Purely Joyful Movie!

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Close shines in drama with strong language, adult themes.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

In my opinion this film is very interesting in order to understand the 70's Italian decade and to understand Pasolini's murderer. I think that this film is well played: I appreciate the work of every actor. Matteo Taranto and his quotation of Gian Maria Volonté impressed me a lot: I think that the remind to the film "Indagine di un cittadino al di sopra di ogni sospetto" is precious. It's great that the director makes you observe the situation and then make you understand that you have all the elements to put together the potential truth. Some scenes are very touching and sensitive and are well constructed, especially the final sequence. Great film, highly recommended!

Pasolini is one of the most quoted poets but often some people tries to manipulate his thought, I have always believed this. Every time some people try to say that Pasolini is passed. This film restores the full strength of Pasolini's vision without any rhetoric. The plot is brought forward really impeccably. The elegant trait of David Grieco is rare in our cinema and the film has a very good pace. The clarity allows the viewer to follow the film, but care is needed. Excellent the actors in particular Massimo Ranieri and Roberto Citran. The soundtrack is beautiful, Pink Floyd are a really great choice. Photography is for gourmets. Very accurate reconstruction of the "Borgata" spoken. It seems to be carried in 1975. The film is highly recommended!

I was skeptical when I heard about the new film on Pasolini's death. I do not like the word "conspiracy", I have always been cautious about. But when I saw the David Grieco's film I have been upset by the honest reconstruction of the murder of Pasolini and I understand that it is normal to be wary when you are in front of a submerged truth, you feel insecure. I believe that David Grieco has done a great movie, we deserve a Cinema that can make us aware. The mud machine that tried to destroy Pasolini is terrible. This film shows it without any rhetoric, everyone can understand the film and what it brings out, even young people. I think guys have just to see it, indeed. Also it is an elegant film. You will remain very touched by the sweetness of Massimo Ranieri and Milena Vukotić. Excellent Roberto Citran and Libero De Rienzo too. Brilliant idea the use of Pink Floid's music for the soundtrack, you'll really know ​what were those years. The special effects are a punch: the final sequence is truly visionary. After watching David Grieco's film I need to watch again all of Pasolini's works. Now I want to know the truth about his murder and I am sure that the great Cinema never leaves us alone.

If you want to understand what happened to Pier Paolo Pasolini, this is the right film. David Grieco leaves the viewer the chance to pick up the information that he gives. An accurate reconstruction that is not only fiction. Massimo Ranieri resembled Pasolini and he's extremely generous in this interpretation. Milena Vukotić's in her best interpretation. Every actor pursues his own interpretation impeccably. An extraordinary soundtrack (Pink Floyd), an engaging and emotionally mounting, especially in the end. It is a political and ethical film in the best way, it has its origins in Pasolini and Petri, but has its own strong originality. Grieco uses modern techniques to make the truth accessible and reachable for everyone who care. No one can abstain after watching this movie.