perfect part for Lewis and I have to say that David Wayne without getting in the way of the star gives a droll, but unobtrusive performance. It's definitely a Dean Martin part without the songs. Jerry even gets some romance here in the form of Liliane Montevecchi who plays a Moroccan belly dancer in league with the bad guys, but who has a change of heart when she meets The Sad Sack.You have to see how Lewis, Wayne, and Mantell foil the bad guys. This is a really good role for Jerry and holds up very well for today.

Just watched this, Jerry Lewis' second solo film after the breakup with Dean Martin, on YouTube. In this one, he plays the title character named Meredith C. Bixby, a Private. He's based on the cartoon character created by George Baker though I don't remember him having a name there. No matter. Anyway, Bixby is mainly the charge of Corporal Larry Dolan (David Wayne) and Pvt. Stan Wenaslawsky (Joe Mantell) as assigned by Sgt. Major Elmer Pulley (Gene Evans) and Maj. Shelton (Phyllis Kirk). As you can tell by the person's name playing the last part, she's a woman though obviously we're supposed to be surprised by that as is Dolan but he certainly doesn't waste time flirting with her! Obviously, his role was originally written with Dean in mind but since he broke up the team and was freelancing at other studios as well, it just wasn't going to be. I'll just say that there are some hilarious scenes for the first 30 or 45 minutes (especially when Jerry manages to defeat some bullies at a bar) and things are mostly moderately amusing after that but still, there's a feel good vibe throughout and when singer Liliane Montevecchi performs or Peter Lorre has to take orders from Lewis, the picture picks up considerably. Oh, and a player from some previous Martin & Lewis movies-Mary Treen, also from my favorite movie: It's a Wonderful Life-has a funny bit as Sgt. Hansen, who finds Jer and his two "friends" accidentally in the womens' barracks. So on that note, The Sad Sack is recommended.

The only memorable thing about this bland, tacky, cheap-looking comedy is Liliane Montevecchi. That this beautiful, spectacularly entertaining creature could have been intentionally included in this otherwise nastily drab picture is almost beyond belief. Peter Lorre is also brought in to jazz things up a bit, mostly to no avail, though thanks to his efforts one of his scenes with Jerry Lewis is very nearly funny.

I do believe the American critics simply prefer to dislike Jerry Lewis' comedy, rather than seeing it for what it really is. The French on the other hand laugh at what makes them laugh, without stopping to analyze weather or not they should. Maybe that is why Lewis is still so popular in France. If so, this film is a perfect example.It is impossible to watch this film (dated though it is) and not laugh at the comic genius of Lewis. The man has the keen ability to leap between pathos and comedy without showing any signs of effort, or evident seams between the two. Like it or not American critics, that's comedic genius.Try this film on for comedic size. You'll like it. And just sit back and laugh, don't analyze.