I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

This is a gorgeous movie made by a gorgeous spirit.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

The thin red linne ... that according to a "myth" (or whatever you want to call it) connects people. Also the title of the movie (not the exact words, especially not the thin part). Now we have two very beautiful people front and center and you can see where the attraction lie. You may have trouble understanding the actions they are taking, but it's human nature, right? At least that's how you can always explain things.The acting is good and there are some decent twists along the way. While this is aimed at romantics, it may also contain things that appall them (and I am not talking about some minor nudity here but story related stuff). It's not a bad movie overall and if you are into that kind of movies, you will have something to keep your attention for a while

I viewed this in the English subtitle version. It is not a heavily dialogued film. The title explains that a connection can visit upon (unbidden) a couple which becomes a life-long irrevocable link – from a notion combining a number of cultural nuances. Partway through the film an old women in a Chilean market spoke that thought when she observed the two leads together informally. It meant little then to the pair and the viewers. At the close of the film a post-script explanation is given amongst the credits. I found that I was moved and caught up in the pair's lives from the early random meeting whilst waiting to board a flight - he a vintner from Argentina and she a Chilean flight attendant (she quickly put- down his reference to 'stewardess') We move quickly to him finding himself seated in the flight in which she is an attendant. He realises he is immediately attracted to her, and in his sleeplessness ends up in the staff booth……a few pleasantries later, a first passionate kiss occurs followed by a promise to meet post-Customs – all seems well.But a hitch in proceedings means they simply could not find one another at that point. Each of them went on with their lives.7 years later, they happen upon each other in another flight context; he by now is married with a daughter, she in a relationship similarly, has a son. Both partners are connected to media-entertainment so there is possibility that lives might cross.The casting is interesting. I'm a devotee of 'foreign films' and have feasted on exotic productions through Festivals and Netflix. Latino film is always a feature and home-based film lovers in their 'feedback' often express their wish that 'love/passion' be overtly displayed (They feel cheated when say a Turkish series – no real lover-kissing is shown; display through eyes, voice and courteous hand-kissing is often what you get – or at most a tasteful Director's cut and fade!). The leading-man here is not a testosterone heavy dude at all but he plays this character sensitively for viewer empathy. The question for the viewer throughout is this truly the Red Thread of myth being expressed in this narrative. Sheer passion, instant steamy sex and mutual orgasms engulf the couple in the short hours they're together, with little said between them to suggest any profound meeting of minds. The difference in how the thread is experienced by each one is a strong theme in the film. One is deliberately non-lovey in words and demeanour, and the other is palpably needy and longing. Another parting occurs and again there is resistance (then yielding) for a re-meet, and the couple reach a denouement of the hard realities which won't be resolved simply. A viewer should find the writer and director's work satisfying, and it leaves us pondering whether this was or is a real Red Thread. A top film for those who love passionate romance well acted and thought- provoking and some great screen shots of location.

The end is s hit! They could make it better... The rest of the movie is good. The story is good itself but the final is really poor. The love between those two give you too much expectation and at the end the producers f uck it. Also they could develop more other characters and the reactions on others...

The chemistry between the central characters Abril, played by Eugenia Suárez, and Manuel, played by Benjamín Vicuña, is believable and the director's decision to make Abril the more confident and secure of the two, was the right move.Manuel meets the beautiful Abril and just as love is about to blossom, a turn of fate ruins their moment.Fast forward seven years. Abril is in a relationship with Bruno Raidy and they have a three year old son, Felix. Manuel is married to Laura and they have a five year old daughter, Rita.On another of Manuel's business trips he meets Abril once more and this time they do get together. Manuel tells Abril, "I can't believe how in love I was with you."They spend a day together and while sitting on a wall discussing life, Abril kisses Manuel. He kisses back and the rain appears. The pair take shelter in a tunnel-walkway where they make love before returning to Manuel's hotel room where they make love again. Manuel's wife calls and the conversation is overheard by Abril. She is upset and tells Manuel "I'm not upset …It just bothers me …….that I'm upset about you having a life with her."She leaves Manuel's room with the line, "And I never want to see you again."Does she see him again?Watch the movie and find out.