Thanks for the memories!

one of my absolute favorites!

The first must-see film of the year.

The acting in this movie is really good.

This is a hypnotic Brazilian film. Directed by Vicente Amorim, it's set in the wide open expanses of the North of the country as a poor family is seen traveling toward Rio on bicycles. The movie gives us a sense of the enormity of some of the arid landscape the family traverses in order to get to a place where the father, Romao, could get a decent job that would pay him, at least, a sum, that in his mind will be enough to take care of his wife and five children.The movie is made so appealing by the cinematography of Gustavo Hadba, whose camera loves to show the emptiness of the regions the family is seen traversing. The music of Andre Abujamra blends perfectly with the action.The only thing that is incomprehensible is the way that Romao will not try to get a job, doing whatever, to support his family. Romao is a stoic father who believes his problems will be solved when they arrive in Rio, but along the way, he shows he is a beaten man who will let his family perform for whatever coins are thrown at them, and even starve, without moving a finger to remedy the situation. At the same time, Romao shows a faith in the miraculous Father Cicero, whose sanctuary they visit along the way, but alas, when opportunities arise, Romao doesn't take advantage of them.The suffering mother Rosa is a model of loyalty to her husband. Even if she knows that it's because of Romao they are in the position one sees them. Antonio, the oldest son, is clearly an intelligent boy who will make it in life because he appears to have a resolve that will fight to survive.The director got good performances all around from his cast. Wagner Moura, Claudia Abreu and Ravi Ramos Lacerda, the three principals, are perfect in their roles.The film will not disappoint because it shows a good director at the helm.

A great Brazilian movie called "The Middle of the World", which, in fact, it is in so many ways. It is a rich but unpretentious chronicle of an extraordinary journey of one rural Brazilian family. The father is illiterate and unable to find work. Romão (the father), Rose(the mother), and their five children, from a teen to a baby, begin to make a journey on bicycles and head for Rio de Janeiro, which is 2,000 miles away, to find work. They face all kinds of physical and emotional hardships along the way, seeing many kinds of villages, dirt roads and superhighways, and desolate to spell binding scenes of nature. They beg, do odd jobs, sing in outdoor cafés for money, scrounge around in old abandoned homes, swelter under the blazing sun, almost die of thirst, and sleep under the stars; yet all the while, they keep trying to survive and maintain their love for each other, which is often tested beyond limits. The husband and wife relationship has classic features that are displayed poignantly and expertly. They exhibit a kind of yin and yang pattern with Romão being a strong, soft spoken, intensely patient, idealistic optimist and Rose being the one who verbalizes their feelings of love, sympathy, joy, as well as despair, fear, and anguish. She is also outspoken when their frailties have been overtaxed and when there is a need to be practical. Her pragmatism and his religious convictions balance each other out. Nevertheless, they are able to switch roles as the one to comfort, encourage, or recommit to the challenge when either has had enough and is losing hope and faith in their vision. With no competition from age-group peers, the character of their parents seems to be emulated as role models by the children. As a sub-plot, the teenager, Antonio, is in the middle of growing into manhood. The Father, Romão, exercises patient parental control through mild rebukes and testing Antonio's mettle by letting him use his judgment and make mistakes, but he also subtly guides him with silent looks of acknowledgement that builds Antonio's confidence in himself. Rose, the mother, gives equal guidance by emphasizing caution and protectiveness but also gives him a sense of profound mother-love that becomes his foundation of security. When the father senses Antonio is ready to emancipate, the mother does not want to let go and the father, in his wisdom-love, states simply and firmly to Rose, "We do not own our children." When Antonio is left behind to follow an occupation, the strong and positive family dynamic continues to the end of their journey. Finally, when at their destination of Rio de Janeiro, and expressing the powerful spirit of this family, their triumph is symbolized in a mountain top experience as they stand together viewing Corcovado's Statue of the Christ and overlook the prize of their victory, the city of their dreams. As they crossed the 2,000 miles of their courageous journey, they witnessed the many ways in which the nation they once knew is rapidly changing. It was a raw, earthy, beautiful story. It gave such a realistic picture of Brazil as a whole. It is a beautiful country but also has such vast differences between the rich and poor. The movie also showed what a big and truly dominant role religion, and religious superstitions, plays in the lives of the poor, illiterate 'peasants'. At 'The Middle of the World', two different worlds, the new cosmopolitan and the old world, stand on the same piece of earth!

I've lived in Northeast Brazil, where this movie is set. Viewers get a realistic picture of small-town life, including devotion to Padre Cicero, a priest who died in 1934, in Juazeiro do Norte, Ceara. It shows the importance of the music of Roberto Carlos, the romantic singer who is Brazil's highest-selling recording artist, in the characters' lives. I've known people who have made similar journeys, and seen their devotion to their children and their struggle to preserve their dignity, just like the characters in this movie.It's more low-key than ""Bye Bye Brasil," "Central Station," "O Auto da Compadecida," and "Eu, Tu, Eles" (Me, You, Them). It's most similar in tone to "Central Station."

I though this movie was going to be different. The trailer made me think that. But I was mistaken. The story of a poor family that travels on several bicycles 3200 kilometers to go to Rio de Janeiro where the man of the family hopes to get a job of 1000 reales to feed the necessities of the family. Of course, the travel wasn't going to be perfect. We now that. Happens in every road movie. The problems of this movie are: 1) You know from the beginning towards the end what is going to happen. 2) Performances. There isn't any performance with at least a grade of intensity. The family is not portrayed like people desperate to survive. I mean, it is a long travel and they go on a bike. 3) Photography. When I look to the sky I thought that was painted, NOT real. The clouds seemed to be painted too. Maybe towards the end of the movie you could find a CREDIBLE image. 4) Resuming: all of these factors should have made a true real movie. It is just the opposite. At least, the woman and the boy sang very very well. 2 out of 10. Andres.