The Marrying Man
The Marrying Man
R | 05 April 1991 (USA)
The Marrying Man Trailers

Charley Pearl, wealthy heir and gadabout, is slated to marry Adele, the daughter of a Hollywood tycoon. But, during a wild bachelor party in Las Vegas, Charley strikes up a flirtation with nightclub crooner Vicki Anderson that soon leads to her bedroom. When the couple are discovered by Vicki's beau, infamous gangster Bugsy Siegel, he makes a surprising pronouncement -- they'd better marry, or Charley is a dead man.

Reviews
Spidersecu

Don't Believe the Hype

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Invaderbank

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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Arianna Moses

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Jonah Abbott

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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Norton S

It is difficult to review "movies of childhood" - on the one hand, in the memory preserved delight from seeing it two decades ago; on the other hand, you know that you have changed and what was once so loved, now may be disappointing. Moreover, if you've read devastating criticism on IMDb or Rotten Tomatoes and paid attention to the movie's low rating and its failure at the box office, you'll seriously doubt the wisdom of messing up your vivid impressions of childhood.But here you have some free time, and while not expecting anything special, except for the romantic comedy with still young Baldwin and Basinger, you launch The Marrying Man.Then unexpectedly in addition to the fun romantic story, you find clever humour and excellent Neil Simon's dialogues, psychologically credible analysis of relationships' problems, beautiful songs from the 1950s performed by Kim and perfectly conveyed elegance of the "golden age."Although "The Marrying Man" in its own is a fairy-tale (probably because of this you've fell in love with this movie as a child), it is absolutely not for children. The movie's fabulousness, imperceptibly "catchy" to many is apparently equally repulsive to others. This fabulousness manifested not only in the glamorous beauty of Baldwin-Basinger pair, but also in the inescapable optimistic narrative, desire and ability of the main protagonists to forgive and to give each other more and more chances despite appearing would be hopelessly damaged relationships. Of course, in real life it seems unreal. And if it happens, it is extremely rare. But many would like to believe in a fabulous chance to correct the irreparable: to return passion, which was extinguished in the routine of life, to restore marriage, ruined by husband's workaholism and negligence, to start over and fall into another flaw when husband loses his self-esteem, when recriminations and resentment for lost opportunities seem insurmountable, still to forgive and to try again from the scratch, taking into account all the experienced mistakes - with mutual respect, love and support. And characters are giving these forgiveness and new opportunities to each other - a fairy tale, in which you secretly want to believe.In this fairy tale with beautiful people, great music, stylish atmosphere, clever dialogues, good humour and adult problems, protagonists, despite all of life's disasters and deep resentment, still eager to find mutual support and love, friends remain loyal, and the story's ending, as a reward for all experienced, is optimistic. The Marrying Man is a good movie for those who have not forgotten how to believe in the beautiful fairy tales.10 out of 10

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dataconflossmoor

Alec Baldwin plays Charley, an eccentric millionaire who is worth 28, 38, 48 million dollars, something like that! This buys a lot of things, maids, swimming pools, clout and influential friends...Oh!!! one more thing!! a twisted life!! Earmarked to marry some pro-corporate, social register bimbo, Charley falls in love with a lounge singer, and parenthetically he is hot for her as well!! Generally, you are not hot for the woman you fall in love with...Very unusual!! but, on the other hand,!! How Nice!! Kim Bassinger looks absolutely beautiful in this movie ,virtually every guy who watches this movie puts themselves in Alec Baldwin's position!! Being married to the same GORGEOUS!! woman copious times, insures that he is not only in love, but he also has the hots, CONSTANTLY!! GREAT MOVIE!! Not a typical Neil Simon film, this one takes the men's side!! The typical guy can laugh inwardly as well as outwardly throughout this entire film!! This is a better Neil Simon effort!! There are no platonic responsibilities to securing an amicable divorce!! Not everyone is a New York intellectual! Nice to know such an accomplished director can accommodate a prevailing eighties philosophy of men just acting like men!! I think this movie is so hilarious!! but then again!! I should!! I am a guy!!

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RRSawdey

This is the movie where Alec Balwin and Kim Baisinger fall in love, FOR REAL! Their chemistry is potent and obvious... and they were married shortly after!Yes, it's very funny in places, a tribute to human emotional insanity under the influence of love... and OH so true.Largely, to my mind, because of the REAL emotions between the main characters (they WEREN'T acting) it was fantastic. Alec is the quintessential male victim of love - totally illogical and totally devoted to the female who's totally seduced him. And she comes to believe a man willing to die for her is better than the meal ticket she's got in the mob guy... to everyone's detriment.Watch it again, people, appreciating it's relation to actual history...

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Acapulqueno

A very rich toothpaste heir playboy (Baldwin) lets raging testosterone make all of his major decisions, which results in tiresomely predictable but never really fatal results. The object of most of his affection is a Las Vegas cabaret singer who is the girlfriend of Bugsy Siegel (Armand Assante in a too-brief appearance). Kim Bassinger does a lot of singing and even more shimmying, but that's about all she contributes to a script which consists mostly of a tiresome series of not very funny one-liners. Don't be misled by the Neil Simon credit. Simon has done far better plays, and should have known enough to burn the script of this disaster before letting anyone film it.

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