Purely Joyful Movie!

Lack of good storyline.

Although it has its amusing moments, in eneral the plot does not convince.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Mel Gibson isn't terribly convincing as a southern farmer and family man trying to hold onto his river-ravaged land; even when covered in soot and wearing overalls, everything about the young, wiry Gibson breathes prosperity. Corporate shady Scott Glenn (in a sleepwalking performance) wants Gibson and wife Sissy Spacek off their land in order to build a dam and flood the valley (it'll mean more jobs), but Gibson refuses to sell out. Sub-plot with Mel taking factory work (after crossing a picket line) is presumably meant to give us a more complete portrait of the man, but it just makes the character seem hard-headed. Upon opening with a lovely series of nature shots courtesy cinematographer Vilmos Zsigmond, director Mark Rydell immediately loses his footing with a sequence of contrived family action in a rainstorm (underlined by an awful John Williams score to heighten the drama, which has no pay-off). It's all downhill from there, with petulant, milky-skinned Gibson failing to match up with homespun Spacek, and two perky kids who keep playing to the camera. "The River" was released the same year as "Places in the Heart" and "Country", and was easily the weakest 'farm movie' of the lot. Glossy, superficial and dull. *1/2 from ****

Continuing my plan to watch every Mel Gibson movie in order, 8 come to his first American movie. 1984's The River.Plot In A Paragraph: Tom and Mae Garvey (Gibson and Sissy Spceck) struggle to keep their farm from the bank, floods and from local financer Joe Wade (Scott Glenn) who wants to buy up all the land, dam a local river which floods and generate some new jobs.The river was Gibson's first American movie, and he is fine, but is over shadowed by Spaceck and a strong supporting turn from Scott Glenn, who is effectively the movies villain, it is a funny movie as the "Bad Guy" is right all along and Gibson and Spaceck's characters should have listened to him!! He was talking good common sense!! And that's when you know it's a weird move!! If you are rooting for who is essentially the bad guy. It's watchable, but that's about it. The River grossed $11 million at the domestic box office to end the year the 72nd highest grossing movie of 1984.

Tom (Mel Gibson) and Mae Garvey (Sissy Spacek) struggle to keep their farm afloat after a devastating flood. Joe Wade (Scott Glenn) has a scheme to build a dam to bring water to his land. To do it, he would need to buy out all the farmers including the Garveys. Tom needs a loan but Joe Wade has lined up the bank and political backers against them.It is the little guy struggling against the big guy. It is also about Tom's single-mindedness. Tom is not necessarily a sympathetic guy. He is stubborn beyond reason. He has a mean streak in him. This makes the simplistic movie structure of small-guy-makes-good not so simplistic. Sissy Spacek is able to soften him image somewhat. There are a couple of great scenes in the mix. The auction scene is the most memorable and heart breaking. The faces in the crowd says it all. The other is the strike. The ending of which is another great scene for a different reason. This starts out yet another small farmer struggle movie. In fact, it's the last of three big such releases of that year. It turns into a man obsessed against the river.

Tom and Mae Garvey (Mel Gibson, Sissy Spacek) are the owners of a small eastern Tennessee farm that has been in the Garvey family for generations. It is the early 1980s, when the staggering U.S. economy threatens the welfare of the American family farm. The Garveys' struggles are compounded by the fact that their property is in a flood plain, and by the enmity of Tom's rival Joe Wade (Scott Glenn), who is a wealthy and powerful foe. This is not lighthearted entertainment.For me, the film's most powerful moments come when cash-strapped Tom has to leave the farm to find work elsewhere. He unknowingly becomes a scab in a factory where the regular labor force is on strike. At least there is a regular paycheck, but the contrast between the man-made hell of a iron foundry/steel mill and the natural beauty of the family farm is compelling, and you can see why the Garveys struggle to hold on to their agricultural way of life, however hard it is. The cinematography for this movie is way above average, a celebration of rural America.Sissy Spacek delivers her usual fine performance. Mel Gibson is very good-- his Tennessee accent quite convincing. The two youngsters who play their children deserve special praise for their natural performances. This is a good, thoughtful movie-- not romantic, thrilling or exciting-- but one the family can watch together and think what sacrifices they would make to keep a heritage and a way of life preserved.