It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The film may be flawed, but its message is not.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

In the flatfooted psycho-religio thriller "The Ministers," John Leguizamo plays Scripture-spouting twin brothers - one with a scarred face for purposes of differentiation - who've made it their life's mission to gun down those responsible for the deaths of their parents and brother, leaving religious tracts with the bodies as calling cards. Florencia Lozano plays a beautiful cop from the Bronx whose father, also a cop, was dispatched by the hood-and-mask-wearing boys years earlier for reasons that aren't entirely revealed till the end.This Avenging Angel scenario has pretty much been done to death at this point, and "The Ministers" brings nothing new or interesting to the genre. Franc. Reyes is responsible not only for the contrived, melodramatic screenplay and lackluster, pedestrian direction, but also for eliciting some of the worst performances of their careers out of Leguizamo and that crusty, battle-scarred stalwart, Harvey Keitel, as a veteran cop with a secret. After all, with material this lame, it's rather hard to lay too much of the blame at the feet of the actors.

Of course Boondock Saints wasn't the first movie, with people on a "mission", but you kinda feel like this goes a similar way. It also has some other people in it though and does not play for laughs or strays off into another reality. This stays grounded in "our" world, with real problems and some confusion (character and otherwise).It stays morally ambiguous, which may or may not be a good thing (depending on your view of things, or how you liked the acting. Name checking aside (also character names, see John L. for that), it does not bring completely new things on the table. But what it serves, it serves up pretty good (for a low budget movie that is). Harvey ("Bad Lieutenant") Keitel is always dependable, though John L. seems not at the top of his game. I've seen him do better things, with his roles.

A New York City detective (Celeste - Florencia Lozano) searches for "the ministers," who murdered her father in front of her years ago, and who are still killing. She unwittingly becomes involved with one of the killers (Dante - John Leguizamo).I came into this movie with low expectations. Nearly every review I saw of it made it look pretty bad, but I will watch pretty much any movie regardless of what the reviewers say. Unfortunately, I ended up having to agree with those reviews.The acting in this movie just felt really awkward most of the time. Every time Harvey Keitel was on screen it seemed like they just shoved him in front of the camera and threw lines at him without ever letting him see a script. The one scene I'm talking about in particular is when he is crying and begging Celeste to not go...man, it was just embarrassing to watch. John Leguizamo was decent most of the time, but at other times it seemed like he was just goofing around.The storyline was cluttered and confusing. It really felt like the movie was trying to be a mash-up of Boondock Saints, Se7en, and other crime movies that involve religion. There were too many things going on at once, and none of the elements ended up working.The ending was HORRIBLE!! I know they were -trying- to be dramatic with it but it just came off seeming un-needed, forced, and cheap. Even if the rest of the movie was passable, the end simply destroys it.Overall it was an -okay- movie until the ending completely demolishes it.Final Score - 3/10

Rarely have I watched a movie that is so consistently bad in every scene; there is not one moment in the whole film that moves beyond bad. Not even a tiny spike. Harvey Keitel plays badly, Florencia Lozano plays badly, John Leguizamo plays badly... twice!The story is probably recycled from a script back from the 70s and it feels as dated as you can possibly imagine. The only thing modern in the film were the cellphones and there were one or two scenes that featured them. Cops act like they are goons, everybody is Latino, the police work is prehistoric and so on.Bottom line: avoid this movie at all costs. If you are really bored, try ripping out your own nails, it will be quicker and less painful.