Let's be realistic.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Minoru Kawasaki is a filmmaker who just ain't right. His films are ultra-bizarre and are not for normal people. And don't worry...the same strange guy who brought us "Executive Koala" (about a guy in a koala suit who works in corporate Japan) and "Rug Cop" (about a cop who fights crime...along with help from his sentient toupee) is pretty much in form with this strange picture.This film is a sendoff of the guy in a giant monster suit films that made Japanese films so famous (or infamous) in the 1950s-70s. You either love 'em or you hate 'em, but they made a ton of them. In this case, Kawasaki made a follow up to The X From Outer Space...a film made decades earlier. Why they chose to make a follow up, I don't know...perhaps they used some old footage or perhaps they just had the monster suit lying around.The film begins at a summit in Japan of the G8 leaders. During this meeting, a monster arrives from outer space in Sapporo and the Japanese try to get these heads of state to leave the country. However, in a show of solidarity (as well as stupidity) the eight world leaders vow to stay and help the Japanese rid their country of a weird monster named Guilala. And how do we know its name? Because one of the silliest clichés in Japanese monster movies, a cute little boy wearing a baseball cap appears and tells everyone about the beast...and they soon slap the kid and tell him to get lost! What follows are attempts by the various leaders to kill the monster using missiles, poison gas and the like...but the monster only grows stronger.At this point, the film goes from a nice little parody to ultra- bizarre, as the Japanese leader yanks off his disguise to reveal that he's...Jim Jong Il?! Yes, this crazy North Korean dictator has arrived to kidnap the summit and he vows to use his nuclear missile to rid the world of the monster once and for all. But scientists soon inform them that the nuclear payload will actually make Guilala stronger as well as multiply! So, it's up to the ancient god, Take- Majin to appear and try to save the day as well as President Sarkozy to flash the summit! What happens to that nuclear missile? You wouldn't believe me if I told you...you just have to see it for yourself!Compared to other Kawasaki films, this movie is downright normal...but it still is very strange and very funny. I especially love the way the various world leaders are parodied. It's all in good fun and is a treat for anyone who could use a laugh. Then, perhaps you could try some of the director's other films. In a way, I see "Monster X" as a gateway film...if you can handle that, you'll soon go on to the 'hard stuff'--Kawasaki's weirder movies!

The monster Guilala was originally a monster made by now defunct Shochiku studio in 1967. This movie is somewhat of a remake, but the story is a camp satire of G8 summit and head of the states of the world, a giant monster, Kim Jon il and Korean nuclear missile, and can you believe - a Japanese comedian named Beat Takeshi who appears as Takemajin.Monster Guilala lands near lake Toya in Hokkaido attached to Chinese space probe called Beta (which is the same design as the space ship Beta that appeared in the original 1967 movie). There was a G8 summit going on at lake Toya, and US president immediately after hearing the arrival of the monster vows to destroy the monster as an attempt to raise popular support. He recruits the efforts of other heads of the state to defeat the monster. Earth Defense Force (TDF) of Japan takes on the duty of actually carrying out the orders. The joke of TDF is is that it's comprised of only one tent and about a dozen men working around it. The commander is played by Susumu Kurobe who was a member of Earth Defense Force in the original Toho's Ultraman series back in 1966. Meanwhile in a near by village, there's a shrine that for some reason houses three objects. An ancient scroll depicting Guilala and another figure called Takemajin, a statue of Guilala,and the statue of Takemajin. Villagers gather at the shrine and chant "Nechikoma, Nechikoma" repeatedly, and Takemajin comes to life. Now its a showdown between Guilala and the Takemajin.The intent of people who made this movie is not clear. While I was watching this movie, I was thinking this is a story I would have come up with. It was that bad. But obviously being camp was the intention of the producers.Special effect is homage to that of '60s kaijyu movie. They must have done this to appeal to the original viewers of 1967 version of Guilala.Interesting and funny movie to come from Japan that parodies the original Guilala, politicians, and the Japanese culture.

Send up/spoof of the Giant Monster movies of the 1960's is married to a political satire about the G8. A reporter and photographer are covering the G8 when Monster X (using what appears to be new footage and old footage from the dreadful 1960's film called monster X) comes from the sky and begins to attack Japan. the world leaders decide that instead of fleeing that they will stay and fight. 10 minute sketch stretched to almost 100 minutes is a film sunk by obvious jokes, poor performances (anyone speaking English is beyond bad) and a sense of dullness. I didn't like this at all, partly because it pales when compared to a film like Big Man Japan but mostly because its not very good...any good. This is one of those times when I'm glad I didn't pay 12 bucks to see a movie in a theater.

From time to time i like to immerse on films like this. Those are the moments in which one enters a film for pure relaxation. I guess it's the same kind of spirit such filmmakers as Kawasaki put into creating this.Some of these rides are actually very profitable, and i think it is a mistake to excuse every unconsidered element of a film just because it is a B-flick or because the budget was close to zero. Some great, intelligent work has been that over that.Here we have a film made out of two elements: the will to freely play with known faces of the political scene these days, and the will to produce special effects that deliberately looking false and old-fashioned. I think this crew must have had a lot of fun making this, and in certain moments i too enjoyed being there. But it is the kind of fun a group of adolescents has making fun of an unlikable teacher or painting obscene messages on a wall. I'm OK with that, but something better could be put into this. It was nice to be watching a Power Rangers kind of fight so many years later, but 'nice' is not good.You know what this is now. It's your choice to embrace it or not. I did it with some interest, but i won't do it again.The pace is slow, cinematic rhythm was not also in the mind of these folks.My opinion: 1/5 http://www.7eyes.wordpress.com