Truly Dreadful Film

From my favorite movies..

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

"The Mission" steers away from the usual plot types of the Hong Kong Cinema New Wave and does not rely on martial arts for thrills. Instead, what we have here is a sort of marginal "Reservoir Dogs" since there is a sense of comradery between the five assigned hit men (though a cigarette prank isn't as charming as its played to be). Consider the scene where a sniper catches the five hit men off guard as they escort their boss to a car. One of the hit men veers off and is left behind on the conscience decision of the lead hit-man. When this left behind man returns to base, he slaps the lead man in the most offending manner for minutes. The lead man, a tough guy named "Ice," allows himself to be beaten. Why? Because in their world of corrupt organizations and tight hit groups, one does not leave a man behind. This sense of loyalty arises to a full extent in the third act, where the men must question what is the "right" thing to do.The film also contains a couple of shoot out scenes. But don't be fooled; you are not gonna watch "The Matrix." Instead, look for the wide angle lense shots of various suited hit men standing in very specific places, barely moving their feet, but the sequences are very exciting because if you step back, it's orchestrated skillfully and cued beautifully to the--music.From the opening scroll a sort of 'laughable' techno beat pumps, and all sorts of upbeat synthesized sounds fill the soundtrack to an unexpected result: an acceptance. After a while, you look forward to hearing what kind of sound matches up with what sort of scene. This type of tough, nitty genre relies on music, and the setting of the film calls for this amped up sound.

Having sworn to never watch Hong Kong films, save those by Wong Kar Wei, the only reason I saw this film was the good reviews it received from the Hong Kong Film Critic Society. And I must admit it was a most pleasant surprise.The film is a slick and well packaged story of five strangers in gangland coming together to get a job done, namely that of keeping a triad boss alive. The characters, while still stereotyped to a certain extent, are not the usually uncontrolled triad powermongers that are often portrayed in other less palatable fare. These people are professionals, and they knew how to get a job done. Faced with a sniper, none of them panic, and each of them know exactly what to do. The scene in the mall was tightly controlled and well orchestrated, with minimal movement and gun fire adding more to the tension then any hail of bullets can.The direction of Johnnie To evokes images of films by John Woo, whose scenes of gun fights have always, in my opinion, verged on poetry in motion. To's characters are restrained, while the same degree of subtlety is employed with the plot. The audience, in my opinion an often mindless group who are unwilling to think and must be spoon fed every little detail, are left to find meanings and hints in little gestures.The film also reminds me of Things To Do In Dallas, When You Are Dead. Five strangers, called together to serve a mob boss who is past his prime. And again, there is conflict among members of this special 'team'.In the end, aside from a less than believable plot line, The Mission scores high on its entertainment value, both in its visual style and delivery.

Shot lovingly at a measured pace, the Mission is one of the best films I've seen all year.The cinematography is simply incredible. Combined with a strong score and excellent sound, it sets the tone and pace of the film. Rather than rushing the gun battles and creating the furious duels of John Woo films, the Mission takes a slow measured approach. The bodyguards cover one another and move in harmony, taking up advantageous positions from which to strike. They do this slowly and methodically, but with an air of cinematic perfection to their languid movements. When they fire their guns, the weapons thunder and bullets either ricochet off or shatter their targets. No stock sound effects here - this is as good as Heat or Saving Private Ryan in the intensity and quality of its weapons fire.The acting is first rate with much of the communication left unspoken. These men don't need to ramble on to one another, a few sentences or a simple gesture convey all the information that is required. All five of the bodyguards turn in first rate performances that leave you with a real sense of both who these men are and what they are all about.The theme here is loyalty - and while it might be a simple one, this is one of its finest presentations. Definitely worthy of one's time.

The third Johnnie To film to be released this year (following "Where A Good Man Goes" and "Running Out Of Time), "The Mission" is surprisingly different in a lot of respects. Beautifully photographed but slightly underwhelming, "Mission" features a simple storyline about 5 bodyguards protecting a triad boss in his daily endeavors.The film is defined by gorgeously stark cinematography and visual framing that utilizes wide angle lenses effectively. Just check out the sequence at a mall where the bodyguards are all focusing on different unseen targets. It all resembles a whacked-out target-shooting video game. There is also some solid performances, esp. by Anthony Wong as Curtis, one of the bodyguards.Unfortunately, the story is a little underwhelming since we're now accustomed to seeing Milky Way films that feature interweaving tales that deal a lot with fate and consequence. While this one does have a certain element of that, for the most part it's about both the loyalty and monotony that is inherent in the bodyguard profession.While "The Mission" is slightly lacking in certain respects, it is still a solid Milky Way production and a good capper to To and company's good year.