A Brilliant Conflict

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

This is a must-see and one of the best documentaries - and films - of this year.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

A couple of moronic rookie cops prove that they live in the state of confusion which explains how they got their badges. Thieves steal their spare tire while they eat in their squad car; they allow a jewelry robber to escape, mistaking him for the proprietor, and then destroy a mansion where a break-in was in progress. Amusing in spots, I still didn't laugh a that much, although there are the usual pratfalls that do create smiles, especially concerning the safecracker who continues to work while Officer Laurel calls the station. The best parts are more ironic than funny. The conclusion is really questionable and just left me cold.

This is most definitely not one of the best or most memorable Laurel & Hardy shorts. It doesn't really have enough slapstick in it and the comical situations, although good, feel far fetched and perhaps a bit awkward, especially toward the ending.They could have done something more interesting with the concept of Stan Laurel and Oliver Hardy joining the police force. They get themselves into some comical and dumb situations but it all is perhaps a bit too formulaic. That is the main reason why "Midnight Patrol" is an enjoyable but at the same time very forgettable Laurel & Hardy shorts.Lloyd French never was the best or most consistent director of Laurel & Hardy movies. His movies are certainly enjoyable but lacking in originality or true creativity at the same time.I'm beginning to sound negative but of course this movie is not an horrible one to watch. Mainly the Laurel & Hardy fans will still find plenty to enjoy in this movie, although also they have to admit that this is far from the best and/or most memorable Laurel & Hardy shorts.7/10http://bobafett1138.blogspot.com/

Laurel and Hardy are police officers on the night shift patrol. They get a call about a robbery, only to find that two men are trying to steal the spare wheel from their car. They get past this to find they have forgotten the address. Laurel goes to find a phone to ring the station but gets involved in a safe cracking. When they eventually get to the address of the reported robbery things go from bad to worse.Opening with a rolling title sequence, this short made me think I had walking into the wrong screen, however, despite the gritty noir opening, this is Laurel and Hardy. The actual plot is filled out by several scenes on their way to the robbery, before eventually getting to the scenes of them trying to get into the house. All of these work quite well and all scenes make good use of their physical comedy skills – the scenes involving a locked door and a pond being the best.The low point of the film is the final shot (literally!) which is probably the worst judged ending of any short of theirs I've seen. Basically the film ends with the Police Commissioner borrowing a gun, firing two shorts at the backs of our fleeing heroes and then saying `call the morgue'. I was waiting for the final short of L&H holding their backsides in pain or something, but no, so the end of the film sees them shot dead! I couldn't help feel that this was totally against the idea of the comedy that had gone before.Laurel and Hardy both do good work and make the physical stuff look easier than it really is. The support cast of criminals are amusing – although the tyre thieves are just tough, the safe cracker has his share of disbelieving double takes.Overall this is an amusing little short. The major downside here is the fact that the ending leaves a sour taste and is very badly done.

WARNING: REVIEW CONTAINS SPOILERS There are superb stunts, Stan pulling some of his most gormless expressions, and an absolutely hysterical brick throwing competition. There are also some surreal gags, like the police headquarters several blocks away radioing their car to tell them their spare tyre is being stolen.The timing of the duo is impeccable, and even the opening titles – the credits being swished from side to side by a car windscreen wiper as it races through city streets – are excellent. Perhaps the only sticking point is that, while usually more suited to the shorter length pictures, this Stan and Ollie film ends a little abruptly, with a rather sick ending that sees them being murdered. Still it's a minor issue, and doesn't really get in the way of what is tremendous fun.