A lot more amusing than I thought it would be.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I gave it 5 and that is generous, considering this film does not achieve many of the goals it sets itself: it is not really suspenseful, the characterization is often vague, the plot is not clear at many points (too many characters don't improve matters). There is a Hollywood gloss over this picture that depresses me; surely a French film can call upon a tradition of thrillers dating back to the post-war years: Le salaire de la peur for example. I thought of Melville of course (Le deuxieme soufflé and Le cercle rouge) and Alain Corneau (Police Python 357). The kids who would troop off to see this one will be quickly bored.There is little point in trying to single out any of the actors for praise or blame; they seem interchangeable in their roles. Daniel Auteuil looks glum most of the time--did they not pay him enough? Olivier Gourmet from those great Dardenne movies promised much, but his part was clumsily written and not really understandable.

I'm being generous, I know, but consider the misleading 5.something score for this movie to be an anomaly. I first thought this was a 'Res Dogs' copy but it developed into a thoughtful thriller with enough plot to make it compelling. The absence of an obvious 'hero' figure is, perhaps, an obstacle to begin, but a strong ensemble cast contributes to maintaining interest in the conclusion of the movie. The question at the heart of the film, if there is one, may lie with the motivation of the Policeman, rather than the identity of the traitor. A genuinely classy European thriller of a type that can no longer be considered rare ( tell No-One, The Secrets...) but which is well worth a look.

I wasn't expecting too much from this film given the previous reviews. That said, other reviewers seemed to really quite enjoy it but, at the same time, awarded a low score?! I didn't find it too predictable (which is my pet hate), though that's largely because I didn't expect it to stray into another genre. The acting, direction, and production were all good. The action was surprisingly brief, which I liked too - more realistic than the twenty minute free-running/car chase scenes to which we're routinely subjected.OK, this film probably employed a sub-plot or two too many, was morally questionable, and, was a bit fanciful, but hey, that's French crime thrillers for you?!

Freshly absorbing and intriguing, confusing at times, but eventually gets his goal: keep the edge of their seats. Occasionally gives the impression that the movie tries to tell two different stories or more and some subjects seem not to transcend in the development of the story... say that the ending was predictable, which is hard, I am of the idea that would have given more credibility to the story, the fact that criminals were in some Balkan region and not an Italian, however, at the end get absorb you. A good work of Michele Placido (aka Corrado Cattani), but can still offer something more, has the ability. Great collaboration of Mathieu Kassovitz (The Crimson Rivers).