Fantastic!

Don't listen to the negative reviews

This movie was so-so. It had it's moments, but wasn't the greatest.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Must watch again to get all the intricacies of this very clever comedy/thriller, saved from being dull by Frankie Howerd's unique persona. Must see more Val Guest films!

British comedian Frankie Howerd, best known to TV fans as the star of the historical satire Up Pompeii, makes his feature film debut alongside Margaret Rutherford, George Coulouris, Belinda Lee and English songstress Petula Clark. Howerd plays Percy Lamb, a novice bus driver, who, as London is submerged in thick fog, is assigned to drive the number "13" coach from London airport to another a couple of hours away. With his half dozen or so passengers along for company, Percy promptly gets lost! But that's not the worst of their worries. For in the boot is a load of stolen gold bullion and the master criminal known as "The Banker" is amongst them and will do anything to get their hands on the loot. But just who is "The Banker?". It's written and directed by Val Guest whose writing work for the likes of Will Hay, Arthur Askey and The Crazy Gang puts him firmly on the list of classic British comedy writers.Safe and inoffensive fun is The Runaway Bus, very much along the lines of Walter Forde's The Ghost Train (Guest writing there too), it zips along apace and is awash with gags both visually and orally. Maybe somewhat surprising, considering all those involved with it, it's probably with its "who is it" core where the film is at its best. Blending comedy with mystery thriller elements can often be a tricky task for some film makers, but thankfully here Guest and his team play it right. There's no obvious hints to who the "baddie" is, thus the element of surprise is high, and the staging of the second half of the movie at a fog enveloped army training range makes for a nice atmospheric feel. There's no great shakes in the acting, but they all are safe and doing what is required. Rutherford of course is the standout performer, while Howerd is only hinting at the ability that would in the years to come make him a much loved comedian in the United Kingdom.Widely available on DVD now, it will be annoying to some that the transfer is rough and not afforded a clean up. Full of snap, crackle and pop, it does carry a bit of old fashioned value in that respect. But those interested in the DVD should stay away if scratchy old transfers are to be an issue. 7/10

Remember Smogs?Those terrifying combinations of factory smoke and fog that were eventually eradicated by the Clean Air Act?Well,if you're old enough to have experienced them,"The Runaway Bus" may be just up your street. Set in the halcyon days when London only had one airport and it was actually called London Airport,"The Runaway Bus" relies heavily on plot no 5 in the Movie Writers' Handbook,the travelling companions in peril perhaps best exemplified in its earlier incarnation "Stagecoach". A bus containing a master criminal on the run with gold bullion gets lost in the fog.The bus is driven by Mr Frankie Howerd,a comedian of such peculiar talents that he is almost sui generis.His outrageous personae are only approached by those of his near contemporary Mr Kenneth Williams who lacked Howerd's bombastic streak. Outstanding amongst the passengers is the equally eccentric Miss Margaret Rutherford who,strangely,a few years later was to win an Oscar for her performance in another film about London Airport in the fog - "The V.I.P.s". Stalwarts of British stage,screen and TV happily rhubarb around adding to the fun. In 1957 Mr Howerd found the transition from his true medium - radio - to the movies an uneasy one and "The Runaway Bus" suffered as a consequence.Watched with half a century's hindsight and nostalgia it seems an amusing,and,considering that almost all the cast have gone to the great rehearsal room in the sky,almost poignant. It fills a gap between the innocence of "Doctor in the house" and the sauciness of the rapidly approaching "Carry On" franchise,and fills it very pleasingly.

Certainly not one of the classic 50s comedies, but it allows Frankie to give full reign to his unique talent. There are rather too many unbelievable plot twists and many of the characters are two dimensional, but there are some good chuckles. Nice to see a young Petula, and also Belinda Lee, one of the many blonde bombshells of the 50s who were hyped as Britain's answer to Marilyn Monroe. Disappointingly, if you enjoy watching 50s films for their shots of towns and villages in the post war period, this one seems to have been shot almost exclusively in the studio and backlot Verdict : If you are a big fan of Frankie Howerd's style, go for it.