As Good As It Gets

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Reading review here before watching the movie on TV got me unsure about it. However, this is a very decent movie that I really enjoyed watching. Anybody rating it under 4 stars or 10 (!) lacks credibility.It is far from perfect, but it is a nice try at showing this interesting true-story that I did not know of. Good actors were used and they offered what we can expect of them. The movie started a bit slowly but I did not mind. This is not your usual Hollywood movie, not as fast moving, but to me that's not bad. It was realistic (much more than most Hollywood movies of the genre). I think the end could have been better, but it was acceptable.

Okay, guys, maybe I am a little too harsh on this movie, but what is that all about? Okay, it is realistic material that is filmed, but still... First of all the introduction of the main character takes very long - and it's not worth it! There is no struggle to be seen in his way through the movie. He is not changing anything although one thinks something would change in his mind. This love-story of his is sooooo boring, 1000 times to be seen before and flat as a sheet of paper! The other three guys introduced are of perfect stereo-type of a robber's movie: we have the old veteran, the main character's best friend and somebody who wouldn't let him down; the 'oppponent', a very aggressive and not to be believed in type; last but not least 'Smiley', an old acquaintance of the main character; he organizes the money for the deal. The lightning, the cut and the camera and most of all the music are so tension-seeking it really gets on my nerves: e.g. Smiley's face is ALWAYS lightened up only from one side to give him a "dubious" touch - very clever! But back to the content. Why do we like to watch robber movies? Right, the preparation, the exact planning, the carrying out of the plan in detail. The movie lacks in all of these categories. All this is replaced by a - as already mentioned - extremely boring love-story, probation-assistant fooling-around ("Why didn't you meet me?" - "I hit my head" - hahaha) and the relation between the four gangsters; that at least could have been an exciting study to see - but it isn't at all. The 'turning points' (if one can call them so) are somewhat predictable it hurts! I'm really sorry but that movie is a certain '1' or '0' if that existed. It may be thrilling if you are 15 of age or a total entertainment-dependent junkie with an IQ of less than 70 - or it is your first movie you ever watched... for everybody else: HANDS OFF!!! One good thing about it: it made me register at IMDb because I was so upset and wanted to write a review so that nobody else makes the mistake and spend a cent seeing this movie...

Érik Canuel's "Le Dernier Tunnel" (2004), inspired from the true story of Marcel Talon's surreal bank robbery, tells the story of an audacious bank robbery made possible by digging a tunnel from the sewers beneath busy downtown Montreal streets into an underground bank volt, where millions of dollars are 'safely' kept. This film offers a genre approach unprecedented in Québec's cinematographic history, which Canuel seems to be making a ritual of, adding to his already impressive filmography, along with "La Loi Du Cochon" (2001) amongst others, a genre film of international caliber. "Le Dernier Tunnel", a typical heist film, reminiscent of such 1950s heist films as Jules Dassin's "Rififi", or of such recent renditions as Frank Oz's "The Score" (2001) (also shot in Montreal), proves that Québec's growing genre film industry can now be placed into an international context, without appearing recycled or banal, while maintaining a cultural uniqueness proper to Quebec. On an aesthetic level, taking into account the film's overall stylistic approach to the heist genre, "Le Dernier Tunnel" is cutting-edge; The editing is sharp and multi-layered, and the cinematography is meticulously executed -as it should be- to convey moods relative to any given scene, which is customary to Canuel's cinematic style, who is admittedly intent on using more than just a superficial cinematography. Overall, this picture, with a meager budge of only 4.5 million dollars -which for Quebec standard is considerably high, but represents nothing in comparison to any aesthetically equivalent Hollywood genre film- offers an approach to the heist film rarely scene before.Note: My grade of 7/10 is given within the context of the genre it conforms to -more precisely to Quebec's genre capabilities- and isn't meant to reflect anything pertaining to its place in the greater context of cinema's 110 year history, which would then be absurd. If it were, its grade would obviously be considerably lower.

One of the best heist movies I've ever see in my whole life! Michel Cote and the other actors are really intense. The thrill, the presentation and story are really captivating and get your hair straight on your head! Even the special effects are great!This movie as been inspired from a real heist that happened in Montreal in the 90's, a story really incredible. This movie have something different from the other heist movie, it is more realistic, and then more captivating! A movie everybody must see!!Quebec movie are beginning to kick a**!! This movie is almost as powerful as the Barbarian Invasions!!