I love this movie so much

Strong and Moving!

Good movie but grossly overrated

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Catch that brief nightclub scene where the party-goers empty their flasks as the cops charge through. Yup, it's still Prohibition, 1930, though illegal booze doesn't figure in the plot. Instead, it's gangster Fenmore finding out just how much bad guy he is. That's courtesy the youthful innocents Nancy and Tommy who get implicated in his shenanigans. All in all, it's a tepid 65-minutes, without much suspense. Mainly, actor-director Sherman gets to show his skills in what amounts to more of a character study than a crime drama. Note how expressively Sherman uses his eyes to convey what's going on inside. It's really his showcase. I was also impressed by an unknown (to me) Hugh Trevor as tough guy Rocky. Too bad he had such a brief career. And what about plug-ugly George Marion as Mouse. Facially, he resembles Wallace Beery on a really bad day. Here, the cast outshines the plot.Since talkies are still fairly new, scenes are pretty much confined to indoor sets, though some like the mansion living room are striking. I guess my only real gripe is why they had to make the two kids so sweetly innocent. They fairly drip sugar. Anyway, the film amounts to a programmer, 1930's style, and not much more.

Please ignore the CGI Generation Comments – because – if you love silent films and early talkies – you'll love this. If this film does have a fault – it lies in the film's not being quite able to make up its mind whether to be one of those wonderful screwball comedies of the 30's – or – something a bit more serious. Watching actors/actresses who had survived the transition to talking films is always fascinating to me – and – we had our share here – with – Lowell Sherman being both actor and director. The plot is simple and straightforward – as it should be – without becoming overly melodramatic or silly. Had the direction moved in either direction toward a screwball comedy – or – a drama – (perhaps) – the film might have been a tad bit better – but – all-in-all – it did manage to strike a nice balance between the two. Some wonderful actors – many forgotten names – many of whom died young. Not the type of film that will tug at your heartstrings – but – an enjoyable film none-the-less. Highly recommend for old film buffs.

This early RKO Radio talkie begins with a scene introducing two incredibly naive juveniles whose unfortunate task is to present the exposition via some of the most obvious dialogue imaginable. Later scenes reveal better dialogue and acting, especially from director Lowell Sherman, a Broadway veteran whose polished, dandified, debonair character uses his big eyes to punctuate his lines. It's all unbelievable and frightfully innocent, but there's some good fun to be had. The women's frocks are particularly unfortunate. But Sherman's performance saves this from being a complete throw-a-way. His performance reminds one of Warner Baxter or William Powell.The film is based on the play CRIME by Samuel Shipman and John B. Hymer. It had a good run of 186 performances at the Eltinge Theatre in New York from February to August 1927. Among the cast were Sylvia Sidney as Annabelle and Chester Morris as Rocky. In 1938, Morris starred in a new film version called LAW OF THE UNDERWORLD essaying the role of Gene Fillmore (Fenmore in the play and first film version).

This film tells the story of an well bred and mannered man (Lowell Sherman) who happens to be the boss of an underworld racket. When one of his henchmen robs a young couple about to get married, he feels sorry for them and takes them in as his family, only to have other henchmen in his crime unit make them stooges in robberies.An early sound film (1930) directed by Lowell Sherman, the stand out performance here is by Sherman himself. He has a very natural and easy going style of acting, making me curious to see other films in which he starred. The plot of the film, though not very believable, still makes for interesting viewing.