It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

A naturally gifted wife could contribute to her husband's success. But there are some limits. Either you could let your wife's beauty to steer the helm of your destiny to the end or you could allow your honour to change the course of your success. It is a decision a man has to make when he finds himself at some delicate crossroads.In this film, apart from the above-mentioned dilemma, there are beautiful colours, beautiful places, beautiful people and very beautiful ladies, that is, the miller's wife and the governor's wife.I have enjoyed seeing that film and I still enjoy it when I see it from time to time. It is like a beautiful painting of that period placed in a museum.

This very earthy comedy was based on the play "The Three-Cornered Hat" from the Spanish novel of Alarcon. It is a subject which director Mario Camerini had previously filmed in 1935. This CinemaScope/Technicolor remake was a modest success in the States after its release, although not so big a hit with the Catholic Legion of Decency which condemned it. The film has Vittorio De Sica as a lecherous governor of Naples in 1680 who lusts after the wives of several peasants, particularly the miller's wife Carmela, played by a ravishing Sophia Loren. The miller himself, played by a youngish Marcello Mastroianni, plans to avenge his honor by seducing the wife of the governor. Wonderful fun boasting a great cast and one of the earliest pairings of Loren and Mastroianni.