the audience applauded

Really Surprised!

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

RELEASED IN 1966 and directed by Andrew V. McLaglen, "The Rare Breed" chronicles events in St. Louis and Texas in 1884-85 when an English woman (Maureen O'Hara) and her daughter (Juliet Mills) conscript a lanky cattleman (James Stewart) to try and get their hornless British bull to mate with the longhorns of Texas, but they have to deal with venal thugs (Jack Elam), a curmudgeon ranch mogul (Brian Keith) and the harshness of nature itself.The film meshes drama with lighthearted amusement in the manner of a screwball Disney family comedy, "fun" brawls reminiscent of John Wayne Westerns of that era, dead-serious sequences and romance. I didn't feel this inconsistent tone marred the movie; after all, doesn't real life include all of these things? The exception would be the "fun" brawling scenes which, while lively, are not true to life. In real fights people get broken noses, black eyes, bruises and broken bones. Anyway, the cast is great, but I didn't find the drama that engaging, especially the entire last act. Furthermore, the indoor sets substituting for outdoors are obvious and smack of old-fashioned movies & TV Western fare of the time period.About a third of the way in there's an exceptional stampede sequence that includes a heart-stopping on-set accident involving the wagon carrying Martha (O'Hara) and Hilary (Mills) ahead of the stampede. The stunt women were supposed to be thrown clear, but the wagon rolled over them. Thankfully, the dipping ground underneath the wagon allowed the stuntwomen, Stephanie Epper and Patty Elder, enough room to survive without being crushed, although they did experience minor wounds and shock. In the same sequence a young man is forced to try to run UP the canyon wall in stark terror as the charging cattle threaten.THE FILM RUNS 97 minutes and was shot in Jamestown, Mecca, Coachella Valley, Mojave Desert and Universal Studios, California. WRITER: Ric Hardman.GRADE: C

James Stewart made this film at Universal with a very very beautiful Maureen O Hara as his leading lady reprising their teaming for 20th's Mr. Hobbs Takes A Vacation. Andrew McLaglen who was part of the James Stewart-John Wayne fraternity of action movies directs well this story of cattle breeding. Lots of familiar Universal back lot locations add to my enjoyment of this film. I respect both James Stewart and Maureen O Hara for keeping their careers in high gear even in the troubled 60's. With Maureen O Hara she outpaced many of her peers who retired due to lack of work, only Susan Hayward and Lana Turner were as active as the beautiful Irish Ms. O'Hara was in her steady stream of work as leading lady to John Wayne, Henry Fonda, James Stewart stalwart's of the American screen. Don Galloway a Universal contract player is also cast. Always thought Don Golloway would be a star.Is this movie great? No! Is it enjoyable yes! And Maureen O Hara one of the great Beauties of the Screen!

Recently widowed, Martha Price {Maureen O'Hara} and her daughter Hilary {Juliet Mills} travel from England to Texas to sell their prized Hereford Bull, Vindicator. Along the way, a drifter, Sam Burnett, aids them on their journey and is very tempted to bluff the duo and bag himself some easy cash. But as the journey starts to become perilous, Sam finds himself strongly drawn to Martha, but he's also not the only one.The Rare Breed is a fictionalised account of how British bred cattle came to be part of the American beef industry. Coming as it did in James Stewart's late 60s mellow period, it has an air of cartooned dramatics, it works to a degree, but the joke quickly wears thin and the drama never has the desired impact. Directed by Andrew V. McLaglen and tidily shot by William H. Clothier {tho the cheap shots are evident}, the picture appears to have been cut in one or two places because we lurch from a couple of scenes to completely different scenarios, and its quite off putting. The acting is fine, all the cast give it gusto, with Brian Keith having a ball playing a raging Scotsman, i mean swigging whiskey in the bath at frequent intervals has to be a bonus to me!. One or two punch ups are safely handled by McLagen, and a stampede is watchable if a touch let down by the sloppy editing from Russell F. Schoengarth, to leave us with a fare little film that is instantly forgettable afterwards. 4/10

Curious western handled in cartoony fashion: it's all fired-up, though it ultimately misfires. Fiesty Brit Maureen O'Hara and daughter Juliet Mills bring a royal bull for breeding to Old West America, where both ladies wind up with suitors. Capable cast holds interest but, despite some pleasurable moments, Andrew V. McLaglen's perplexing direction is way over-the-top. The screenplay by Ric Hardman keeps all the characters spouting off and hopping mad, turning the movie into a western parody (culminating in a laughable blizzard sequence which McLaglen stages on a set--with the results looking far worse than the typical blue-screen effect). O'Hara juggles the affections of both James Stewart (completely rote) and Brian Keith (hamming with abandon as a wild-eyed Scotsman). She was better off with the bull. ** from ****