I like the storyline of this show,it attract me so much

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Julia Stiles character was too cold, mean, and uncaring. I didn't enjoy the movie because of her. The writers should have allowed her character to change into someone more likable. I like that the movie was set in Boston. It was very​ authentic. I don't understand why Julia's character had to remain so callous during the entire movie. I don't recall her smiling at all.

With a tendency to be quite picky about the movies I like, I watched "The Makeover" with some hesitation, not knowing what to expect.The movie was well made, with good actors. It never felt like a cheaply made or poorly acted movie. If I were to pick any character that I least liked (not necessarily for their acting, but possibly including that), it would have to be the 'mother'.The story moved along well, without feeling like it was dragging or moving too fast, either. Well balanced.Movies that are too sappy, or over-the-top romantic, are not to my liking, and was glad that this one was easy on that front.The only complaint, if I was going to point something out that took away from the movie for me, it would be the one bad time incongruity that I believe occurs in the movie. After '5 weeks' for the office staff not to know about any changes with one of the main characters was lacking in realism. People talk, and they simply would have already known. Period. Without this flaw, I would have given this movie a solid 9/10, but with it, only 8/10.

David Walton plays a delightful 'heart of gold' young man with a keen sense for people. Julia Stiles plays a smart, razor-edged-personality politician who lives in her head. She is a judgmental young woman.It amazes me John Gray, the director, was blind to the 'heroine's' lack of character growth. He didn't show her changing despite her being warned by others who love her. That's all the movie needed to make it heart-warming and worth caring about.It makes no sense that Walton's character fell in love with her. Her mean-spiritedness is endless. She doesn't feel others pain at her sarcastic, hurtful comments or their hurts and losses. She never truly apologizes. It's a disheartening movie, in that a wonderful, talented young man attaches himself to a smart, driven woman who lacks empathy and emotional self-awareness. I found it a downer to watch.Julia Stiles deserved a better vehicle for her acting talent and she ought to have fought for a more teachable, lovable character. Walton ought to have demanded that, too, for his own character's sake. Camryn Manheim, too, was funny, played a good friend to Stiles, but didn't demand enough change, either. A waste of a decent plot.

Henry Higgins and Eliza Doolittle, move over. In the reversal of sex roles, the female losing candidate in a congressional race attempts to make over a beer distributor who she has insulted on the night of her defeat. He needs her help for a major promotion and when the candidate who beat her, dies in a freak accident, she decides to promote him for Congress.It's wonderful how he learns to speak well and knows how to work an audience. It's also wonderful seeing how he takes the high road by refusing to submit damaging evidence that he has against his opponent's wife.Frances Fischer steals the scenes she is in by playing our male hero's common mother, very common that is. She is often hysterical to watch.While they both share the common thread in being defeated, this is also a story of two people with different backgrounds falling in love.A wonderful film. I was so sorry when it ended.