Slow pace in the most part of the movie.

From my favorite movies..

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

I agree there is no plot. It's strictly a series of events involving farm animals and Mickey's efforts to plow a field. Of course, conventional methods don't work and the animators come up with alternatives. The animals are quite interesting, especially the cows and pigs. The problem is that nothing goes anywhere and there is no rhyme or reason for most happenings.

This is an early Disney short featuring Mickey Mouse. There will be spoilers ahead:This is a collection of gags which fell asleep while searching for some sort of plot. The gags are good enough and the animation is nice enough that it doesn't really matter.Mickey is driving a plow being pulled by Horace Horsecollar. Minnie comes up playing a guitar and "singing" with Clarabelle Cow, who needs to be milked. Mickey starts milking her, only to get licked by Clarabelle, which he doesn't like at all. Twice this happens and twice Mickey retaliates.Then Mickey kisses Minnie, which she likes about as much as Mickey liked being licked by his cow. Minnie retaliates and storms off, which amuses both Clarabelle and Horace and angers Mickey. That's when the fun begins. Horace has a close encounter with a bee and charges off, dragging Mickey and the plow behind him. The upshot ultimately ruins the pig's whole day.This short is available on the Mickey Mouse in Black and White, Volume Two Disney Treasures DVD set and is worth tracking down. Recommended.

I have always liked Disney and Mickey Mouse. The Plowboy is not one of their best, with a very thin and basic plot(not unusual for Disney cartoons at that time, but sometimes here it is so thin that if it weren't for everything else working so well The Plowboy would be rendered pointless). The voices have also been better later on, Minnie's singing voice I personally did find grating, though I have heard worse. However, it is worth watching for several reasons. I identified completely with both Mickey and Minnie here, especially the former, he with his frustration as he is mocked and she with her shy flirtatiousness. Horace and Clarabelle's appearances are pleasing also, more to actually to see them present rather in what they do, I actually felt rather mad at Horace when he mocked Mickey. The animation is just beautiful, the backgrounds are smooth and the character animation is some of the best of the early Mickey Mouse shorts, how Mickey's frustration is etched on his face is very well done in particular. As well as Minnie's introduction- here in the guise of a jaunty dance rather than Mickey approaching her- being refreshingly atypical to what we're used to. The music has always been a driving force as to why Disney cartoons have always worked so well, and it is full of its usual energy. Minnie's Yoo Hoo is so catchy. The gags do sound ridiculous in hindsight, but they're not. A lot of them are very endearing and funny, especially the gag when the pig, rooster and goat are fleeing from the runaway Horace, and smash into a tree(it's the result that makes it so funny). Overall, nothing special in terms of story, but the characters, animation, music and gags make The Plowboy a good cartoon in my view. 8/10 Bethany Cox

A Walt Disney MICKEY MOUSE Cartoon.THE PLOWBOY who should be attending more to his chores and less to trying to lip lock with his girlfriend is none other than Mickey Mouse.This very early black & white Mouse cartoon has virtually no plot, but is driven almost entirely by the soundtrack. In his first screen appearance, Horace Horsecollar pulls the plow, but also displays a rather unhealthy interest in Miss Minnie. Artist Ub Iwerks makes poor Clarabelle Cow and her vast udder the subject of more of his favorite appendage jokes.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work will always pay off.