Very very predictable, including the post credit scene !!!

I like Black Panther, but I didn't like this movie.

Best movie ever!

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Comedy, romance and murder mysteries are great on their own. Those three elements together seemed even more appetising and there have been numerous instances where it has worked. The story sounded so great on paper and the cast is a talented one, do like Carole Lombard and Fred MacMurray and the two worked very well together in their too few appearances. This is evident in 'The Princess Comes Across', which is a very good representation of both and of their partnership. It is also a very good, if not quite great, film in its own right, what could have been a basic whodunit is elevated to a greater level by the cast, the clever writing and how the elements are balanced well. The mystery is not exactly a complicated one, but it is wholly diverting and it was a good idea to have enough to keep one guessing without trying to over-complicate.By all means, 'The Princess Comes Across' is not without faults. For me, at just an hour and a quarter it was a little too short. Would have given it 10 minutes more perhaps. With a slightly longer length, it would have made the more serious second half less hasty, don't get me wrong there is a lot to enjoy about the second half it just felt a bit rushed at times and the tonal shifts don't always gel and create a disjoint. However, there is a huge amount to enjoy about 'The Princess Comes Across'. It is especially worth seeing for a wonderful Carole Lombard, exuding glamour and enjoying herself to the hilt, her trademark zaniness and delicacy perfectly captured. Fred MacMurray may not be at his very best, but he is dashing and has amiable comic timing. The supporting cast are all solid, with the best turns coming from a deliciously sardonic Mischa Auer, Porter Hall playing a weasel to perfection and especially a delightful Alison Skipworth relishing some of the film's best lines. They are all efficiently directed and have believable chemistry, Lombard and MacMurray do sparkle together. It's a visually beautiful film too, it's sumptuously shot with beautiful costumes and the camera clearly loves Lombard. The script is witty and sophisticated in the comedic elements of the first half, which is the better half and the element where 'The Princess Comes Across' scores highest. The romantic element works a charm and for me the mystery was diverting and not too simple or complicated, reservations with it are with it being taken a little too seriously in the second half. The music is like its own character and adds hugely to the film. Concluding, well worth seeing with Lombard being the biggest attraction. 7/10 Bethany Cox

