Charming and brutal

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

There are some Fight Scenes that Lend a bit of Roughness to the Proceedings and a few Scenes that have an Edge, but this is another Example of just how the Fifties Filtered and Weakened Film-Noir.Elements Remain from the Golden Age of the Genre but its Decline is Evident as Things became Glossy, Obvious, and Preachy. One Thing this one does Bring to the Table is the Out of Wedlock Pregnancy that is Dealt with Head-On. However, the Voice Over Narration No Longer is Ominous or Layered with Defeatism. Now it is just Matter of Fact Police Procedural or in this Film a Journalist just Stating the Facts.Some Strong Acting is Evident from Anthony Quinn and Anne Bancroft with some Good Turns by Supporting Players, but Peter Graves and Farley Granger seem Miscast. Overall, Worth a Watch to See the Decline of Film-Noir and for an Interesting but mostly Implausible Story about the Underworld.

The acting makes the movie, especially gang boss Regal (Quinn) and his naive sister Rosalie (Bancroft). Regal may be a ruthless racketeer outside his family, but inside, he's a protective pussycat. That is, until cheap Lothario Bradna (Granger) first knocks-up Rosalie and then philanders after Regal forces him to marry her. And that's after Regal gets him off a murder-one rap so the irresponsible kid can do the right thing. Now, feeling betrayed, Regal's really angry, so we know Bradna's in for even worse trouble. The movie's got some twists and turns, not all being very plausible. But that's okay because Quinn delivers a scary and riveting performance. The actor's just back from Italy where he starred in the powerful classic La Strada (1954). So maybe he was trying to show Hollywood a thing or two since he delivers a lot more than the role requires. Then there's Bancroft, already a magnetic personality, and on her way to an Oscar-studded career. Looks to me like the producers spent their money on the cast and not on the visuals that are pretty bland and bare-bones. But then the supporting cast is full of familiar faces, especially up-and-comers like Van Cleef and Graves, along with great vets like Bissell and Flavin.Five-years earlier and I expect the film would have been straight noir, without the moralizing voice-over. But this is the McCarthy Cold War period, so there can't be any lingering ambiguity. Still, it's a fairly gritty little film with a compelling central performance that deserves better than near- total Hollywood obscurity, despite the titillating title.

The Naked Street (1955) *** (out of 4)Gangster Phil Regal (Anthony Quinn) finds out that his younger sister Rosalie (Anne Bancroft) is pregnant by criminal Nicky Bradna (Farley Granger) who just happens to be at Sing Sing and on death row. Regal manages to scare the witnesses who change their testimony and Nicky is released but soon the gangster regrets what he did. THE NAKED STREET seems to have mostly negative reviews and while I can admit that the film has some major flaws, the cast is simply so great that it's impossible not to get caught up in everything going on and in the end I really enjoyed the picture. There's no question that the story itself is pretty far-fetched in the way the gangster is able to pull a man off death row and it's even more far-fetched when you come to the climax of everything. I won't spoil what happens but the logic behind it is set at a zero. Another problem is that the sister character was really poorly written and her dumbness really gets annoying after a while. I mean, her brother is a big time gangster yet she never realized how he gave her everything with having a "real" job? The morals of her character also goes back and forth as the film moves along, which is another problem. Outside of those things I thought the film was entertaining. Quinn is wonderful as the tough gangster who isn't afraid to push people around to get what he wants. For 1955 his performance is pretty raw and rough and it really reminded me of the stuff we used to see from the pre-code Warner gangster pics of the early 1930s. Granger is also very believable as the lover boy who simply got caught up in a bad crime. Even though her character is weak, Bancroft at least delivers a fine performance as does Peter Graves who plays a reporter. I also really liked how the Quinn character worries about his sister being pregnant, unmarried and what this would make her look like. The moral worries of a gangster was an interesting touch and it's handled in a rather raw fashion, which certainly wasn't normal for this era. THE NAKED STREET has some issues but for the most part it's worth watching.

The Naked Street (1955)A hidden gem. It's too straight forward to be some kind of memorable classic, and it has too many of the earmarks of many movies that came earlier to be original in any way. But this is a really well made, slightly lower budget, crime and romance film with a great cast. Anthony Quinn in particular shows several sides to his personality as a nice big brother who is also controlling and blind to his little sister, a full grown Ann Bancroft, who is radiant in the working class apartment she lives in with her mother. And Farley Granger is a good echo of the slightly idealistic but misled innocent he played in "Strangers on a Train," though here he is not so innocent.Expect a fast progression, some good solid filming, and acting that holds its own. The director, Maxwell Shane, is really more of a screenwriter, and so it figures the writing here is pretty good (he co-wrote, too). He has only a handful of other films he directed in this period, all reasonably good (the first, "Fear in the Night," the most forgettable, and the best, "The Glass Wall" stars Gloria Grahame), and all fairly formula stuff. This one rises up because of its tight construction and good, very good, acting. Give it a chance.