Don't listen to the Hype. It's awful

Watch something else. There are very few redeeming qualities to this film.

This movie feels like it was made purely to piss off people who want good shows

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

A couple of reviews here questioned the need for an intermission in this film. One called it "unnecessary" and another thought it was meant to sell more stuff at the candy counter. Those could be true, but I think it's more likely that it was needed to load film into the projectors. The 3D films at that time used a two image projection system, often taking up all available projection room space.If you take a look at the last minute or so of the first half, you'll note that this film has none of those bubble-like cues (those must have had a name, right?) to let the projectionist know that it's time to switch machines. Most likely, the film had to be removed from the projector and replaced with the second half.I won't bother reviewing the film, itself. The folks here covered it well. Pretty lousy movie. I just wanted to, hopefully, clear up a question that has been burning in everyone's mind for so many years.

Cattle rustler outwits a lynch mob and takes refuge with his Ma and kid brother; he reacquaints himself with a former sweetheart--but after he's involved in a bank robbery, the girl gets herself deputized and vows to bring him in "dead or alive". Mediocre western rides a familiar trail, the only hook for an audience (today, and most likely in 1953 as well) being the casting of the leads. Fred MacMurray is a terrific failed bad guy, his look of incredulousness suiting his hulking frame, while Barbara Stanwyck acquits herself well in cowgirl duds and handles both horse and rifle exceptionally well. Not a barn-burner by any means, and saddled with a stodgy direction from Roy Rowland, but an interesting b-item for admirers of the stars. ** from ****

I cringed when I watched this movie recently on TCM.Fred MacMurray, Barbara Stanwyck and Ward Bond were all fine actors, but in this turkey and with the scripts they had to work with it was downright embarrassing to see their acting performances.The movie started off promising, but within about 15 minutes it quickly deteriorated into a mishmash of puzzling dialogue between the actors and plot twists that didn't make any sense. I couldn't really understand the relationship between MacMurray and his brother, who he just kind of left out there in left field during the bank robbery.Ward Bond played an ingratiating role as a baddie. He just looked uncomfortable during his scenes. Overall a terrible waste of some fine actors talents.

The first 15 minutes of this Western are exciting and different. I was thrilled as it looked like this film was actually a break from the usual dull cowboy film. Sadly, as the film progressed, it only morphed into a rather typical film--losing all the promise and great plot at the beginning.The film begins with Fred MacMurray in jail for cattle rustling (i.e., "moonlighting"). However, the "good citizens" of the town don't want to wait for justice to take its course and attack the jail. They want to string up MacMurray, though the people don't know what he looks like. This is a SERIOUS problem, as one of the deputies had locked himself into the cell to protect himself from the mob. The mob mistakenly thought the deputy was the criminal (an odd mistake, granted) and string him up instead. MacMurray later returns to the town and one by one starts exacting revenge in the name of the dead man. Most of the killings are pretty cool and I loved this angle.Then, however, inexplicably, after Fred gets hurt, the entire plot changes. Why do this when the initial plot is so good?! All thoughts about revenge on the town vanish and the plot changes to a rather dull film about Fred and his old fiancée, played by Barbara Stanwyck. In addition to this not making any sense, what makes even less sense is when Fred's brother (always a good and law abiding citizen) decides to join Fred in a life of crime. The motivation for this just hadn't been established and seemed bizarre. If this isn't bad enough, Barbara later becomes sort of an action-hero and has a show-down with the ultra-bad guy (Ward Bond)--and SHE wins!! Then, in the end, Fred has a sudden change of heart and decides to turn himself in and go straight!! What happened to the writing and the common sense?! What started as a great film quickly degenerated into a confusing and unconvincing mess--most of which seem unmotivated and disconnected. Not a shining moment in the career of either of the stars of this film. It only manages a score as high as 4 because at least it started well.