THE PRINCESS COMES ACROSS (Paramount, 1936), directed by William K. Howard, based on story by Philip MacDonald and adapted from novel by Louis Lucien Rogger, reunites Carole Lombard with Fred MacMurray in a worthy second offering following their initial screen pairing of HANDS ACROSS THE TABLE (1935). With shipboard stories quite a common course in movie theaters at that time, the narrative takes place mostly on board an ocean liner involving various characters, particularly its star attraction played by Carole Lombard. Talking like and attempting in various ways to imitate the famous Swedish born actress, Greta Garbo, Lombard doesn't do a Queen Christina but the guise of a fictional royal Swedish princess coming to America.The plot begins in on deck in England as Captain Nicholls (George Barbier) of the transatlantic ocean liner, the S.S. Mammoth, awaits the arrival of her royal Princess Olga (Carole Lombard) of Sweden, accompanied by her lady-in-waiting, Gertrude Allwyn (Alison Skipworth), and soon greeted by newspaper reporters regarding her venture to Hollywood where she's set to star in a movie, "She Done Him Plenty." Before the ship sets sail across the Atlantic to New York City, the princess is escorted to her royal suite where she finds it occupied by bandleader, King Mantell (Fred MacMurray), and his assistant, Benton (William Frawley). At first, King refuses to give up the suite he had earlier reserved, but after one look at the princess convinces him to settle for a cabin instead. As concertina player Mantell becomes better acquainted with the princess, Captain Nicholls, in a meeting with the international police consisting of Inspector Cragg (Lumsden Hare) of Scotland Yard; Inspector Paul Lorel (Douglass Dumbrille) of France; Morevitch (Mischa Auer) of the Russian Police; Kawati (Tetsu Komai) of the Japanese Secret Service; and Steindorf (Sig Rumann) from Germany, he comes to learn that Paul Merkel, a killer and escaped convict from Devil's Island Prison, is believed to have stowed away and now hiding anywhere on board his ship. As a mysterious but slightly bearded stranger (Bradley Page) in trench coat comes sneaking about the unattended cabins and hiding around secluded places by night, Robert N. Darcy (Porter Hall), a noted blackmailer and confidence man, knowing the secretive past of both Mantell and the princess (Wanda Nash of Brooklyn), he threatens to expose them unless he gets paid off. Later Darcy is found dead inside the princess's royal suite.As THE PRINCESS COME ACROSS starts off as a masquerade sort of comedy, the second half changes knots in mid ocean to murder mystery. Towards the near end of the story, MacMurray takes time singing the lyrics to the film's frequent underscoring to "My Concertina" as composed by Mack Gordon and Harry Revel, as he performs during the ship's entertainment dinner party that earlier consisted briefly of a young tap dancing sailor on stage.A brisk 76 minute production, THE PRINCESS COMES ACROSS is entertaining enough through the Lombard and MacMurray exchanges, but becomes more interesting wondering the identity of the killer on the loose on board ship and the method King Mantel does to expose the guilty party. William Frawley ads some moments of humor as one who lifts personal articles so to learn more about the person's identity, especially the princess, as well as gathering enough attention from passengers and a blinking cabin boy (Bennie Bartlett) while walking about with his beret. Alison Skipworth, nearly unrecognizable in her blonde wig, in fine support of the princess's companion. Film buffs will recognize some familiar faces in brief bits, including George Chandler (The Newsman); Dick Elliott and Milburn Stone.Not as remembered as Lombard's other film roles as TWENTIETH CENTURY (1934) or MY MAN GODFREY (1936), the nearly forgotten THE PRINCESS COMES ACROSS used to be one of Lombard's most televised movies, especially in the early 1970s, with four broadcasts in 1972 alone on New York City's WPIX, Channel 11, before being phased out from that station by 1973, where some years later was found to be broadcasting on other network and public television channels in the Metropolitan area. In later years, THE PRINCESS COME ACROSS became available to video cassette and later DVD, as well as cable television showings on American Movie Classics (1993-1994) and Turner Classic Movies (TCM premiere: August 17, 2006). A capable cast and tight-knit story should continue to keep THE PRINCESS COMES ACROSS afloat. (***)

