Load of rubbish!!

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

This film is so real. It treats its characters with so much care and sensitivity.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Despite the wacky promise of its earlier scenes (Winkler disrupting the amateur play) and Saks' breezily crude performance, plus the presence of the dwarf from James Bond, the script soon reverts to the usual domestic misunderstandings, underscored by Carl Reiner's stiflingly uninventive close-up after close-up direction. Even the climax is disappointing, forcing Winkler to eke out a weak script by gross overacting. And why is the movie set in 1951? To show off the producer's old TV set? There's certainly no other sense of period involved. True, the movie does garner a few laughs here and there, but it would undoubtedly be twice as funny with careful trimming.

Caught this on the french cable a few weeks ago and instantly felt "at home" with this films' characters and story. As I gradually found out, there's a reason for this : The One and Only is a straight retake of Fred Coe's A Thousand Clowns (1964), one of my favorite films ! Two of the original actors were even imported : Gene Saks and William Daniels, the latter having been in the original cast of the Herb Gardner play (if I remember correctly).The global plot and situations are altered but the result is the same : how to (try to) keep youth spirit in a grim and conventional world... and make it alive ! Not as memorable as the original film (or the play) but just as lovely.

Two years before he wrote and directed "Arthur", Steve Gordon had a minor hit with his screenplay for this crackpot comedic vehicle for Henry Winkler, then-star of TV's "Happy Days" as the Fonz. A 1950s college thespian (and all-around jerk) woos a co-ed and gets married without any employment prospects on the horizon; to make ends meet, he turns to the flamboyant world of wrestling, eventually becoming a "Gorgeous George"-like celebrity. Turning likable Winkler into an obnoxious goof-off probably sounded like an interesting idea at the time (and a sure way to separate him from his television alter-ego), but the jokes and situations are often wrong-headed and mean, staged rather sloppily by director Carl Reiner. Particularly crude is a wincing bit involving Hervé Villechaize (of "Fantasy Island") putting the moves on Polly Holliday (Flo from "Alice"). As Henry's beloved, Kim Darby looks a little out of her element--particularly when surrounded by all these TV hams--rendering the romance aspect of the script inconsequential. *1/2 from ****

This movie is a perfect example of a film that divides people into 2 groups.. Those who get the joke and those who don't. People usually attack what they don't understand. This film has a comic style and charm that has been unparalleled since. It's a GREAT comedy.. and a GREAT romance. It's a perfect date movie. A perfect movie for someone who wants a good lighthearted laugh. And if your perspective is too tense, maybe this movie isn't for you, and you may need counseling. It is an injustice that Paramount has kept this film on the shelf since the early 80's, having never seen the light of day on DVD. Yet they feel an Urban version of "The Honeymooners" is a good idea. I find it odd that my two alltime favorite romantic comedies have never been released on DVD. The other being Gene Wilder's "The World's Greatest Lover" which Fox has sat on since the early 80's as well... Yet, "From Justin To Kelly" is in nearly every video store in the country. There is no Justice in the world. Maybe those who took the time to bash this will enjoy "From Justin To Kelly", I'm sure that one is watered enough for them to "get". Sometimes with age people lose their sense of humor... Or sometimes it just goes stale and they find comic satisfaction in reruns of "Full House".