The Making of a Legend: Gone with the Wind
The Making of a Legend: Gone with the Wind
| 01 October 1988 (USA)
The Making of a Legend: Gone with the Wind Trailers

This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.

Reviews
Claysaba

Excellent, Without a doubt!!

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Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Catangro

After playing with our expectations, this turns out to be a very different sort of film.

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Tobias Burrows

It's easily one of the freshest, sharpest and most enjoyable films of this year.

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MartinHafer

This is perhaps the best 'making of' documentary I have ever seen. This is incredibly impressive considering the gap of almost 50 years between the debut of "Gone With The Wind" and this documentary. Usually, the longer the interval between films, the less thorough the making of film is--but this is not the case here, as the film is approximately two hours long. Now most of the actors involved in making the original were either dead or declined to participate, yet this didn't hurt the film because there was so much tremendous background material that kept it all interesting from start to finish. The narration by Christopher Plummer was lovely, the few guest appearances were very nice and the gobs of wonderful hidden gems (such as showing the scenes with and without the matte paintings) make this come alive. If you love "Gone With The Wind", then you must see this film made for Turner Classic Movies---it will keep your interest from start to finish and have you marvel at how all the pieces actually came together. See this film!

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FloatingOpera7

The Making Of A Legend: Gone With The Wind (1989): Starring the narrator Christopher Plummer, the voices of L. Jeffrey Selznick, Arthur E. Arling, Katherine Brown, Arthur Fellows, Ann Rutherford, Evelyn Keyes, Butterfly McQueen, Raymond A. Klune, James E. Newcom, Marcella Rabwin, Harry L. Wolf and the Archive Footage of Margaret Mitchell, David O. Selznick, Vivien Leigh, Clark Gable, Olivia De Havilland, Leslie Howard, Hattie McDaniel, Oscar Polk, Carole Lombard, Paulette Goddard, Susan Hayward, Jean Arthur, Tallulah Bankhead, Joan Bennett, George Cukor, Victor Fleming......Director David Hinton.This is director David Hinton's magnificent 1989 documentary about the making of the 1939 Oscar winning epic "Gone With The Wind", still considered by many to be the greatest film of the 20th century. Hinton's documentary first aired on PBS/KCET around 1990 and is now a bonus feature in the new Gone With The Wind 4-disc DVD Collector's Edition. This is a long, wonderfully detailed documentary that takes the viewers back to late 30's Hollywood for a step-by-step look at the making of this beloved American movie classic. For the most devote "Wind" fan, this is a huge treat. Veteran actor Christopher Plummer (The Sound of Music) provides the narration and Max Steiner's enchanting score for the film plays in the background. The film was the product of ambitious director David O. Selznick, who bought the rights from Atlanta author Margaret Mitchell, whose Pulitzer prize winning novel had sold millions. We see into the lives of the prominent forces behind the film- Selznick, Mitchell, the principal actors, namely Vivien Leigh and Clark Gable, as well as the buzz around the film. Selznick pulled one of the greatest publicity stunts of the time. He had cast Hollywood newcomer Vivien Leigh as Scarlett but still continued to deceive the public into thinking the perfect Scarlett had not yet been found. Because Scarlett O'Hara was the most coveted movie role for an actress in the late 30's, several brand name and no-name actresses were considered for the role and auditioned, including top choices Bette Davis (who received her second Oscar for the '38 film "Jezebel" in a similar role to Scarlett), Paulette Goddard who was chummy with the director, Katherine Hepburn, Southern-born Tallulah Bankhead, Miriam Hopkins (who had performed the Broadway play Jezebel) Joan Bennett, Susan Hayward, Lana Turner, Jean Arthur, even Lucille Ball. We watch as Vivien Leigh and her soon-to-be husband Laurence Olivier journey from England to Hollywood, hoping to land the role she was born to play. We watch as production is besieged with several problems including the chaotic use of three different-minded directors (Cukor, Wood and Fleming), difficulties with actors and directors including Gable's clash with Cukor, censorship and Hay's Code problems with Gable's infamous use of the word "damn" in the final scene and faulty, early Technicolor process. Finally, after two long years of filming, "The Wind" sweeps Atlanta for its December premiere in the grandest spectacle the town had ever seen, never mind the onset of World War II just around the corner. It swept the Oscars in 1940, earning Selznick, Leigh and Hattie McDaniel their Oscars. Selznick would never make a greater film. His tomb reads "Director of Gone With The Wind". We see interviews with actresses Evelyn Keyes and Ann Rutherford (Suellen and Careen, Scarlett's sisters) and Butterfly McQueen (Prissy) who was still alive to comment on the film but who would die tragically in 1995. We watch as the film remains popular years afterward and when the remaining cast attends the 1961 Civil War Centennial and we learn about the tragic deaths of Leslie Howard, Clark Gable and Margaret Mitchell. America would see re-releases of the movie throughout the years, even well into the late 90's. This documentary strips the romantic glamor of the film to reveal it was just as difficult to make as any expensive film then and now. But the documentary honors the great film as a work of art, a film that will be loved for years to come. Gone With The Wind fans will cherish this priceless documentary. It is a film that represented the zenith of old Hollywood movie-making, a film based on a great American novel which still captures the imagination of modern-day audiences. Return to Tara with Vivien Leigh and Clark Gable, watch as we learn how Atlanta fell in a studio back lot which was once the set of "King Kong", watch as an obscure English girl reaches film immortality, watch the first black actress win her Oscar, learn the cold facts about the movie, look behind the scenes to discover beauty born out of madness and mayhem and watch as a legendary movie comes to glorious life. Enjoy!!

