everything you have heard about this movie is true.

Although it has its amusing moments, in eneral the plot does not convince.

After playing with our expectations, this turns out to be a very different sort of film.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

THE ROSSITER CASE is a very low budget and slow paced mystery yarn from Hammer Films, made on a particularly tiny budget. The main characters are a disabled woman and her husband, who is carrying on a secret affair with her own sister. You get an hour of slow-witted melodrama and inaction followed by some brief murder elements, but it's all very trite and hackneyed and not a patch on the other thrillers that Hammer would put out both during the 1950s and 1960s. It says something that the only fun here is from witnessing a pre-stardom Stanley Baker in a cameo during the opening pub scene.

Maybe the music director decided that the dreadfully slow drama needed beefing up.So he thought it could do with a touch of the Max Steiners.So every dramatic moment is overlaid by screeching violins which at times render the dialogue inaudible. This film only warms up in the last 15 minutes.This despite the fact that the writers and director were very experienced in making this sort of film.

The only point of interest in this way too talky film was seeing a young Stanley Baker as a glorified extra cast as Joe who is entrusted with one line of dialogue by the producers and yet he became the more famous of the cast.Other reviewers have given the basic premise of this 1950 film which could have been edited to one half its length.I will not repeat the sparse plot and I only rated it 6/10.The only actor familiar to me was seeing Euen Solon as the police inspector.I agree with another user's review, it should not have been filmed but consigned to the radio at a time when most of the population went to the cinema to see their heroes and heroines of the silver screen and listened to the radio.

Not bad for this little flick from UK and directed by the prolific Francis Searle, as were Godfrey Grayson, Monty Tully, Vernon Sewell and many other filmmakers who worked for small companies: Butchers, Danzigers etc...Pleasant, entertaining tale of a paralysed young woman after a car accident who have to face her husband and his new mistress. Predictable, as you may guess, especially between the two women. But it remains an acceptable time waster, and really well acted. The seventy five minutes are quick for the viewer in front of his TV set.I can't although tell it's a film noir, as I am used to. But at least a fairly good drama.