This movie was so-so. It had it's moments, but wasn't the greatest.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Blistering performances.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

This movie interviews the Queen of Iran (whose husband the Shah was deposed in 1979). It is not the usual sycophant publicity garbage and you can really size up Farah.These figures of history hold a fascination especially if you get a candid look at them.Farah's life was tragic...two of children committed suicide. Humiliation and loss of power is never a joy.But this is what makes her someone you like better.I highly recommend this documentary.RECOMMEND

I found this documentary very moving, yet sober. Two women of very different backgrounds, one an empress the other a former rebel, meet and connect over the similar circumstances they find themselves in after the Iran revolution. Political and class differences aside, filmmaker and commoner Nahid and Empress Farah have both suffered painful losses during and after the revolution, yet they have found a way through the pain to still live meaningful lives. The two women share a profound dream of one day returning to their beloved homeland - and work to that end, each in their own way. It's hard not to be impressed by the sheer classiness of Empress Farah and impossible not to be moved by both women's life stories and budding friendship as it unfolds in 'The Queen and I'. I give this film a hearty recommendation.

Director Nahid Persson is born in Iran, from a family who was actively opposed to the regime of the Shah. As a young Communist she was among the million of youth who cheered in the streets when the revolution broke and the Shah and his wife, empress Farah flew the country. Although they lived in the same country, the two women were separated by huge social and political differences, and for Nahid as for many Iranians the fairy tale lives of the royals had become the symbols of corruption and repression. Yet, soon after the revolution the dreams of democracy and of a better life proved to be illusions and Nahid and her family found themselves again on the side of the opposition, and eventually had to flew Iran.Thirty years after the revolution the Sweden-settled Persson looks back in this documentary to the time of the revolution, and tries and succeeds to meet the former empress, now living as a refugee, but a different kind of refugee, in order to understand not only what she has become, but also her own feelings towards a woman who decades ago symbolized for her evil, and now is living at least from some aspects a similar life of longing for the lost country. The film includes the interviews with Farah, and these are more or less what you can expect. The former empress is living the life of a high-class, jet-style refugee. Her views did not seem to have changed too much in the decades since the fall from power of the Shah. Neither does the director want to push too hard questions on her. These are asked a few time off-screen, but they seem to have been shared much more with the viewers of the film than with the subject of the interviews. Maybe it's a sign of respect, or maybe it is the strong and fascinating personality of Farah who wins the heart of the director, or maybe the shared fate of the two women is more important than any other story told in the film. Made and issued to screens around the time when many other documentary films about the fall of the Shah and the Islamic revolution were made 30 years after the events, 'The Queen and I' is one of the more interesting, and the human story occupies a better place in this film than the political one.

This couple was never supposed to meet. Queen Farah Diba of Iran and the girl who fought her from the left and made the revolution.But as often happens, revolutions eat their children and director Nahid Persson had to escape from her country, a country which had just executed her young brother.So Persson ended up in Sweden, started to make documentaries and one day got the idea of taking contact with the queen, asking if it was possible to make a movie about her life today.It was possible and the two of them become good friends in the end. The queen is found to still be much of an empress but also a warm person, who doesn't just call people in Iran. She is somewhat, as a paradox, willing to serve.A warm documentary which once again tells us the truth. Whatever we are, we are first of all human beings.