Slow pace in the most part of the movie.

How sad is this?

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

Close shines in drama with strong language, adult themes.

Well reviewed here to date, I would like to give a different slant in the hopes it may give pause to reflect to one or two of you. I enjoyed the movie, however the experience was upgraded since it was with a gang of friends that piled into my semi-antiquated but proportionately generous 1964 Chrysler Imperial to see the movie previewed at the studio. As one of us was the proud ex- of one the the villains in the cast, we looked forward to a free night on the town. Meeting one of the producers, cast members, and an old favorite of my dear Mother-Gale Sondergaard making perhaps somewhat of a comeback after many years-added spice to the event for us humble non-industry types. Realizing this is a silly and non-conforming review, the point is: "If you're getting out, make a night of it!" Happy Hour before at Yamashiro, after hours at a private party, whatever, try not to give up too soon, even if the flick is less than stellar. Just a thought.The movie, by the way, was indeed a decent sequel, with reasonable production values throughout.

It's a minor point, but the Indian tribe John Morgan was associated with in "A Man Called Horse" was the Lakota Sioux, with the warrior Yellow Hand (Manu Topou) becoming it's chief during the course of the story. If this branch of the tribe broke off from the main one, it probably should have been explained because in the latter part of the story, there's a scene in which Red Cloud of the Lakota refuses to help the Yellow Hands, as he's allied with the 'white man of river'. If one follows these things with some sense of continuity, the error seemed to be an unforced one.With the 'vow of the sun' ceremony so prominent in the original picture, I didn't think there would be call to revisit the ceremonial rite here, but that's what happened as a prelude to Morgan purifying himself and seeking his vision. More surprising was seeing how younger males of the tribe willingly submitted to the ordeal as well. There's some historical fact to back that up, for young warriors it was a physical and spiritual test that was offered in sacrifice for their people. As I watched the scene, it occurred to me that Morgan showed no scarring from his sun ceremony of five years earlier, another unforced error if I had to guess.Reading previous posters for this film it appears that it's not nearly as well regarded as it's prequel. Personally, I thought it was a decent story, but would have to concur that the original was better since it was exploring the Lakota Indian rituals for the first time. Oddly, I've never run across the sun ceremony referenced in any other movies other than these 'Horse' films, a bit surprising since the Western is my favorite genre and I've seen hundreds spanning the decades.

this sequel to A Man Called Horse focuses much more on the spirituality of the Native Indians.i didn't mind that aspect at all.it's very interesting.the problem i had with the movie is there just didn't see to be a point.i didn't feel there was much of a story to it.to me,it felt like they made a sequel just for the sake a making a sequel.the first movie had much more thought put into it.i did really like the musical score,though.i thought it was very majestic and poetic.if you're expecting a lot of action,you'll have to look elsewhere.this isn't that kind of picture.adding everything up,i liked the first movie more.but this one isn't so bad.for me,Return of a Man called Horse is a 5/10

Harris reprises his weak and tepid role of an 1800's gentleman who can't stomach modern life in England so he goes back to the Plains to find his adopted tribe of Sioux Indians. He finds them on the verge of extinction, starvation and he is there to lead them to new hope, which means bowing to his leadership. Why the Sioux didn't kill him in the first film goes beyond reason. More silly stuff from hippies in the 1970's in this second installment of the wildly popular but empty "A Man Called Horse" saga. Look for a psychedelic scene where Harris is butt naked while emerged in color shots of eagles flying in the sky.