Best movie of this year hands down!

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

There are better movies of two hours length. I loved the actress'performance.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

A collection of five stories as we follow The Red Violin through its lifetime spanning centuries. Each individual story is too weak to stand on its own. But have some patience to hold them in place for 2 hours, and trust that it will finally come together at the end.The film's fatal flaw is that I was unconvinced of the love between the violin maker and his wife. He seemed to live for his craft first and his family a distant second. She seemed to just get bored at home while he neglected her for his work. A more convincing relationship would have set a hauntingly powerful foundation for the subsequent stories. Instead the middle pieces remained flimsy until Samuel L Jackson glued it all together.The total sum is a solid film that falls short of its potential. Beautiful violin music is a common thread throughout. But it feels more the product of a skilled 17th century craftsman than the undying love between a husband and wife.

This movie started off really good with the little kid having the red violin and being really talented but after his death the movie just became really boring didn't like any of the other characters besides the teacher and the kid which we saw for like 10 minutes. Overall bad movie. Not worth your time.

The Red Violin (1998)A total romantic fiction, rather compelling in its construction over many centuries, and beautifully wrought in each era.I don't suppose the violin needs romanticizing, nor does it need a kind of obvious group hug view of its history, but that's the feel good, up and down, loving story it takes. First there is the small violin shop where it is made, and the tragedy around this particular model, the maker's last. It's supposed to come from the same era as the Strad and other timeless fiddles. It's a great place to begin a story filled with mysteries (and the mystery of a great violin, it's shape, wood, and varnish, is given high tech reinforcement in the end with an electronic awe). So the violin is born.And it moves from a Austrian orphanage (with an unbelievable prodigy) to generations of gypsies (some interesting filming with the violin suspended in space as one after another player takes it up) to a crackpot British prodigy (who acts more like a rock star and an indulgent one, if that's not redundant). Finally it winds its way (not so improbably, because life is weird) to China, which of course echoes the modern rise of the Asian virtuosi coming from that part of the world.So the tale is the history of a violin, a possessed one. The spirit of the instrument seems to inhabit the movie. This is reinforced by an Italian fortune-teller (a kindly witch) who has an early Tarot deck. The Tarot was not used for divination that early--it was introduced a card game in Northern Italy in the late 1400s--but that's okay, because it works into the plot really well. Five cards are chosen by the pregnant wife of the master violin maker. Each is turned over for another twenty minute chapter in the movie. In a key moment, the wife asks the fortune teller, what if I don't like what it says, what if it's evil? And the fortune teller says, "I'll pretend not to notice." Promptly the moon is the first card, the most ominous card in the deck (I've studied tarot a bit, which is why, weirdly enough, I watched the movie). But the fortune teller doesn't say that doom is facing the pregnant wife. Instead she lies, and the movie takes one turn after another.You might think this is brilliant stuff, and it has the trappings of that. It could have been, with some slight twist of intentions, artfully transcendent. But it's a hair long at times, and by the last (modern) scenes, a bit cold and unfulfilling. I don't know the solution to what might have worked, but I know it left me interested and curious by the end, not quite bowled over, which is clearly (on the sleeve) the intention.Still, an engaging, musically rich tapestry of great scenes, great music, and a brimming story. Recommended, with slight reservations.

One of those compilation films, essentially a series of short films linked by a common theme, character or plot hook. In this one, a violin makes its way from owner to owner across centuries, and we follow its path and get a feel for the history it acquires along the way.Like any compilation film, some parts are better than others and none of it is especially engaging because you know the film is going to move on to new characters and places before long. I never really understand what motivates filmmakers to make movies like this.On the plus side, there are nice visuals and a lush, Oscar-winning score.Grade: B-