A waste of 90 minutes of my life

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

This story has more twists and turns than a second-rate soap opera.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

George Brent is in and out of this picture pretty quickly - and in and out is an apt description. It is set during the Civil War and opens with Miriam Hopkins'marriage, made awkward by the untimely return of her old flame (Brent). Bette volunteers to smooth things over, and does yeoman work, giving Brent a memorable send-off back to the front... 9 months later the send-off becomes reality, and thereby hangs a tale, as they say.This is vintage Davis, better here than in Dark Victory. She is petulant and pouting and takes over the picture as the aunt/ mother to her own child, deferring to Hopkins as the mother/ aunt. She is backed up by some of Warners best supporting actors, among them Donald Crisp, Jerome Cowan and Louise Fazenda.It is very entertaining and well worth your time. It is a straight drama, with no action sequences - a soaper, if you will. But even so, it is extremely well done and holds your interest from beginning to end. In retrospect, it all sounds very hokey but the story holds up and is a must-see for BD fans.

Interesting movie with great acting. Delia is a very selfish and mean person (the actress did a great job at portraying the character). She is spiteful and manipulative. She ruins charlot's life and almost ruins her daughters just because her cousin had a baby with the man she broke up with. She married, but unfortunately her husband died. Instead of moving on, she ruins Charlot's chance of marrying a nice wealthy man by making up a lye, even though Charlot was going to tell the truth about her daughter, which he probably would have accepted. She lets Charlot and her daughter move in, but never discourages her to tell her she is her mother (she was only like two then) and makes her believe she is an orphan who came to live with them. Later, when they find out that her being an orphan would prevent her daughter from marrying, her Delia convinces Charlet to allow her to adopt her. On her wedding day she was going to tell her the truth, but never does.

Old Maid, The (1939)*** (out of 4)Exceptional version of the Pultzer Prize winning play has Bette Davis and Miriam Hopkins making for more high-class Warner drama. In the film, Davis gets pregnant by her cousin's (Hopkins) old flame (George Brent) so instead of facing public scorn, she opens a home for children where she raises the daughter as a stranger. A few years later after the death of Hopkins' husband, she tells the girl that she's her mother while her real mother takes a place in the background and grows to be an old maid while watching her child grow up not knowing who she is. I really wasn't sure what to expect out of this film, which seems to have been partially forgotten but perhaps this is due to it being released in 1939, a year with countless great films and not to mention Davis being in three other highly popular films in DARK VICTORY, JUAREZ and THE PRIVATE LIVES OF ELIZABETH AND ESSEX. This film perfectly blends the drama and makes for a very entertaining film even though some of the subject matter might hit new viewers as being old-fashioned but one much remember when this film takes place. What I enjoyed most about the movie is that many scripts would have fallen into a good guy/bad guy range. It would have been very easy to make Davis the sad, good girl while painting the Hopkins character as evil but the film isn't that easy. While you can't help but feel sorry for Davis you also can understand why Hopkins wants to protect the kid in her own way. The level of dirtiness that Hopkins sinks to will certainly make people hate her but you can also put some of that to the side when you really think about what's best for the kid. Both Davis and Hopkins turn in excellent performances as both really sink their teeth into the roles. The aging make up effects really don't work but I'm curious if this was because neither actress wanted to be buried under all the make up. George Brent is impressive in his small role as is Donald Crisp as the caring doctor. Considering what all 1939 had going for it, it's easy to see why this film has been overlooked but it's certainly worth checking out and deserve a new group of fans.

A lie prevents Charlotte Lovell from getting married to a decent man, Joseph Ralston. Delia, her scheming cousin, can't forgive Charlotte how she was able to get her old flame, Clem, even though she had refused to have anything to do with him when he returns home on her wedding day to the rich Jim Ralston.Charlotte, who is seen years later running a place for orphans of the Civil War, dotes on little Clementina, or Tina, as she calls her. One realizes it's not just an interest she shows, it's a mother love she displays. Fate intervenes again in bringing Charlotte and Tina to live with Delia, who loses her husband. Tina loves her new palatial surroundings and starts resenting Charlotte's discipline.When Tina falls for the handsome Lanning Halsey, she overhears his parents remarking that the young lady is an orphan and below their expectations for their son. Delia intervenes one more time in suggesting she will adopt Tina to give her a Ralston name and position. Charlotte wants Delia to tell Tina the truth and who the real mother is, but at the last moment has a change of heart when she looks at the radiant Tina as she is preparing to marry the man of her dreams.Bette Davis made a valuable contribution to the film. Her Charlotte is at the start an eager young woman who changes into a bitter person as she gets to know her cousin's betrayal and her daughter's cold treatment. Miriam Hopkins plays Delia, a selfish woman, with conviction. George Brent is only seen at the beginning of the film. He plays Clem, who goes to war, never to come back. Jane Bryan is Tina, the young lady unaware who her real mother is. Jerome Cowan, Donald Crisp, William Lundigan and the rest of the supporting cast do an excellent job.Edmund Goulding directed with an eye to the details in this adaptation of Edith Wharton's novel, which had been turned into a play for the New York stage. Max Steiner's music plays well against the background of the Civil War. Tony Gaudio's elegant cinematography is notable as it captures the essence of the story in vivid images.Although not one of Bette Davis' best films, it's a must for all fans of the actress' work. The best achievement is how we see her age in front of our eyes into a convincing old woman.