So much average

Nice effects though.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Rosie is unhappy there, worried that she can change but Wes never will, and that he will grow bored with her and farm life. To convince her of his devotion, Wes brings home a parson and marries Rosie. Soon after, she becomes pregnant and writes to J. G., who is secretly pleased at the thought of a grandson. Rosie admits to Wes that she was wrong about his ability to change, and that she feels safe with him. That day, however, Wes is caught in town by the Rangers. In Austin, he is found guilty of murdering Webb and sentenced to twenty-five years of hard labor. As he bids goodbye to his father, wife and new son, Wes continues to insist that he is not a murderer. In the present, Wes returns to the ranch, where Rosie, who has waited for him faithfully, embraces him joyously and sends him to the barn to meet his son, John. As John proudly spins his father's gun, horrific scenes of his own outlaw background flash before Wes's eyes. Like his own father, Wes snaps and hits his son, who runs off. Despondent, Wes explains to Rosie that he cannot let his son follow in his footsteps. He finds John in a saloon, about to enter a gunfight with a man who is insulting Wes. Wes discourages his son from shooting and escorts him to the door, but as they leave, the other man shoots Wes in the back. John holds Wes and promises his father he will not become a criminal. Later, Rosie and John take a recovered Wes home to his ranch.

Decent if a bit overdone western competently directed by Walsh. Rock Hudson, right on the cusp of big time stardom with his next film Magnificent Obsession, is solid in the lead. The always reliable Julie Adams, a most underrated talent that Hollywood never figured out how to use properly, is terrific if stuck with the thankless part of the whore with a heart of gold who is redeemed by the love of a man. John Ireland appears in a dual role, he's fine in the one, the trusted uncle and a bit much in the other as Hudson's father although with the purple prose he has to deliver who can blame him for trying to make something out of it by going over the top.

This is a low budget Western that is barely watchable. It could only be of interest to intense Rock Hudson fans. This was his first leading role. Here are its good points:Old reliable John McIntyre ("Winchester '73) plays a dual role.That's it for positivesHere are the bad points:I didn't buy Rock Hudson in the role of Western hero for one second.Implausible that Hardin was framed for every killing he committed. The guy was a saint, apparently.Story is paint by numbersBacklot Western. Locations are all San Fernando Valley.Typical secular agenda Hollywood Christian bashingNo Indian or Mexican references.No comic relief

It was made to a formula and revolves around most of the cliches in the Western handbook but it was hard not to enjoy this film.It is based on the life of the famous Texan John Wesley Hardin. His youth was shaped by the Civil War and by his preacher father. When his father forbids him to practise shooting young Wes reckons its about time to leave home and seek his fortune. Almost immediately he kills a local gunslinger and plunges into the life of a rootin tootin cowboy, gambler and outlaw.It has a classic opening a dignified man walking out of the prison gates, shaking hands with the warden and sniffing the air of freedom. It has an equally recognisable ending, back at the ranch to see how his wife and family have managed during the long years of incarceration. The final scenes of the film are lovely, it won't spoil the film to say he learned from his experiences and lived a long and happy life.There is nothing new in this film. Although it claims to be an autobiography, it is one of countless 1950's Westerns with a theme of a young man seeking adventure and finding redemption. The real strength of the movie is its star Rock Hudson, barrel chested and manly, who shoots, rides, kisses, gambles and drinks as well as any of his contemporaries. One of the baddies is a young Lee Van Cleef who easily steals scenes from his fellow wrong-doers.It won't change your life, the way "Shane" might have done but it won't hurt you to watch it, and to remember Rock Hudson in the way he should be remembered.