Who payed the critics

Very well executed

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

This film is so real. It treats its characters with so much care and sensitivity.

The movie tries hard not to be your typical Romantic comedy. It's a little too up beat and hip and does not focus on the romance or the comedy as much as it shouldCharlie is the archetype alpha male with the fly job the fly crib and a odd hang up about settling down that makes him vastly different than his two married friends, and gives us a bunch of scenes of them sitting around drinking lattes or working out where they can debate about this. Than he meets that chick who changes his mind about it.I got to admit, that I did like how the situation develop, it was an interesting twist.But Charlie does follow the formula for the rom-com lead to the tea, making it hard for Terrence J to shine his charm through the staleness of it. I did enjoy seeing him try, however. Paula Patton's role as Charlie's sister is way too short for it to be such a key note that it was. It's almost like they added it afterwards in order to make the movie make more sense than it would have without. I wished it was funnier than it was, too. Not even Donald Faison whose job it was to be funny as Charlie's best friend, was making me laugh.Maybe I should not say anything about French Montana's over dressed cameo appearance. He was not in the movie cause he can act, but man, could they not find someone better on camera for this?Even the hot love scenes were kinda bland after awhile.Overall, I did like how the story played out, not enough to make it worthy of my cash at the box office. Catch it when it comes on cable late at night.

I am a movie goer reviewer so there will not be an in-depth a analysis of production or the like.Advertising for this movie was quite misleading. By giving it the title 'The Perfect Match' and showing clips with Cassie and Terrence J engaging in romantic encounters, they give the impression that the focus of the movie will be them and the evolution of their relationship. However, the audience hears more about the wedding plans of supporting characters are we are supposed to believe that Cassie and Terrence J's characters actually fall in love. Let's see...they had sex in a public bathroom, also in his home, made out in a pool and he photographed her. That's about it. Now how is that he fell in love with her and was heartbroken to the point that he said damaging things to those he loved? This movie seemed like an excuse to cast 2 good looking people to make out - and one of them lacks any type of acting skills. I cannot recommend this move to anyone who desires to be entertained.

Romantic comedies have changed a bit since their late nineties/early two thousands heyday. Gone are the days of Julia Roberts being, "just a girl, in front of a boy, asking him to love her." It seems somewhere around 2005, Hollywood finally got the message and decided unrealistic, overly romantic gestures like stopping the girl at the airport, or stopping her from marrying the wrong guy at the altar was just a tad too much. Thus we get something like The Perfect Match, a movie sans the final act clichés but still clinging to old attitudes about men and women.Charlie (Jenkins) is just not the dating type. Living large as a successful music agent and budding photographer, Charlie spends his days meeting up with, and quickly discarding a bevy of attractive women. His friends; a regular cabal of walking stock-characters, tell him he should settle down lest he spend his life alone. Then he meets Karen (Hawk) a women who wants to escape from the long-term relationship feedback loop. "I just want something without any attachments," she says to Charlie as the two get to know each other. Thus what starts as a simple arrangement between two young, attractive people, turns into something more complicated.Despite some welcomed changes to the genre, The Perfect Match is beat by beat, very beholden to a comedic style that hasn't been in vogue since the nineties. Charlie and his friends Victor (Riley) and Rick (Faison) joke around about how unreasonable, shrewish and/or costly their women are while falling into sitcom dad situations that could easily be avoided if they communicated better. Charlie's sister Sherry (Patton) takes no time explaining to the audience that she's a therapist and delves into Charlie's inner thoughts before we even have the time to get to know him. The first act is so paint by numbers that there's actually something kind of appealing to the menagerie of dated gender role jokes. It's like peering into the psyche of a Bill Burr fan or the Facebook feed of a college sophomore; it's all "women be like _______" jokes.The characterizations vary not just actor to actor but scene to scene. One minute Robert Christopher Riley's character is noticeably panicked about the cost of his wedding to his fiancée Ginger (London). The next moment he's completely zen without much resolution. Cassie Ventura leans into the testy Latina stereotype which surprisingly is the most consistent and interesting supporting character in the film. Faison brings much needed levity whenever he's on screen but he, along with everyone else is still just reading their lines, collecting a paycheck and going home.The exact same thing can be said about the main romance, which lacks everything but the bare cliché. Largely established with a coiling array of lovemaking scenes set to R&B music, Jenkins and Hawk seem completely at odds with each other. The chemistry was wholly absent and provides no warmth the audience can cling to. When our smitten hero comes face to face with the perfunctory third act romantic misunderstanding, his reaction is complete overkill, given the fact that he barely knows Karen.In-spite of all it's various faults, I cannot deny this movie will be exactly what many are looking for. It's a de-fanged romantic comedy with a salient moral about not being a scrub. It provides some fun eye-candy for both sexes and it wasn't directed terribly. In-fact I would argue this kind of material is beneath director Bille Woodruff who has a way with composition and ensemble blocking. It's not Love & Basketball (2000), heck it's not even Think Like a Man (2012) but at least it's heart is in the right place.

Terrence J is the best reason to see this otherwise, clunky romantic comedy whose title doesn't justify a means to an end. The Perfect Match (my latest review) has him playing Charlie. Charlie is an agent, a freelance photog, and a guy who is not into relationships. When it comes to sex, he eventually loses interest in every female he hooks up with. After Charles meets Eva (played by Cassie Ventura), things change. He starts to have genuine feelings for her (because the film's plot mechanics require us to believe so). She might be using him for a little ohh la la or she might be engaged to another man. Either way you look at it, the womanizer gets the tables turned on him, the player gets played. The Perfect Match huh. The "perfect" foil sounds more like it.Anyway, despite its lush LA setting and flamboyant soundtrack comprised of unknown, R&B singles, "Match" is all too familiar and virtually emotion-free. Like I said earlier, Terrence J is the only good thing going for it. He's got the looks, he's got the voice, and in my opinion, has the makings of a budding movie star. With almost no formal acting training (he started out as a radio DJ and I remember seeing him on Kourtney & Khloe Take Miami), I feel he could successfully headline his own flick. The Perfect Match sadly, is not the platform to do that.This is 1992's Boomerang without a decent script. This is Think Like A Man without any interesting characters. This is a so-called romcom without any real, suggestive humor. There are some bad, out of place cameos (Robin Givens, French Montana, Brandy Norwood), some bad, out of place supporting performances (J. Lo's 28 year-old boyfriend playing a rapper agent who rides around on a hoverboard, really?), troupers that drink enough alcohol to promote either liver disease or cirrhosis (remember the dudes in About Last Night?), and the actual director (Billie Woodruff) using his own name as the heading of the film's fictional, fertility clinic (huh?). In terms of its cinematic look, well The Perfect Match is slick, upper classified, and untarnished. You could literally eat off the screen it's on but that doesn't make the proceedings any more effective.All in all, it's obvious that "Match" was marketed weakly as it currently plays on under 1000 screens with practically no showings for critics. You can tell why. It's pretty but pretty disposable. Bottom line: There's another movie out there with the words "The" and "Perfect" attached to it. I suggest you see that one instead. Rating: 2 stars.