What a waste of my time!!!

Horrible, fascist and poorly acted

This movie feels like it was made purely to piss off people who want good shows

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Having read previous reviews, I nearly didn't bother to watch TQG, but was glad that I did. By the standards of the 1960s and Audie Murphy Westerns, it wasn't at all bad. Murphy wasn't the greatest actor (though he did well in The Red Badge of Courage and The Unforgiven), but many of his facial reactions in TQG were quite good.Certainly Ted de Corsia over-acted, and the hotel seemed remarkably plush for such a small town. But I've seen far worse well-lit night scenes, and the townsfolk were elderly because all the young ranch-hands were away on trail. The old gang member seemed no older than grizzled old coots such as Gabby Hayes and Walter Brennan who featured in many Westerns.Spoiler begins: Sheriff Grant's strategy was all wrong. He locks up the only other fighting man in town and lets go the two outlaws sent to reconnoitre the town. (Later, when they are captured, Dan Evans remarks that's two less; pity that they weren't arrested earlier.) And Grant was foolhardy to go out to parley with Spangler.I did suspect that some of the revolvers might be seven- or eight-shot, but at least both sides went through the motions of reloading them.

This film opens with gunslinger Clint Cooper heading back to his home town of Shelby, Montana. Before he can get there he runs into Jud Spangler and his band of outlaws; Spangler is planning to head into Shelby and rob the bank. Spangler invites Clint to join him stating that he has reasons for going into town alone; after a brief confrontation Clint gets away and heads into Shelby. He is clearly not welcome there any more; we learn that he left after a shoot out that left two brothers dead; their father Tom Morrison and his nephew Rick are still determined to see Clint die. Clint warns his old friend Sheriff Scotty Grant that Spangler is going to attack soon. As the town prepares for Spangler's arrival Clint must deal with both the Morrisons and the fact that the woman he loved is now engaged to Scotty.This is a fairly standard Audie Murphy western; his character very similar to those he usually plays; the likable but misunderstood man who is quick with his gun. The plot is fairly simple with no unexpected twists but that doesn't really matter as it was fun to watch. There was plenty of decent action including shoot outs and a thrilling scene where Clint and Rick fight with baling hooks! As Spangler attacks the town a surprising number of townsfolk are gunned down and it is clear that his intentions towards the women are less than honourable. Murphy does a good job as Clint but Ted de Corsia steals the show as Spangler; a bit of a pantomime villain but a lot of fun to watch. Merry Anders put in a feisty performance as love interest Helen Reed; although her scenes with Spangler were more interesting that the potential love triangle involving Clint and Scotty. While this was obviously a fairly cheap B western it was still an enjoyable way to pass a quiet afternoon.

This is the third time this story by Steve Fisher has been done. The first time was "Top Gun" starring Sterling Hayden done in 1955 in black and white, and then done again as "Noose for a Gunman" in 1960 starring Jim Davis, who later became Jock Ewing on "Dallas" (Ted DeCorsia even played the same role as in "The Quick Gun" with John Dehner taking the main villain role in "Top Gun"). All three are good if you like the old fashion type westerns, which I do. They were simple, your kids and grandkids could watch them, and they always had a good ending. Need more of them today. To me, Audie Murphy will always be a hero on the battlefield (The most decorated soldier in WWII including the medal of honor)and on the screen.

Director Sidney Salkow made quite a few westerns over the course of his career, and the one thing they have in common is that none of them are particularly good. If you want to see why, then watch this picture. Salkow has no sense of pacing whatsoever (a trait even more evident in his "Sitting Bull" from 1954, which has to be among the most disjointed pictures ever made). Stuff happens, then nothing happens for a while, then stuff happens again, then nothing happens for a while again, and so on, and so on, and so on. That describes this picture pretty much to a T, and what's even worse is that, unlike many of Salkow's other westerns, this one actually has a cast of experienced western actors in roles both large and small: James Best, Frank Ferguson, Rex Holman, Rick Vallin, Frank Gerstle and Mort Mills, among others, have done good work in other westerns, and Audie Murphy is earnest as always, but there's not much they can do with this. They try hard, but Salkow's limp direction and the drivel they're forced to recite kill whatever small chances there may have been of making something out of nothing. Even though the plot is somewhat tired, good--or even halfway competent--writing could have made this picture at least watchable. The writing here is laughable hack work, just cliché piled on top of cliché, overheated dramatics, eye-rolling villainy--it seems more like a William S. Hart western from 1915 than an Audie Murphy western from 1964. The last part of the picture picks up a bit--"picks up" being a relative term, considering that virtually nothing has happened up to that point--when the outlaw gang attacks the town, but even that isn't in the least exciting. Salkow's tenuous skills as a filmmaker completely evaporate when the "action" starts (again, check out his 1954 "Sitting Bull") and this picture is no exception--a few desultory gunshots and a bad guy falls off his horse, another gunshot or two and a townsman falls down (it's hard to tell if it's because he was "shot" or if he just dropped from exhaustion--the outlaws and the townsmen in this picture have to be among the OLDEST people to engage in a gun battle in the history of westerns) and the same thing is pretty much repeated for the next eight or ten minutes. There's no sense of excitement, danger, or anything other than boredom. In the end, of course, everything works out exactly as you knew it would, but it's not really worth sitting through this dull, lumbering mess to have your suspicions confirmed.