One of the best films i have seen

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Why sit through this whole thing when we as an audience don't give a crap about any of the characters? They are all equally worthless...The villain is a wonderful actor. The lighting and mood are fine, but when we go to the movies what we really want is emotion. To feel, to care. And I couldn't have cared less about the stupid brother or anyone else in The Living. I guess it is a reflection of our culture that movies like this get financed, and made. How does this happen? There is zero subplot, zero nuance, and zero depth of character. It's like a silly ghost story that my 5 year old would tell, only she'd finish it quickly enough not to make me feel like my time had been stolen. Save yourself for actual movies. Maybe other ones that Chris Mulkey is in...since he's really worth watching. Just not in this.Amateur hour and a half.

'The Living' is about unintended consequences arising from difficult decisions clouted by complicated personalities and troubled minds. It is a nice indie dark movie, with several highlights but some compromising flaws.Acting is surprisingly good, with actors punching way above their weight. This his the highlight of the movie. The slow scenes with agonizing seconds of silences give them a dark and deep vibe, and the actors nail it, looking natural and very comfortable on screen.The context of the story plot is very cliché, however, as it revolves about the struggles of a battered woman and her alcoholic husband who loves-her-even-though-he-hit-her. Strangely, the lack of character development isn't that much detrimental on 'The Living' as it would be in many other movies, as the focus quickly shifts to the mental state and how the characters process the situation they got themselves involved with, instead of just re-telling a worn-out and over-used simple story line. Finally, editing seems to be hurried up, as it is the case of so many otherwise promising indie productions, unfortunately. As I mentioned, many individual scenes are harrowing, deep and engaging, but the transitions don't work that well, which is frustrating.I give 'The Living' a 6/10 score, realizing I'm averaging some very good marks with poor ones. Having so much quality disparity is what, in my opinion, makes the difference between some other reviews here that swing from critical 3s to glowing 9s and 10s.

This movie is a superb combination of thriller and socially conscious film-making. I've never really seen a film that is as good. The acting is great all around. The characters are nuanced. The problem of domestic violence is subtly depicted. The courage of the filmmakers is obvious from the start. I highly recommend this film. My one reservation concerns the depiction of the killer as southern. But the portrayal of people wiling to forgive is truly amazing and impressive. So, I agree totally with this other review: I saw this movie at a screening in Boston MA sponsored by Emerson college. I was impressed with the content of the film and how Jack Bryan the writer/director incorporates his characters and intertwines their lives into the dark depths of alcoholism and domestic violence. His choice of cast members was right on and I particularly liked his portrayal of the killer played by Chris Mulkey. I was surprised by the ending but not disappointed. This is a must see movie. I hope to have the opportunity to experience more works from this group of talented writers, directors, and producers along with all members who made this film what it is.

I saw this film at the Tallgrass Film Festival, and it was excellent. Jack Bryan really knows how to write a compelling tale, and the film ends in a way that Hollywood could never deliver. There's a well-established sense of the world that the characters inhabit, and it never feels like a low-budget production. There are several long dialog takes that are thoroughly impressive performances. It's good to see Fran Kranz in a serious role, as he totally sells the character. Hopefully this acts as a showcase for more dramatic projects. I was unfamiliar with Jocelin Donahue, but will definitely keep an eye out for her in other films. Chris Mulkey is a beast, and absolutely kills it. The people involved in making this movie are clearly talented and passionate individuals, and I can't wait to see what they bring to the table next.