This second pairing of Carole Lombard and Fred MacMurray packs a lot into 76 minutes. It's the least funny of their three comedies, but that's because the humor has to share time with crime and a murder mystery. "The Princess Comes Across" is a mixed genre of comedy, a con caper, murder mystery, and romance, with a good dose of music as well. It's a bit too much to pack into 76 minutes and expect a film to be outstanding or exceptional. Still, it's entertaining and fun to watch. Lombard assumes a Greta Garbo role with a Swedish-English accent, playing a fake Princess Olga. And, MacMurray, as King Mantell, uses some of his musical talent singing with a concertina and his band. Much of the humor comes from their sidekicks. Alison Skipworth plays Lady Gertrude, companion of the princess, and William Frawley is Mantell's cohort, Benton. But, there's crime aboard their ship in this film. And the stars share screen time with a band of international detectives. Those sleuths and other lesser roles are played very well by some of the leading supporting actors of the era. Sig Ruman, Porter Hall and Mischa Auer are especially good in their roles. This film just doesn't have as much snappy dialog, witty script and clever zingers that other films have. But the plot is good and the mystery adds a twist to the usual script of comedy-romance and music for such films of the 1930s. Both stars are exceptionally adept at truly great comedy, and they show some of the range of their acting talents here.Here are some favorite lines from the film. For more dialog, see the Quotes section under this IMDb Web page of the movie. Chief Purser (Edward Keane), "There are five important police officials aboard, sir." Captain, "Police?" Chief Purser, "They're sailing for an international convention of detectives in New York. Would you like to have them at your table, sir?" Captain, "I don't even want them on my ship. They're troublemakers. Jinxes. I'd rather be followed by a seagull flying upside down. I've seen it happen again and again. Trouble's their business. They love it so much, it follows them around."Lady Gertrude, "Now I know he's no good. My dear, I am an old woman. I have traveled at home and abroad. And never, never have I known any good to come out of a concertina."Princess Olga, "You enjoyed the cocktails, didn't you?" Lady Gertrude, "Oh, the first five or six. After that I was bored."Benton, "King. I just saw Darcy go into the royal suite." King Mantell, "Yeah? Are you sure it was Darcy?" Benton, "Sure. Rats like that don't come in pairs."Benton, "Take Terry McGovern. There was a fellow with a left hook. All he had to do was hit you in the chin and break every bone in your ankle."King Mantell, "If you're ever in any kind of trouble, you can count on me." Princess Olga, "Oh, why do you think I should be in any trouble?" King Mantell, "Oh, I dunno. This is a strange ship, and there are some very odd people aboard." Princess Olga, "Ja, and the oddest of them all is you."Lady Gertrude, "Thank heaven this day is over. Such a crowd, my dear. I don't mind people stepping on my feet, but I do object to their loitering there."Lady Gertrude "Oh, my stars and garters."Benton, "I'm saving this page for your obituary notice. I can see it now. 'King Mantell Gets Himself Bumped Off for a Dame.'"Princess Olga, "Well, if you really know who the murderer is, why don't you tell them now?" King Mantell, "I would if I knew. The point is I don't." Princess Olga, "Then why did you say you did?" King Mantell, "Because to catch a rat you have to have cheese." Princess Olga, "I don't get it." King Mantell, "I'm the cheese. When the rat comes to nibble, bang goes the trap." Princess Olga, "With the cheese in it." King Mantell, "Not if it's a smart piece of cheese."Benton, "I'll stick around, all right, but I ain't no Charlie Chan. When I'm picking that guy's sewing kit out of your back, don't say I didn't tell you, that's all."Benton, "I don't know why you want to trade your concertina for a harp."

"The Princess Comes Across" (1936) is one of Carole Lombard's best films. Lombard gives a brilliant impersonation of Greta Garbo. (Princess Olga's character is based on Swedish actress Greta Garbo, who obtained a Hollywood contract and sailed to America.) Lombard looks like Garbo with her sleek hairstyle, curved eyebrows, eyeliner, and mysterious expression. She also emulates Garbo's languid movements, expressive hand gestures, and deep voice with the Swedish accent. Her fashions are in Garbo's style, with fur coats, capes, and a slouch hat.Lombard plays Wanda Nash, a Brooklyn showgirl trying to break into movies by pretending to be the Swedish Princess Olga. This comedy is based on movie casting trends at that time. With the great successes of European movie stars such as Garbo and Dietrich, Hollywood movie studios were seeking sophisticated European actors and actresses for films. A book claimed British actress Elissa Landi was the granddaughter of an Empress, and she appeared in her first Hollywood film in 1931. (See my posting on the message board for more about Elissa Landi.) It is delightful to see Lombard smoothly transition between her formal Garbo persona, and her lively American personality.Fred MacMurray is handsome and cocky as the American bandleader and concertina musician "King" Mantell who falls for the faux princess. MacMurray and Lombard have great chemistry.The movie combines zany romantic comedy with a murder mystery. There is an international team of detectives who are seeking a notorious murderer hiding on the ship.The sets and costumes are lavish. The suites and ballroom in the ship are Art Deco style, with murals. Lombard's costumes are gorgeous. The cinematography is excellent. The crime part of the film has noirish shadows on the walls, slatted window shades, and foggy night scenes.This is a great film, with zany romantic comedy, murder mystery, witty dialog, and lavish sets and costumes. The best part is Lombard's superb impersonation of Garbo. Highly recommended.