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Neil Doyle

Selznick himself would have given his highest rating of approval to this fascinating documentary which traces the birth of the Margaret Mitchell novel through its publication and on to Hollywood, where it became a major chore for David O. Selznick to wittle the 1,000 page novel into a workable screenplay. Selznick's work habits are examined at length and the kind of stress his perfectionist behavior gave everyone around him is understandable. But his persistence paid off and, of course, the end result was all anyone could hope for.Having read many books on this subject, I can assure you this is a project that is well worth viewing for anyone who has more than a passing interest in the making of the film. There are some interesting and revealing comments by George Cukor, the original director on the film who was fired after a few weeks of filming but still remained on good terms with Selznick after Victor Fleming took over.Most interesting aspect are a series of tests made by various actors and actresses under consideration for roles--most of whom were highly unsuitable if the tests are to be taken seriously.Missing among the cast members who speak about the film is Olivia de Havilland, who was probably too heavily involved in personal matters at the time this was being put together and could not find time to make her contribution--which would have been a significant one. Fortunately, she turned up for last year's DVD release of the film in a segment called "Melanie Remembers". But Evelyn Keyes and Ann Rutherford do a nice job of describing some behind-the-scenes events as well as the initial premiere of the film in Keyes' home town of Atlanta. Butterfly McQueen recalls what it was like to play Prissy.Excellent commentary by Christopher Plummer is a definite plus, and the well written script gives the viewer a complete feeling of what it was like for everyone involved in the making of this great classic. By the time it reaches the film's world premiere reaction, you will be thoroughly involved and entertained by the interesting presentation of facts. As an added bonus, much of the documentary is accompanied by selections from Max Steiner's massive score.Summing up: A documentary you can't afford to miss.

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didi-5

Whatever your opinion of the 1939 classic, 'Gone With The Wind' (and I happen to think it is the best film ever made), this documentary will have something to interest you. Whether it be the headache of securing expensive film rights to an 'impossible' bestseller and then wondering how to recoup your investment; or the power struggles between producer, director(s) and writers; or the studio shenanigans to ensure the best possible cast; or the celebration of a job well done, it is all here.Surviving cast members Evelyn Keyes, Ann Rutherford, and Butterfly McQueen (but curiously not Olivia de Havilland) contribute alongside Selznick colleagues and archive footage/reconstructed interviews with participants now dead. We see the story of GWTW from the first low-key appearance of Margaret Mitchell's soapy book, the fever as a nation sent it up the bestseller lists, and the struggle to condense its 1000 plus pages into a manageable film.We see the screen tests of failed Scarletts, Melanies, and Ashleys (although there was only ever one man really in the frame for Rhett - the wonderful Clark Gable). We hear the romanticised story of how Vivien Leigh won the part of Scarlett. Finally, we hear about the film's preview and the rapturous reception it received before its glitzy premiere in - where else? - Atlanta, Georgia.A worthy companion to a fabulous Follywood film. GWTW, all sprawling four hours of it, has no equal in the golden days of Tinseltown, and this documentary gives you just a few reasons why.

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