The Ritz
The Ritz
R | 12 August 1976 (USA)
The Ritz Trailers

To escape from a mobster, businessman Gaetano Proclo orders a cab driver to take him to a place where he can't be found. Unfortunately for Gaetano, the place turns out to be a gay bathhouse.

Reviews
UnowPriceless

hyped garbage

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Baseshment

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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Matho

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

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Kimball

Exactly the movie you think it is, but not the movie you want it to be.

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mark.waltz

For anyone who has seen the umpteen productions of "Gypsy" on Broadway, I dare you to not hear the song "Everything's Coming Up Roses" and think of Rita Moreno's hysterical performance as Googie Gomez, singing the song "fresh from her appearance in a bus and truck production of "Fiddler on the Roof".", deserving a second Oscar to go with hers from "West Side Story". Anita was a good hearted spitfire who provided spark yet understanding to the doomed love story in "West Side Story", but Moreno deliciously spoofs the Hispanic stereotypes she has faced by joyously jumping into the film version of a play she had done on Broadway. "Ju thought I vas a drag quin?", Moreno lusciously asks the straight Jack Weston, hiding in a gay bath house from his mobster brother-in-law (Jerry Stiller) and fighting off passes from a balding, hairy chubby chaser. There's the extremely effeminate F. Murray Abraham who also quotes "Gypsy" by squealing as he enters a sauna, "Hello everybody, My name's June! What's yours?" and desperately inviting people to an orgy in his private room, and squeaky, soprano voiced Treat Williams as the straight private investigator hired by Stiller to trap Weston. Add on the fantastically funny Kaye Ballard as Weston's wife who disguises herself as a man to enter the bathhouse, and you've got one of the most delicious farces ever to transfer from stage to screen.While there's plenty of bare male upper torsos, there's nothing offensive in this gay comedy of errors where something dirty might be going on behind closed doors, but none of it is shown on-screen. It's certainly better than the same year's horrible adaption of "Norman, Is That You?", and a far cry from the sometimes funny but ultimate tragic screen version of "The Boys in the Band", but certainly, any gay themed movie in the mid 1970's was ahead of its time, even if it did have some stereotypical characters. Yes, these types of characters do exist, and there are the archetypes of all of them, from effeminate Abraham to the various macho, butch men who have their noses in the air anytime something less than their type approaches them. Veteran early sound actress Bessie Love has a late career appearance, ironically as a receptionist in the front lobby of the bathhouse. Another highlight is when three of the men gather together for a talent show to sing "Three Caballeros" (after another contestant has just done a wretched rendition of "Life is Just a Bowl of Cherries"), making this just truly a gay old time that is truly irresistible.

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Lawson

This has got to be the earliest non-homophobic and non-offensive gay movie (by my standards anyway). 1976! It's based on a play by Terrence McNally - whom I think is gay - and he also wrote its screenplay. It also features most of its original Broadway leads, including, notably, F. Murray Abraham and Rita Moreno.The Ritz is a screwball comedy about a clueless man trying to elude his murderous brother-in-law by hiding out in a bathhouse, which, unbeknownst to him, is very much a gay hangout where men not only have sex with each other but also feature performances by singers and talent shows.Handled by a tactless director or screenwriter, this movie could've been offensive on so many levels, and I, being easily offended enough to be a GLAAD watchdog, was very happily surprised to fully enjoy the movie. Sure there were the stereotypical portrayal of gay men as nellies, but they were part of a variety that also included muscle hunks, lean twinks, leather daddies, and chubby chasers.The actors have a lot of fun with their roles. The clueless straightys include the chubby Jack Weston, who, as you might guess, gets chubby chased, and a young and sexy Treat Williams as the detective trailing Weston. Well sexy when he kept his mouth shut anyway. You'll find out what I mean...Gay bathhouses used to feature female singers and Bette Midler got her start in them, which is why she's such a gay icon. Rita Moreno is this bathhouse's diva, and she gives a lively performance that treads the ideal line between portraying and caricaturing a spitfire Latina.But the eye-pop award goes to F. Murray Abraham, whose most famous role is Antonio Salieri in Amadeus. Yes, Salieri unabashedly plays a flouncy flamer in this movie! Much credit goes to him for tackling the role with gusto yet not going over the top with flailing arms and lisping and all the other stereotypes.

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shlych

I first saw this movie in the 70's, and have never forgotten it. When I tried to rent it at local movie outlets-no luck. It was like Christmas in July, when I finally located it on e-bay. This has to be one of the funniest movies ever made..even my politically correct daughter couldn't stop laughing. The movie is so well done-giving the actors freedom to do things we are not used to seeing them do. Its hard to decide who's my favorite-gogi gomez I think. Rita Moreno is unbelievably funny. Those who take offense to comedy about gay society, should chill out and watch this. Its not so much about being gay, as it is about learning to accept differences. I love it love it love it. A true comedy classic!!!

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Robert D. Ruplenas

I had caught this zany gay bathouse farce years ago and remembered it during a recent discussion of the gay subculture with a gay friend of mine. I wondered if the movie would be considered offensive by/to gays. Having seen it again, I would think not, and at least one gay reviewer here agrees with me. With mistaken identities, misunderstood intentions, and straight cluelessness, it is a hilarious comic romp. All the participants put in excellent comic work here. Rita Moreno, as mentioned often here, is particularly wonderful as the hopeless but aspiring singer - the accent is a hoot. Hard to find nowadays, but definitely worth seeing.

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