The Paper
The Paper
R | 18 March 1994 (USA)
The Paper Trailers

Henry Hackett is the workaholic editor of a New York City tabloid. He loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchet-man Alicia Clark—Henry's nemesis—impose unpopular cutbacks.

Reviews
Listonixio

Fresh and Exciting

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Glimmerubro

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

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Donald Seymour

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Kamila Bell

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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betty dalton

Fast and witty story about 1 day in the life of a newspaper journalist. Workaholic Michael Keaton is addicted to his feverish deadline job at the daily newspaper.While his wife Marisa Tomei is pregnant he still wont take time to support her because he is rushing to make the newspapers deadline. Will they release the paper in time for todays deadline or not? "The Paper" is a somewhat romantic and feverish portrayal of a days work at a newspaper and it makes for great cinema! Seen "The Paper" many times now. It isnt a masterpiece, but is so enjoyable to watch again and again, because the characters are so loveable and full of charm and wit. The actors Michael Keaton, Glenn Close, Marisa Tomei and Robert Duvall are to thank for that. They carry this movie with ease! Lovely, energetic and witty picture! Guaranteed to put a smile on your face.Ron Howard makes another feelgoodmovie with "The Paper". Never too sentimental, never too cliche without humour softening it, Ron Howard finds the right balance. I believe that in "The Paper" director Ron Howard is at his peak. I feel really good having watched this fast, witty and sometimes romantic flick!

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JohnHowardReid

I was disappointed in Ron Howard's 2006 "The Da Vinci Code", but "The Paper" is everything the overblown "Da Vinci Code" is not, namely exciting and suspenseful with well-rounded but solidly interesting and highly believable characters, plus lots of quite breathtakingly imaginative use of real locations. Despite Howard's equally adroit use of actual city streets and buildings in "Da Vinci", the over-all effect was boring rather thrilling, ho-hum rather than "Wow! Let's see that scene again!" Of course, "The Paper" is more down to earth. Its plot and characters are far more convincingly realistic – and the players really do them justice. Even minor roles – such as Spalding Gray's "Paul Bladden" and Jason Robards's "Graham Keighley" – are so cleverly integrated into the plot that they hold the viewer spellbound and keep him or her – especially him – asking for more. As the hero, Michael Keaton, does a really first-class job and keeps the viewer rooting for the character even when he over-steps the mark by his verbal badgering of the other characters and even his out-and-out stealing. Fortunately, the screen writing Koepps provide him with an important principal – "As far as I'm aware, the paper has never ever gone to press with a front-page story which we knew was wrong!" – and the Keaton character's adherence to this principle tips the scales in his favor when Alicia Clark (superbly enacted by Glenn Close) decides against halting the print run and Keaton's Henry Hackett sets out to attack her both physically and verbally. Yes, it may be a bit over the top – I haven't even mentioned another ten or twenty gripping incidents – but "The Paper" is so fast-paced, so enthrallingly plotted, so charismatically directed and so brilliantly enacted by the entire cast – there's no time to stop and think that maybe all these wild incidents strain credulity just a little, here and there! Available on a really excellent Universal DVD.

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TxMike

This movie came out right ahead of the surge of DVDs and the phasing out of VHS. It also was a couple of years before I retired, and we weren't watching many movies then. So we missed this one. Finally, today we saw it, very enjoyable with some of our favorite actors.Michael Keaton is Henry Hackett, news editor for a fictitious 2nd-tier newspaper in New York. He is somewhat of a workaholic, to the dismay of his pregnant wife who seldom sees him arrive on time for anything. Now she fears she will be virtually alone to raise their child. Marisa Tomei is his wife, Martha Hackett, in this role right near the same time she won an Oscar for her role in "My Cousin Vinney." She was in her 20s, while Keaton was already in his early 40s. But they make a good match in this newspaper movie.There are several themes, one being Henry's opportunity to leave for a better-paying job with a larger New York paper. Also his feud with the managing editor, the "bean counter" worried about cost, Glenn Close as Alicia Clark. But the core newspaper story involves two men being gunned down in their car, and two young black students being seen near the car. They didn't do it, but were arrested and Henry wants to get to the bottom of the real story, while Alicia wants to get the paper out on deadline. After all the union drivers are waiting, and it costs $12,000 for every half hour they delay!Always reliable Robert Duvall is Bernie White the publisher, fighting his own battles, prostate cancer and an estranged daughter.All in all a good movie.

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Jackson Booth-Millard

Directed by Ron Howard (A Beautiful Mind, The Da Vinci Code) and with an all-star cast, it was impossible for me not to give this comedy drama film a go, and I am so glad I did. Basically, it is 24 hours in the life of an ailing tabloid, with Henry Hackett (Michael Keaton) the editor of the New York Sun, he is a workaholic who loves his job, but at the same time he is struggling to keep up with life with his pregnant wife Martha (Marisa Tomei). Also in the building are publisher/editor-in-chief Bernie White (Robert Duvall) facing financial problems and putting work first instead of family, and Henry's nemesis, managing editor Alicia Clark (Glenn Close) who is planning cutbacks, telling him to consider leaving the New York Sun to be managing editor for the New York Sentinel. The big story on this day is the murder of two white businessman in a race-related killing, and two black brothers passing by are the suspects wrongly jailed. It is when Henry wants a source, he stole the name of, to tell him the truth about the brothers' guilt that the film really gets gripping. He needs a good picture of the brothers, he needs the quote from the source himself, and most important, he needs to change the article that they will release, so he needs to stop the presses! Alicia is not prepared to stop them, and says they will run the innocence story the next day, and she and Henry have an aggressive fight to get to the stop button, but even after Henry has stopped it, she fires him and they restart. Thankfully though she realises her mistake, but a gun shot in the local bar stops her finishing the phone call, and at the same time, Henry's wife is going to hemorrhage, needing anaesthetic for the baby, but don't worry, all problems are solved in the end. Also starring Randy Quaid as Michael McDougal, Jason Robards as Graham Keighley, Jason Alexander as Marion Sandusky, Spalding Gray as Paul Bladden, Catherine O'Hara as Susan, Lynne Thigpen as Janet and Clint Howard (Ron's brother) as Ray Blaisch. I will admit it didn't grip me for the first 20 or so minutes, but after this, it is a engaging and absorbing film all the way. With wisecracking dialogue, well cast actors, especially Keaton and Close, and fantastic manipulative moments, it grips you so much, you are desperate your prediction of events will be right. It was nominated the Oscar for Best Song for Randy Newman's "Make Up Your Mind". Very good!

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