Purely Joyful Movie!

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

I watched this on a VHS from the American Movie Entertainment box set (1996) of four early Oz films. The print was OK, fairly sharp and without too many pops or scratches -- but with at least one significant scene missing (where Scraps accidentally turns three of the other characters into statues) and some lengthy portions where the right side of the screen is burnt/melted. The music was weird; it vacillated between fairly appropriate ragtime-esquire piano and an electronic score more appropriate to a Tarkovsky film! Those caveats aside, I really liked the first half of the film a lot, as Ojo and Unc Nunkie set out for the Emerald City but end up delayed and sidetracked after encountering magician Dr. Pipt, his wife and his magical creation Scraps, the Patchwork Girl. The adventures up through that point, and the finding of the Woozy, and the sequence around the Dark Well are all inventive and fast-moving, but the film gets a bit bogged down and repetitive once the action shifts to the Emerald City. I did like that the characters for the most part looked like they came straight out of the original illustrations -- Scraps and Mr Pipt in particular looked and acted just right; also some of the sets, like Dr. Pipt's house, are quite excellent, busy and full of clutter, which seems appropriate. The special effects are pretty well done and there are a surprising number of them; especially nice is the way in which Scraps is put together. I think this one is more for true fans of the books than general silent film buffs, and I suspect that will be true of the other films.

A young munchkin named Ojo (played by Violet MacMillan) and her Unc Nunkie decide to set out in search of a better life in the Emerald City of Oz. Along the way, they meet and befriend a magician and his family. The magician has long been at work on perfecting a magic powder of life, his wife having created a patchwork servant girl whom they hope to bring to life. Things go awry when the newly awakened patchwork girl accidentally spills a petrification fluid upon the Magician's wife and his future son in-law as well as Ojo's Unc Nunkie. Now our heroes (the Patchwork Girl, Ojo, the Magician and his daughter) must combine forces in search of the different, rare and hard to obtain ingredients necessary for a spell to undo the petrification process. Many unusual adventures, magical as only the world of Oz can be, await.This delightful flight of fancy provides viewers with a fun escape from reality. The actors and actresses breathe such a wonderfully vibrant energy into their lively performances that they prove quite a joy to watch. Basically this starts off as a series of individual stories focused on a wide number of colorful characters. By the film's end however, all these different characters and their individual stories seem to merge together into one near epic tale. Of the three 1914 Oz film produced in part by L. Frank Baum himself, this one is clearly the best and most complete adventure story.

The enjoyable story and characters in "The Patchwork Girl of Oz" makes it a fun movie to watch, and it is also pretty resourceful for its era. It does have a lot of rough edges and shows some signs of age, but its energy and creativity more than make up for those. As with all of the Oz features made by L. Frank Baum's own studio, it shows his influence in the way that the fantasy world of Oz is brought to life with enthusiasm.As with most of Baum's Oz stories, it has plenty of oddball characters and offbeat developments. A couple of odd casting choices add to the curious feel, with Pierre Couderc making Scraps look much like a male, and Violet Macmillan making Ojo seem more like a young girl. But they and the rest of the cast give their characters plenty of life, which really is more significant in a movie like this. As in the other Oz movies in the series, Fred Woodward also gets to perform a number of his costumed animal characters.The story is one of Baum's most creative ones, telling a complex story in which the agendas and motivations of many different characters come into conflict. This adaptation is imaginative in using a lot of different techniques to reproduce the look of the characters, the magical events, and the hectic activity.Much of it works rather well, and all of it represents a very good attempt for its time. Very few film-makers of the era ever tried to make a full-length picture out of such challenging fantasy material, and even if it has a fair number of rough edges, it remains a worthwhile and entertaining effort.

Anybody who has seen THE WIZARD OF OZ (and who hasn't) should check out this earlier silent story from the Land of Oz. Don't expect the same story though as the Scarecrow, Tin Man and Cowardly Lion only show up at the end of the movie. The Patchwork Girl resembles an acrobatic Bozo the Clown with dreadlocks and a hoopskirt. Other bizarre creatures that show up include the Woozy (a sort of cardboard-box/cat creature) and the scary but lonesome Zoop.