The Lawless Frontier
The Lawless Frontier
NR | 22 November 1934 (USA)
The Lawless Frontier Trailers

Tobin is after the bandit Zanti who killed his parents. He finds him just as Zanti is about to kill Dusty and kidnap Ruby. Saving the two, he goes after Zanti. He catches him but Zanti escapes the Sheriff's handcuff's and this time Tobin has to chase him into the desert.

Reviews
Cubussoli

Very very predictable, including the post credit scene !!!

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VeteranLight

I don't have all the words right now but this film is a work of art.

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TrueHello

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Guillelmina

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Mickey Micklon

"John Tobin" (John Wayne) is on the hunt of the killer of his father (Earl Dwire), who kidnaps a young woman (Sheila Terry). Now, John has to save the young woman, while trying to prove he is not a member of the outlaw's gang to the bumbling sheriff, who also accuses him for killing the girl's father.This is one of the worst 1930's movies I've seen. I spent more time looking away from my computer screen than watching the actual movie.The first problem is the length of the film. It completely rushed the story, which was hard to follow at times. It also gave no chance of the characters to develop.Everybody in the cast seemed to have been forced together, and did not get the chance to develop any chemistry.A good chunk of this movie deals with "Tobin" chasing the villain. In fact, a good chunk of the entire 50 minutes was a horse chase. The villain was horrible, and I did not feel any hate toward him. I didn't even believe his accent.Surprisingly, Wayne was not good in this movie. I believe this was early in his career, and it showed. He was not leading man material in this one. He didn't even have chemistry with any of the other performers.Due to the age of this film, the audio was not great. It made the dialog nearly impossible to hear at times. There were times that you couldn't understand anything that was said. You also had the source of the sound go to almost a whisper as it moved away from the microphone.If you are a John Wayne fan, check this out if you see it on the Westerns channel, but only if there is nothing else on.

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John W Chance

What distinguishes some of the 'Lone Star' films (and many others in western and adventure films of the early thirties) was their lack of what we recognize as formulaic story telling. To be sure they had good vs. evil (the basic element of any Western), boy meets girl and some stock characters, such as the old rancher and his beautiful daughter or grand daughter, and sometimes the evil banker or other businessman, but the way the action played out was often different from film to film.'The Lawless Frontier' features Earl Dwire in his big star turn (not) as (for some inexplicable reason) Pandro Zanti, a 'half Apache, half American posing as a Mexican who speaks the language fluently.' His biggest posing as a Mexican seemed to be his outrageous mariachi clothes. The only plot seems to be that he wants to steal Ruby, the granddaughter of "Old Dusty" (Gabby Hayes). When meeting her for the first time, Dwire gives her a long once over look that puts him in the big leagues with sexual predators. You'd think that because the opening scene shows Zanti killing John (Wayne) Tobin's father off camera, it would play a bigger part in the film. It doesn't. Too much chasing back and forth between heroes and villains.We get many good stunts, though, from Yakima Canutt, including pulling Ruby up on his horse when he rides by, jumping on 'renegades' and knocking them off their horses, a horse leap off a cliff into a lake, and even the same slide down the sluice sequence that was in "The Lucky Texan" (1934), although this time the Mighty Yak uses a body surfing log instead of straddling a tree bough, and its inclusion is just as illogical this time too, since they are in a desert.The high point is clearly John Wayne's measured and methodical well photographed walk across the desert after the fleeing and stumbling Zanti with those fantastic basalt cliffs of Red Rock Canyon (seen in countless serials, westerns and science fiction 'moon' movies) framed behind him. No final gun duel at fifty paces with the heroine running from the wooden steps of the bar to embrace and kiss the conquering hero in this movie! When John Wayne finally catches up with him, Zanti drinks poisoned water from a waterhole and dies.After a couple too many chase sequences, Zantai's gang is finally captured in Dusty's cabin, emerging one by one from behind a swivel cabinet that apparently leads to a canyon, now blocked off by having been dynamited. No riding off into the sunset or obligatorily kissing the girl: The final shot is Ruby, now Mrs. John Tobin, on the telephone to the now Sheriff John Tobin, "What would Sheriff Tobin like for dinner?" The film also has poor lighting and editing at the beginning, the pacing is slow, some parts with the sheriff cause it to drag, and the horse chases fill up the film. So despite the different and unusual elements, it comes off as one of the weaker Lone Stars.

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edavid2d

The one scene that I think is great is where JW calls for his dad and forces open the door into a darkened cabin then lights a match showing his own face. The lighting of that scene, strong shadows and bright highlights on JW is nicely done. It seems to be the case with many of these early westerns made on tight schedules and budgets that talent was there, just not given the time or money to flourish.I liken them to the difference between a sketch artist and a portrait painter. Both may be talented and capable but where the portrait painter can spend the time to nuance the shade and tone of a back-lighted cheek the sketch artist must leave the paper untouched. Also, I remember seeing one of these B-westerns on a Saturday morning where the hero mounted his horse by putting his foot in the stirrup and standing straight up in one real smooth move and swinging his leg over and nailing his boot into the other stirrup as his hands took the reins and the horse took off at a gallop. Never did the cowboy hunker down or jerk his shoulders or kick his spurs. Start to finish it was polished with no wasted motions. To a 10 year old it looked COOL. I got out of the movie theater and went to the bicycle rack. I think that's when I realized you really have to practice the little things to truly finesse them.Spoiler spoiler******************************* *******************************Trivia question from this movie.Did John Wayne ever use a body board to hydroplane on water?? Skeleton Style??So maybe not a great movie but it does has some nifty scenes in it.

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nek3387

This is probably Wayne's poorest movie; at least the poorest in which he had a starring role. It's just incredibly bad. The editing is especially awful; it really appears that the editor (if there was one)literally picked up pieces of film off the floor and pasted them together. The opening has to be seen to be believed. John Wayne must have cringed every time it was mentioned! I know there are "B" films - but are there "H" films? If so, this one's an example. And I say this as a devoted JW fan.

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