The Proud Ones
The Proud Ones
NR | 15 May 1956 (USA)
The Proud Ones Trailers

Robert Ryan plays an aging sheriff responsible for law and order in a frontier cattle town. Virginia Mayo plays his fiancee. As if handling wild cattle drovers isn't enough, a crooked casino operator from Ryan's past comes to town. An early scuffle in the casino leaves Ryan with vision problems that interfere with his duties. Jeffrey Hunter who came to town with a cattle drive encounters Ryan, who killed Hunter's father when Hunter was young. Feelings of animosity soon change as Hunter begins to sense Ryan is telling the truth about his father. What follows is a plot that continues to thicken to the inevitable showdown.

Reviews
Limerculer

A waste of 90 minutes of my life

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Baseshment

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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Quiet Muffin

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

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Fleur

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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ma-cortes

The movie contains gun-play , Western noisy action , thrills , exciting spectacle and hard-biting interpretations . Offbeat Western about an almost-blind marshal with recurring bouts of blindness and taking on a nasty bandit . The rowdy ,free-spending cowboys attracted saloon keepers , gamblers , brothels and all types of frontier riff-raff , the town became notorious for its lawlessness , but there was Marshal Cass Silver (Robert Ryan) . After arrival the railway in town , Marshal Cass has to face off villains , killers and other mean people . Meanwhile , a cowboy called Thad Anderson (Jeffrey Hunter) comes to town with a cattle drive and meets Sheriff Silver , who murdered Anderson's dad when he was young . But his revengeful feelings of animosity soon change when Cass is telling the truth about his daddy . Later on , there appears his old nemesis , a corrupt gambler named John Barrett (Robert Middleton) and Cass has to deal with his hoodlums (Rodolfo Acosta , Ken Clark) . But here is a problem however , Cass is blind and he gets to hitting the dust .The film packs violence , shootouts , high body-count , it's fast moving and quite entertaining . It's a medium budget film with good actors , technicians , production values and pleasing results . A good Western of the kind that was already close in the then changing climate of Hollywood , what follows result to be Westerns in which stand out the twilight style , typical of the sixties . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes ; it continues to thicken to the inevitable final showdown . As the movie displays shot'em up , frantic action , thrills and moving pieces . It's a stirring Western with breathtaking confrontation between two leading roles , Robert Ryan/Jeffrey Hunter , and their enemies , Robert Middleton , Ken Clark , Rodolfo Acosta . Robert Ryan interprets efficiently an aging marshal responsible for law and order in a frontier cattle town , Jeffrey Hunter is cool as his young colleague and Robert Middleton is nice as a ruthless saloonkeeper . Virginia Mayo more used to work in Warner Brothers Musical seems miscast as the girlfriend . Support cast is pretty good such as Ken Clark , Rodolfo Acosta as hired guns . Special mention for the latter , Rodolfo Acosta , in his ordinary role as a cruelly baddie , he is terrific, and bears a hysterical and mocking aspect , subsequently he would play similar characters . Furthermore , Arthur O'Connell , Edward Platt , Whit Bissell , Richard Deacon , Jackie Coogan and a wasted Walter Brennan as an old deputy . Enjoyable score , including a catching whistled theme tune that may stay with you for some while . Colorful as well as evocative cinematography by Lucien Ballard , Peckinpah's usual .Screenplay by Petrarca and prestigious Edmund H North with interesting premise about a 'blind gunfighter' , subsequently taken by Japanese series starred by ¨Zaitochi¨, a blind swordsman from the 60s and being recently remade by Takeshi Kitano . This attractive theme about a blind gunslinger is also treated in other Westerns such as ¨The Blindman¨ by Ferdinando Baldi with Tony Anthony and Ringo Starr , ¨An eye for eye¨ by Michael Moore with Robert Lansing , ¨Minessota Clay¨ with Cameron Mitchell , directed by Sergio Corbucci and ¨Blind Justice¨ (1994) by Richard Spence with Armand Assante , Robert Davi and Elizabeth Shue .¨The proud ones¨ was expertly staged by Robert D. Webb who carried out an exciting climax of the picture . Robert Webb makes a nice camera work with clever choreography on the showdown , fighting , moving shootouts and suspenseful set pieces . Robert D Webb was the last person to win the short lived Oscar category "Best Assistant Director" . Often worked as assistant to the director Henry King . Directed Elvis Presley in his first feature film , Love Me Tender (1956) . Robert was an assistant director and director, known for Beneath the 12-mile reef , (1953), Seven Cities of Gold (1955) , Love Me Tender (1956) , this The proud ones (1956) , Pirates of Tortuga (1961) and The Cape Town affair (1967) . ¨The proud ones¨ is an outlandish , surprising and uneven story but will appeal to Western aficionados . Rating : 6.5/10 , riotous Western in which there's too much action and violence and excitement enough

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LeonLouisRicci

A slightly above Average Fifties Western with Robert Ryan, Technicolor, and Cinemascope the main reasons to catch this rather uninvolving misfire. Things come alive now and then that propel the dreariness and flat handedness to an interesting level. For example, when the Marshall lectures the Town Counsel and says..."you'd sell out for a copper penny, with your $40 Boots and your $12 Hotel Rooms...I couldn't look in the mirror without vomiting". The Movie breaks toward the edge a few times with some taut gun-play and suspicious motives, but it also lingers and has some very uninspired moments. The target practice piece and some other wasted Screen time with the Love Interest, a Family Man, and Walter Brennan who just sort of sits around.The Script is also not very convincing with its Back Story, but this is worth a view if nothing much to make it stand out among its Betters. But is a notch above a Western Programmer or the plethora of others from the Decade that are much worse.

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RanchoTuVu

A cattle drive from Texas arrives at its destination in a town in Kansas. This sets off a wave of price gouging to take as much advantage as possible of the new business. Virginia Mayo runs a restaurant and Robert Middleton is set to open a new saloon. Marshall Robert Ryan comes face to face with the past in both Middleton and the cowboy son of a gunslinger (Jeffrey Hunter) who believes that Ryan gunned down his father in cold blood in the previous town he was a marshal in. The film is pretty good at showing the avariciousness of the merchants, who are willing to let law and order slide in order to profit from the business. Do they want law and order or wild and uncivilized profiteering led by the crooked Middleton and his gunslingers? It's a good question and the film could have been a whole lot better with a script that made more sense, especially for the beautiful Mayo, who's character is trapped in a stereotype.

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dr_foreman

My brother gave me this movie for Christmas because he knows I love Robert Ryan. There's just something about middle-aged character actors from the "golden age" of Hollywood that appeals to me; they're so cool and tough in ways that modern actors just can't match.And this movie did not disappoint me. Ryan is great in it. He's macho and wise but also vulnerable. There were times when I was genuinely worried that the bad guys would get the upper hand over him.In fact, quite a lot of this movie is suspenseful. It has many unexpected twists, not only in terms of "surprise" action but also character development. The constantly evolving relationship between Ryan and Jeffrey Hunter is a particular source of interest.Even the mandatory love interest - Virginia Mayo - gets a lot of solid character development, though she does disappear from the movie for somewhat long periods of time.Best scene? When Ryan rips into the cowardly town council. It's simply awesome.

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