Nice effects though.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Patricia Neal always brings two attributes to her film performances: honesty and integrity--both of which work wonders for this derivative, somewhat moldy tale of a spinster, living under the thumb of her half-blind adoptive mother, who blossoms in love and independence with a 20-year-old handyman in rural England. The film, sort of a character study-cum-suspense melodrama, isn't an attractive showcase for Neal, yet she gives the scenario a hearty touch and her unmistakable stamp of dry wit. Neal's then-husband Roald Dahl adapted his screenplay from Joy Cowley's novel "Nest in a Falling Tree", pushing some of the kinkier aspects of the plot a bit far for a blue-haired thriller. Nevertheless, a visually perceptive and intriguing little movie that almost stays the course until the final act, which comes completely apart. Released under two different titles (also "The Road Builder"), though barely seen by anybody until the advent of cable movie channels. ** from ****

Creepy, hugely atmospheric and surprisingly little-known British pot boiler concerning the wicked travails of a rather personable, youthful handy man; a soft spoken soul who once finished with his diligent roof repairs reveals himself to be a demented sex killer (Brilliantly played by a handsome and enigmatic Nicholas Clay). The director makes especially effective use of dark splashes of humor, and Hollywood icon Patricia Neal is an absolute delight. Pamela Brown's muscular performance is little short of stupendous; playing Patricia Neal's blind, abusive, over- zealous, wholly oppressive matriarch to the hilt! (I enjoyed this ballsy melodrama almost as much as 'The Fiend' with which it shares a similarly grim narrative, albeit with far less black humor) It would be entirely remiss of me in not mentioning the fine music of maestro Bernard Herrman. (As a prurient aside I never quite realized that Bridgit Forsyth had such a killer rack, if you will excuse the appalling pun)

Patricia Neal+Bernard Herrmann + Neal's husband Dahl.Plus Pamela Brown and Nicholas Clay.It does make a decent film,it does not make the classic thriller we could have expected .Neala nd her mother ("you could have got married when you were YOUNG" said Clay to an infuriated Neal).A spinster who lives with her over possessive mother ,Neal's character recalls Nell's past in Shirley Jackson's "the haunting" (masterfully transferred to the screen by Robert Wise,then butchered some years ago).A good thing in the last minutes :the director does not show ,he lets us imagine what terrible thing happened .Today such a quality has become rare.But if you have read Dahl's wonderful short stories ,you may be disappointed by his script,including pointless characters such as the minister and his wife who want to become a woman and a man respectively. Besides the two women's story and Nicholas Clay's do not hang very well.

Roald Dahl has always been a good story-teller, and this movie, for which he wrote the screenplay, is no exception. It's a macabre love story with a somewhat unexpected ending. Very good acting and story-telling. I recommend this film for all Roald Dahl fans. 7/10.